A brush with Baroque takes artist to new level

MOODY lighting, a solitary cellist playing Bach and the fluid movements of a partially obscured figure painting a huge canvas in Judith Wright’s latest exhibition takes art to a different plane.

“I’m painting through a series of screens. The front layers are transparent so the audience can see me as I work.” Wright told the Voice.

She’s linked up with cellist Rachel Scott, a personal friend, who will perform one of the German composers pieces as part of her unusual Bach in the Dark series.

• Rachel Scott fiddles while Judith Wright paints. Photo supplied
• Rachel Scott fiddles while Judith Wright paints. Photo supplied

Mesmerised

The inspiration for the series came after the internationally-renowned performer played at a remote community school.

Leaving her precious 1789 cello behind, she took a ”purple, sparkly stunt cello”.

She told the school kids to lie on the ground so they could feel the music as well as hear it, and she says they were mesmerised.

“They were really silent … later one little boy said ‘Rachel this is the most beautiful thing I have ever heard’.”

Inspired, she created Bach in the Dark and co-opted other musicians to tackle his works in the darkened crypt of St James’ church in Sydney.

“I wanted everyone to be in the dark, a glass of wine in hand — that’s the way I like to listen to Bach.”

Combining her music with painting seemed a logical step.

“So many people say they don’t look at me…it doesn’t become Rachel and art and Judith, it becomes just Bach,” Scott told the Voice.

White says painting is normally a private activity for her, so to be creative in front of an audience was an enjoyable challenge.

“I use the music as a tool to help interpret creative activity and Bach is amazing in terms of the imagery that I can associate with it.”

Known for her pure watercolour technique, water is a recurring theme in White’s work.

Her current exhibition Island focuses on the junction of land and water, the power of the natural environment and the interaction of human history and endeavour at the edge of this connection.

Bach in the Dark is on August 11, but White’s Island exhibition runs until August 21, at Linton and Kay galleries, St Georges Terrace, Perth.

by JENNY D’ANGER

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One response to “A brush with Baroque takes artist to new level”

  1. Ms Andrée Mary Rowden Avatar
    Ms Andrée Mary Rowden

    Thank you Jenny D’anger for your expressive contribution. You have peaked my interest and stirred my passions difficult to express my gratitude to you in a few words. I stumbled across this article while researching Judith Wright. My interest peaked discovering Rachel Scott’s immersion with Judth Wright. As I read on I began to immerse myself into the experience in my mind/body as if I was in the room. To discover a quirky experimental cellist
    (formally I an ameteur retired cellist with QYO taught by Sr Mary Celiene and Rosemary Quinn in Brisbane). I’m also a kindred lover of Bach cello suites, the beautiful vibrations through the cello timber, bow and strings, deep cello tones; amateur female bass/tenor chorister. No wonder Judith was moved and driven by the challenge to experiment by steppung away her usually private creative space. I yearn now to experience these artists together please come together again in Brisbane. I’ve missed the opportunity as I’ve been in recovery from brain tumour treatment, I’m rediscovering with more heightened sensory my passions for expressive art in colour, writing, painting, dance, Bach, all things cello, and always unusual. Until I experience you all performing live together I will search for your performances on YouTube. My daughters family live in Perth hills district so Inloik forward to following Voice Friends for myself and my daughter and her young children. With thanks, Andrée

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