• Sushi wars

      

    IT was survival of the fittest at Tsuke-Ba in Leederville.

    A throng of well-dressed office workers quickly regressed to snarling maniacs; elbowing and pushing to get to the front of the display counter at the busy Japanese takeaway.

    I soon joined the white-collar feeding frenzy, using some well timed shoulder barges to reach the amazing array of sushi, hot meals and salads.

    Sushi joints come and go but Tsuke-Ba has been around for 15 years – a testament to its popularity and quality control.

    Situated in the Tip Top Arcade off Oxford Street, the takeaway serves a mind-boggling range of Japanese dishes with more than 54 varieties of sushi, 17 salad bowls, 21 hot meals, 17 vegan options, 31 gluten-free options and 14 platters. 

    After you’ve gone through what feels like a scene from Fight Club, it can be intimidating when you finally reach the counter and are confronted with a wall of sushi, while ravenous office drones salivate and grind their teeth behind you. So maybe check out the online menu before visiting.

    As my eyes traversed the trays of neatly-arranged sushi, a colourful creation on the 15th row tickled my fancy – tuna with red rice and chia seeds (eight for $10).

    The red rice actually had a pinky-purple shade, giving it a pretty and exotic appearance.

    Red rice is meant to have all sorts of health benefits – from lowering blood pressure to improving vision – but that’s academic if it tastes like Mr Miyagi’s jockstrap.

    Thankfully it was lovely and had the nutty tang of brown rice with a slightly sweet refrain.

    I find brown rice a bit dry and cloggy after a while, but this was moist and light and maintained my interest.

    The chai seeds added some exotic texture and the cooked tuna was lovely and soft with just the right amount of mayo.

    Some sushi joints either give you sushi wheels that are too small or the size of a wagon wheel, but these were spot on and well priced at eight for $10.

    At the left of the display counter was a gorgeous range of poke bowls, sumo salads, chirashi bowls, noodle salads and senzoku.

    The glistening teriyaki beef perched on the green sumo salad ($13) look delicious, so I decided to order one of them.

    There was plenty of tender beef and it had a moreish sauce that wasn’t too salty.

    It went well with the carb-free base of mesclun and asian slaw, but the tastiest healthy-bit was the edamame and pickled carrot.

    Rounding things off was a little tub of house salad dressing – a light and fragrant affair that brought the greens to life.

    I completed my lunch with a mixed tray of sushi – raw salmon and avocado and raw tuna and avocado ($10).

    Everything was delightfully fresh with the fish having that super glossy look and slightly firm flesh.

    This sushi also had red rice (I’m now a convert) and the avocado was soft and creamy.

    I had planned on getting some hot dishes – there was a nice range of curries, teriyaki and katsu meals, noodle soups, don buri and dumplings, but I was stuffed after all that sushi and salad goodness.

    I’ll be back when the winter strikes and I need a hot treat for lunch. I was impressed by the range and quality of sushi and salads at Tsuke-Ba – it’s clearly an office favourite (confirmed by the bruises on my arms) and is a top lunchtime spot in Leederville.

    My advice – wear some American football gear, picture some ex-partner who broke your heart, and drive hard towards the counter.

    Tsuke-Ba
    139 Oxford Street (Tip Top Arcade) Leederville
    tsukeba.com.au
    facebook.com/tsukeba 

    by STEPHEN POLLOCK

  • Keep the faith  
    Self and nurture by Khashayar Salmanzadeh. Photo by Bo Wong

    THE little-known and persecuted Bahá’í Faith was the inspiration for a stunning portrait by Iranian-born Khashayar Salmanzadeh in this year’s Hatched exhibition at PICA.

    Featuring 26 graduates from 21 art schools across Australia, the annual exhibition is an opportunity for Sandgropers to enjoy some of the nation’s best young artistic talent all under one roof. 

    Salmanzadeh, who graduated in Fine Art from Curtin University in 2022, may never have studied painting if his Bahá’í parents hadn’t moved from Iran to Australia in 2008, when he was just seven.

    “My parents largely moved for their children to have access to education as Baháʼí’s face intense religious persecution in Iran,” he says.

    “This includes the inability of Iranian Bahá’í’s to receive tertiary education, a right which having just graduated, I am very grateful for.”

    Founded in the 19th century, the Baháʼí Faith was initially developed in Iran and parts of the Middle East, where it has faced ongoing persecution since its inception.

    The faith has around eight million followers worldwide who believe in the unity of God, the unity of religion and the unity of humanity, and that God will periodically reveal his will through divine messengers.

    “The writings of the Bahá’í Faith are very significant to my practice, as they are not only universal in their message but also incredibly beautiful and vivid in the imagery they invoke,” Salmanzadeh says.

    “For example, Bahá’u’lláh in the Hidden Words states ‘In the garden of thy heart plant naught but the rose of love, and from the nightingale of affection and desire loosen not thy hold.’

    “It is meditation on passages like these that inspire the intention and imagery of many of my paintings.”

    For his stunning 2022 oil painting Self and nurture, featured in Hatched, Salmanzadeh did a portrait of his dear friend Asha, a Ngadju woman and member of the Bahá’í community in Perth.

    “This portrait was an investigation into the various powers of love and how it manifests on a personal level,” he says. “Questioning how self-love can be distinguished from selfishness, this portrait intertwines twin aspects to Asha’s spiritual self by marrying her heritage as an Aboriginal woman with her identity as a Bahá’í.

    “Here, the portrait tries to address a universal truth, that love is in its essence a spiritually nurturing force, by depicting a member of a religious minority whose teachings are largely unknown.”

    Up until last year, Salmanzadeh preferred working with acrylics, but he has since switched to oils for their “lusciousness and buttery quality.”

    Growing up, one of his biggest influences was multi-disciplinary Australian artist Abdul Abdullah, whose Muslim identity and portraits helped convince Salmanzadeh he could become an artist too. He also admires the art of Cristina Troufa, Shirin Neshat and the late Hossein Valamanesh. Salmanzadeh says his Iranian heritage gives his paintings an interesting fusion quality.

    “…many migrants feel a sense of cultural displacement as their identities become hybridised between differing worlds,” he says.

    “I think that’s been a big influence on my art, as I amalgamate western styles of portraiture with eastern traditions of calligraphy. In many ways, each painting is also a self-portrait, an imprint of my own identity and the securities and insecurities that encapsulates.”

    Salmanzadeh is currently doing a “challenging” Honours in Fine Art at RMIT University in Melbourne and says he would love to become a full-time artist after establishing a body of work through collaborations, group exhibitions and art competitions.

    “It’ll take time but I’m here for the long haul!” he says.

    Hatched: National Graduate Show is at the PICA gallery in Northbridge until July 23. For more details see pica.org.au

    by STEPHEN POLLOCK

  • Clean living

    THERE’S always a buzz when an Iwan Iwanoff property hits the market.

    The iconic Perth architect is famous for his minimalist style which combined “brutalist” modernism with classical elements of Rococo.

    His mid-century homes can be found in suburbs scattered across Greater Perth, and are so revered an exhibition of his work was held at the WA State Archives in 1991.

    So folk will be scrambling to check out this Iwanoff-designed three bedroom three bathroom home in Coolbinia.

    The facade has that trademark mix of stone, timber and glass with the sharp concrete lines and wide frontage creating an almost cinematic look.

    Despite it being almost 40 years since Iwanoff died, his designs still have a futurist look and conjure up visions of a minimalist, egalitarian utopia.

    The open plan dining/lounge/kitchen has a nice airy feel and combines dark stained wood with white walls and light floorboards to create an alluring mix of textures and colours.

    Again it has those classic “clean” architectural lines with everything appearing deceptively simple and uncluttered.

    This is really evident in the kitchen which has handleless cupboards and drawers, making the whole thing seem like some floating white mass.

    All three bathrooms have great individuality and style: one has tiles with almost a scale-like pattern and another a beautiful mosaic with splashes of colours.

    The design really comes into its own in the indoor-outdoor kitchen in the back garden.

    With a huge sliding wooden door you can use this huge area all year-round. It overlooks a rectangular lawn and lap pool, with a thatch of bamboo looming over the pathway.

    It reminds me of some David Hockney painting with the blue water in the pool reflecting the clear skies above.

    Around the corner there’s a lovely concrete patio fringed with shrubs and trees, accessed via the floor-to-ceiling glass doors in the lounge (nothing says minimalist and brutalist like those outdoor concrete floors).

    The lounge has a gorgeous wall made out of rocks, adding some texture and character to the living area.

    Situated on a large block on Meenaar Crescent, the home includes a two-car garage and is a stones throw from all the local amenities including shops, cafes and schools. 

    This is an Iwanoff classic and will be snapped up quickly.

    Auction May 27
    Home open today (Saturday May 20) 1pm-1.40pm
    30 Meenaar Crescent, Coolbinia
    Ray White Inner North 6377 8888
    Helen Bond 0411 223 004
    Simon Pigliardo 0419 945 652

  • Preserve our Pickle
    • The Pickle District was packed for After Dark 3.0 on May 6. Photo by Luke Riley.

    WA’S only arts precinct has called for greater protection as developers eye off the prime land in the West Perth wedge south of Newcastle Street.

    The area’s been redubbed “the Pickle District” in recent years as arts and cultural uses have reinhabited the old warehouses and dormant factories. 

    But its rejuvenation has started attracting developers, prompting fears it’ll undergo the same gentrification as other arts precincts around the world: Once creatives have made a dusty old district trendy, it becomes a prime target for developers and anyone creative gets priced out. 

    Vincent council is currently working on a new framework that’ll set the long-term vision for the area and drive policies and rules intended to keep the district’s identity. Aims include:

    • Preserving art and cultural uses;

    • Keeping the industrial character and encouraging buildings to be re-used if possible;

    • Encouraging the night-time economy with lighting and safety improvements; and,

    • Giving developers incentives to include space for the creative sector in any new buildings, such as requiring a percentage of affordable housing, or mandating they offer a five-year peppercorn lease to a creative use if they want extra height bonuses.

    Many people who responded to community consultation said they don’t want “franchises or major corporations” coming to Pickle.

    But the draft framework’s too late for one large franchise, with a state authority last year approving a Bunnings that’ll be built on a huge conglomerated multi-block site (“Pickle approval ‘guts’ arts precinct,” Voice, November 19, 2022).

    Framework

    Pickle District Town Team chair Jon Denaro attended Vincent council’s March 9 briefing, urging them to strengthen the framework to better protect the Pickle District.

    His arts hub Voxlab is one of several creative businesses that’ll be displaced by the Bunnings. He told councillors more developers would soon be wanting to build in the district, with imminent plans afoot for the large caryard site.

    “Next week we go into negotiations with the next development to come along. You know how the Bunnings development went for all of us – we’re kicked out. So we’re trying to keep this thing alive… and we don’t have much to stand on here.” 

    Not having a framework in place already meant they couldn’t broker a deal for Bunnings to provide the kind of community art space the locals had hoped for.

    “We’re hoping that this document can provide us with that sort of clout,” Mr Denaro said, adding that existing users would be fine with development as long as there’s a fair amount of space preserved for the arts “in perpetuity”.

    He reminded councillors this was “the only arts precinct in Western Australia”.

    Councillors vote on the framework at their May 16 meeting, and mayor Emma Cole asked staff to look into whether they could require developers to offer creative spaces in perpetuity.

    “I’d definitely be interested if that’s possible,” Ms Cole said. 

    The Pickle District just held its third After Dark event on May 6 with a roaming art crawl packing the venues and alleys with art lovers. The PD Town Team is optimistic the district will endure the onslaught of developers and are already planning a fourth.

    by DAVID BELL

  • Uncapped creativity
    • Toby (11) and Maddie (9) figured out how to make succulent pots out of those hard-to-recycle bottle caps. Photo by David Bell.

    A YOUNG brother and sister business duo have found a way to turn hard-to-recycle bottle lids into a sustainable craft business.

    Morley kids Toby, 11, and Maddie, 9, have spent months crafting more than a hundred artistic pots for small succulent plants and have now started selling them.

    “We got the idea from our nannie,” Maddie says, referring to their environmentally-minded grandmother who taught them the technique.

    “We’re doing it to save the environment,” Maddie explains.

    Both have inherited a love for the environment in general, and have their favourite animals they want to protect. 

    “Turtles,” Maddie says.

    “Dugongs!” for Toby, a recent favourite that he hopes to see in person on an upcoming family trip to Shark Bay.

    Bottle caps are particularly tricky to recycle, and they’re one of the most common plastic items to end up in rivers, oceans, and on beaches. 

    Toby explains to us that tiny bits of plastic like bottle caps can’t go in your normal recycling bin because the sorting machines can’t handle them: “Anything smaller than your elbow falls through the teeth of the gears.”

    So Toby and Maddie have been asking friends and family for their plastic lids: “Thousands” of them so far, mum Chelsea Shaw says. 

    The first step is giving them a thorough wash until they’re “cleaner than clean” according to nannie’s instructions.

    Then they take them to sustainability charity REmida where a specialised bit of machinery grinds them up into tiny flakes.

    “Then we get the sandwich press,” Toby says, and layer the flakes in. They colour coordinate, mixing in blue milk lids, green hilo lids, and a scattering of red coke lids for artistic effect. 

    Warmed

    Then with a cup as a mould the flakes are warmed up until they meld together. For each pot “it’s probably a 13-minute round process,” Toby says. “I timed it once.” 

    While the collecting, processing, and crafting process has been going on, Toby and Maddie have also been growing succulents to transplant into the finished creations. 

    Recently they contacted Bayswater Twilight Markets to see if they might be able to get a stall there, and the organisers sponsored them to set up a spot this week.

    They’ve branded their project “Sustainable Succulent Creations” and are selling their pots for $6 each or two for $10 – and splitting the proceeds with Bayswater’s Enviro House. 

    They’ll be at the markets at Bert Wright Park this Friday May 12 from 5pm to 8.30pm.

    by DAVID BELL

  • In the swim for awards
    Just a few of the 10s of thousands of kids taught how to swim at Beatty Park so far.

    BEATTY Park Swim School has been nationally recognised with team leader Rebecca Ross taking home the top award for emerging talent. 

    Ms Ross started as a swim teacher there in 2010 and is now a team leader. She won the award at the Australian Swim Schools Association excellence awards in Adelaide, and the Beatty Park Swim School itself got a “highly commended” mark in the Safer Swimming category

    Ms Ross was recognised for building a strong and happy culture there, and driving a record number of enrolments at the swim school – with 2800 students this year.

    Vincent mayor Emma Cole said in a press release: “I would like to congratulate Rebecca and the swim school on this amazing achievement. From its Angelfish program for students with a disability to block lessons for fly-in, fly-out workers and tailored lessons for Ukrainian refugees, our swim school has taught people from all ages and walks of life how to swim and be safe in the water.”

    Beatty Park Leisure Centre last week recorded 1 million visits this financial year, the first time they’ve ever hit the milestone in the centre’s 61-year history.

  • New go at town towers
    The new plans by architects Whitehaus add four storeys.

    THE Leederville town centre is set to have a new biggest building with the approval of 12-storey apartments on Leederville that are double the height of any existing builds. 

    The block at 200 Carr Place was originally going to host the triple-building, eight-storey, 52-unit “Locale” project by owner Hanrise (“Locale on the up,” Voice, February 18, 2023).

    That version won approval in 2020 and the estimated cost at the time was $17 million. 

    About half the apartments sold on pre-sale, but the project never got started.

    “Unfortunately, the project was unable to proceed due to high construction costs,” according to the owner’s hired planner, Trent Will from Taylor Burrell Barnett, in a missive sent to the Development Assessment Panel.

    The re-design’s sought to get more yield out of the site with an eye to Vincent council’s long-term draft plans to let more height into Leederville.

    Currently the height limit in Leederville is four storeys, but in September 2021 Vincent councillors gave a preliminary thumbs-up to a draft Leederville Precinct Structure Plan which would allow 10 storeys, or 14 if the building offers some extra benefits like energy efficiency, extra greenery, public areas or infrastructure improvement.

    In this case Hanrise is hoping for 12 storeys on the back of energy efficiency, extra trees and landscaping, and a community space with a pocket park to one side and a community garden out front. 

    The re-design fits in 76 units and is estimated to cost $35m. 

    Some locals are unhappy with the project and want to stick to the current limits for Leederville. Of 20 submissions from people living within 200 metres, more than half objected, a couple supported, and a couple had “concerns”.

    Resident Jelena May told the May 8 meeting the project would overshadow neighbours and with its extra traffic the triple towers were a bad fit for Carr Place: she said it’s a small dead-end street with only one messy exit that’s already tricky for pedestrians and cyclists, and it’d struggle with the extra traffic. But Vincent planning staff recommended approval based on the council’s future vision for the area, and the DAP members unanimously voted for approval.

    The biggest existing nearby building is six storeys. Further out on the edges of Leederville, plans have been approved for an upcoming 25 storey building on the old Watercorp site.

  • Vaping still on the nose

    THE councillor who drove Vincent’s crackdown on smoke and vape shops has welcomed the federal government’s plan to stamp out vaping.

    Federal health minister Mark Butler announced a week ago increased efforts to stop illegal importation of non-prescription vapes, restrictions on flavours, colouring and fancy packaging, and a ban on disposable vapes.  

    Councillor Jonathan Hallett, also a public health researcher at Curtin uni, was behind the local policy that targeted premises offering smoking, vaping, or shisha products or services. 

    The new rule, given final approval by councillors in December 2022, restricts premises from opening up near a wide range of other land uses, including residences, businesses, child cares, schools, or parks. 

    The policy also prevents smoking-related products from being directly displayed or visible from the street.

    Cr Hallett’s policy was based on research showing that smoking rates increased in tandem with the density of smoke shops, and underage smoking rates also increased when premises were allowed near schools. 

    “I think the federal health minister has carefully listened to the medical and scientific evidence to reduce not only vaping but also smoking, contributing significant funds to evidence-based education campaigns to discourage smoking and vaping and support for smoking cessation,” Cr Hallett said.

    “We know from recently published evidence that 14 per cent of young Australians currently use e-cigarettes. We also know that people who don’t smoke but use e-cigarettes are around three times as likely to take up smoking as those who don’t use e-cigarettes.

    “This insidious industry is profiting from addicting a new generation of young people to nicotine and this re-establishes Australia as a world leader in tobacco control.

    “For those who are using e-cigarettes to quit smoking they will still be available through prescription and support is available for those vaping to manage nicotine withdrawal signs if they want it.”

    Vaping advocates, including some who’ve written in to the Voice like Colin Mendelsohn, have often said “research shows [vaping] is around 95 per cent safer than smoking”.

    Cr Hallett points to a recent 

    article by his public health researcher colleague Jonine Jancey pointing out “this statement stems from a study criticised for its lack of hard evidence”. 

    Vincent council has also established smoke-free town centres, including vapes. 

    It’s been running for six months so far, and they’re currently inviting feedback on how it’s been working out so far via imagine. vincent.wa.gov.au until June 30.

    by DAVID BELL

  • Memories unfolding
    Unfolding Lives finds a new home.

    AFTER seven years in storage a Northbridge memorial has been restored and re-dedicated to people who spent their childhoods in institutional care.

    Unfolding Lives by Judith Forrest featured text by poet Terri-ann White reflecting experiences of care leavers: former child migrants, foster children, stolen generation members, and those who grew up in residential camps. 

    It was unveiled in the Northbridge Cultural Centre in 2010, the year after a national apology to the children who’d grown up in institutions, but was removed and put in storage in 2016 when the neighbouring WA Museum was redeveloped. 

    The museum reopened in 2020 but the sculpture remained in storage and was deteriorating, prompting a campaign led by care leaver Mark Farmer to have it reinstated.

    On Monday May 8 care leavers walked through an honour guard to unveil the restored monument, about 50 metres from its previous location.

    Victims of crime commissioner Kati Kraszlan officiated the event, and said: “Care leavers have shown great understanding and patience during the redevelopment of the museum and restoration of the sculpture.

    “They played a prominent role in the process to choose the site of the memorial’s permanent home and it’s fitting that they unveiled it today.”

  • Letters 13.5.23

    Fair cop?

    I AM writing in regard to a parking fine I received from the City Of Perth after attending a sporting event two Saturdays ago.

    I parked at a parking spot with a sign adjacent to my car. At the time people parked behind me and we chatted about the parking sign. It was very hard to read and not very clear. But to myself and all parties it looked fine to park in this spot.

    So we all did.

    Upon returning I found a $95 parking fine on my window to my disgust. It stated that on some Saturdays its ok to park there except for on a few dates it specifies you can’t park there upon a much closer read.

    What makes it my concern here is that it was difficult to read at first glance, and I believe this is a deliberate act to confuse a person into parking.

    Why should some Saturdays be off-limits, when other Saturdays a person can park there. 

    It was not affecting any residents’ need for street parking from my perspective.

    Is this a fair comment?

    Michelle
    Herne Hill
    The Ed says: That’s a real bummer, Michelle. Probably the only thing we can offer is that time-worn advice: Always read the fine print.

    A gap in the argument

    IS an Indigenous Voice in the Constitution required to close the gap on Indigenous disadvantage, because finally there will be ‘consultation’?

    This is a common argument from advocates, but consultation and shared decision-making structures already exist around the country. 

    The Minister for Indigenous Australians’ own agency identified 31 “strong partnerships” across the Commonwealth alone. 

    There are hundreds of Indigenous owned and controlled bodies such as land councils, health, legal and welfare services, media and education networks – and thousands of Indigenous businesses.

    Advocates often regularly raise the Closing the Gap issue arguing that a voice is the solution, but fail to reveal what is actually happening with this key commitment. 

    In July 2020 the Coalition of Peaks, an alliance of over 80 Indigenous peak organisations, signed a huge new National Agreement on Closing the Gap with all nine Australian governments (federal, states, territories), committing to sharing decision-making on policies and programs spending billions of dollars aimed at improving life outcomes, with a priority to ensure the full involvement of Aboriginal and Torres Strait Islander peoples. 

    The mantra about lack of consultation in decision-making is nonsense. 

    Most Australians support constitutional recognition. 

    But many don’t want a new, permanent institution in the Constitution where one group of citizens have a special right of representation not available to anyone else. 

    Because in our national rule book, everyone should be equal. 

    Alan Payne
    South Fremantle