• Reflection about the ethics of keeping intelligent animals in zoos

    THE death of Perth Zoo’s Tricia the elephant this month prompted a lot of reflection about the ethics of keeping intelligent animals in zoos, but it wasn’t long ago that her fellow elephants were paraded around local parks for our amusement.

    After Tricia’s death Vincent’s Local History Centre historians dug out this image from the 1950s donated by Helen Cozens, showing elephants on display in Sutherland Park in West Perth. The elephants were owned by Bullen’s Travelling Circus, and were typically kept chained around one foot while on display.

    Photo from the Vincent Local History Collection PH03501

  • Vape strategy stoking the black market 

    COLIN MENDELSOHN was the founding chair of the charity Australian Tobacco Harm Reduction Association. In this week’s Speaker’s Corner he argues that a blanket ban on nicotine in vapes is creating a black market that’s out of control. ATHRA is a big advocate of using vapes to help people quit smoking, and while it received funding from two vaping companies while getting set up, Dr Mendelsohn says there’s no on-going involvement of the industry and all his involvement and advocacy has been “honorary and self-funded and was forthe purpose of improving public health”.

    WE have been inundated recently by reports about the rise of vaping among young people. Alarming stories about schools installing vape detectors in toilet blocks and brightly-coloured disposable vapes being sold to children appear in our papers nearly every day.

    There is a reason for this. The vaping black-market is clearly out of control. Millions of illegal devices are being imported freely into Australia each month and sold freely to all comers for an indecent profit.

    This problem was created by the government’s own regulations. Now a kneejerk reaction will only make things worse.

    Australia is the only country in the world which requires adult smokers to get a doctor’s prescription before purchasing liquid nicotine to help them quit. However, very few doctors are willing to prescribe liquid nicotine, and even fewer pharmacies are willing to sell them.

    As a result, many adult smokers have been forced onto the black-market to access a less harmful alternative to deadly cigarettes. The black-market has exploded, selling highly profitable, dodgy products, without any consumer protections.

    This includes the widespread and apparently unrestricted sale to young people.

    Reporting of youth vaping has reached a fever pitch and misinformation is common. The ‘gateway’ theory, that vaping leads non-smokers to smoking is often raised, but has been comprehensively disproven in numerous scientific studies. In fact, the evidence suggest that vaping is diverting young people away from deadly smoking and reducing smoking rates faster than before. 

    Further, there is absolutely no evidence that vaping causes serious lung disease. The outbreak of the lung disease in North American in 2019 — a disease which became known as EVALI — was caused by black-market cannabis vapes which were adulterated with Vitamin E Acetate. No cases have ever been linked to nicotine vaping.

    The risk from the hysteria around youth vaping is a kneejerk reaction from governments to restrict adult vaping further. This would be a public health catastrophe. Vaping is a lifesaving tool for adult smokers who can’t quit. It is the most popular and most effective quitting aid globally. 

    Vaping is not risk-free, but the research shows it is around 95% safer than smoking. Smokers who switch to vaping have dramatically reduced exposure to toxins, substantial health improvements, feel and smell much better and have more money in their pockets.

    The reality is most smokers try many times and fail to quit using other first-line treatments. Nicotine vaping is an approved solution for these smokers and should be at least as readily available for them as cigarettes.

    This isn’t a novel idea. In every other western democracy, vaping products are available as consumer goods for smoking cessation, including the UK and New Zealand. In fact, since its legalisation in 2020, New Zealand has enjoyed record declines in smoking rates, whilst effectively restricting access by young people.

    Unfortunately, the Australian government isn’t listening to the science or looking at the public health success in New Zealand. Instead, they are proposing an outright ban on vaping. This will be disastrous for public health.

    Prohibition simply doesn’t work and never has. It just sends the problem underground where it is managed by criminal gangs. The way to deal with this market is to regulate it properly, like any other adult product.

    That way, these products can be sold with proper age verification in licensed outlets, taxed and chemical additives can be limited to those which are safe.

    The state government is also now targeting legitimate vape stores, who have been operating under assurances from the health department that their business is legal. This reaction to the issue of youth vaping is another misguided and ineffective response, which will only force more people onto the black market and may set a dangerous precedent for other states to do the same.

    However, the government could change the regulations at any time to make it easier for adult smokers to access vaping products. The black-market will simply no longer be profitable, and will dissolve and sales to kids will dry up.

    Without urgent change, instances of use and misuse by young people will only grow, and 21,000 Australian smokers will continue to die every year without accessible alternatives which could help them live longer and healthier lives.

  • Nice one, son

    THE Beaufort Street roadworks seem to be going on forever.

    It took me three prog rock albums, a steering wheel drum solo and endless diversions through the leafy burbs to finally reach Finlay and Sons in Inglewood.

    Situated on the corner of Dundas Road and Beaufort St, it’s a stylish cafe with a pavement alfresco and coffee hatch off to the side.

    Despite the bitterly cold wind, I found a table in the direct sun, making it just about warm enough to sit outside.

    One of the reasons I had Finlay and Sons on my food radar was because they served Brussels sprouts and kedgeree.

    You don’t see them on many menus, especially the divisive sprout, which in this incarnation was maple Brussels sprouts with chilli jam and ranch dressing. Intriguing.

    The rest of the all-day menu wasn’t too shabby either with a small but varied selection of dishes including leek and parmesan fritters, banana and blueberry bread, crumbed chicken burger and the good old bacon and egg roll.

    There was also an original and extensive kids menu – no sign of the lamentable chicken nuggets, pizza, and fish and chips – instead we had French toast, banana blueberry bread, and ham and cheese toastie. Nice to see they were trying to widen kids’ horizons, rather than plonk down some rote frozen garbage.

    I nearly went for one of my childhood favourites – kedgeree ($24.50 curry-infused butter rice, pickled onions, radish and poached egg) but it was the chicken version and I grew up on the fish one, so I opted for the goodness bowl ($27) instead.

    As the wind began to get stronger and colder than a Julie Bishop stare, I zipped up my jacket and sipped my green cold pressed juice. 

    Thankfully the spicy mix of ginger and spinach warmed up my insides nicely.

    The juice had just the right consistency – not too thin or thick – and was an enjoyable libation on a winter’s day.

    The waitress took my order at the table, which was slightly unusual as most cafes are now order-at-the-counter, but it wasn’t long before she was back with my healthy goodies.

    It didn’t look like there was much in the bowl, but it was a culinary treasure trove with each mouthful revealing a new flavour and ingredient.

    The highlight was the chunky-cut balsamic mushrooms which were some of the best I’ve had in years – meaty, slightly firm texture with a rich, delicious tang. Really top notch.

    Another winner was the cannellini beans puree, a delightful and slightly creamy accompaniment that tasted delicious when combined with the tasty quinoa and chicken.

    I’m not a fan of butternut squash, but this was perfectly cooked with the soft cubes melting in my mouth. But what about the main event – the chook?

    It had a lovely chargrilled flavour with lots of gnarly crispy edges and moist flesh. There was plenty of it too.

    The surprises didn’t end there with some noodles lurking underneath the chicken, adding another flavour dimension. 

    Rounding everything off was a gorgeous kale and chermoula dressing. This was a quality dish and even though it was getting up there in price, it was well worth it.

    The regular goodness bowl without chicken is $20 if you’re on a budget.

    The service was decent and the cafe had a nice cosy area inside where you could escape the winter blues.

    The family-run Finlay and Sons serves original and high quality dishes, and I’ll definitely be back to try the kedgeree and see if they can banish my life-long prejudice towards Brussels sprouts.

    It’s okay, I’ll be driving home on my own…

    Finlay & Sons
    917 Beaufort Street, Inglewood
    finlayandsons.com 

    by STEPHEN POLLOCK

  • Purring prog
    • Perth band SNOO have a refreshing sense of humour, which is evident in the film clip for their debut single After Dark – a song about what cats get up to at night.

    SNOO’s debut single might be the most un-rock and roll song ever – it’s about rescue cats.

    As singer Lizzy Harskamp explains, they are pretty much a band of animal lovers, reflected in the film clip for their single After Dark, where they poorly audition for the musical Cats and get into all kinds of feline high jinks.

    “Rob, who wrote the song, has two rescue cats,” Lizzy says.

    “As he wrote the lyrics it became about cats. For the rest of us, when we asked what the song was about and he told us it was about cats, we then spoke more about our shared cat and animal love.”

    SNOO aren’t your regular bone-head rock band, they’re progressive pop/rockers, always searching for weird time signatures, altered chords and clever arrangements to keep audiences on their toes.

    After Dark was conceived in the jam room,” says SNOO guitarist Rob Susanto-Lee.

    “The 5/4 time signature was an interesting feel, like an odd triplet rhythm. It was intended for a verse or section, but felt so good it was kept for the entire track.

    “Not quite [Dave] Brubeck’s Take Five, but aiming for [Pink] Floyd’s Money for a modern off-time pop song.”

    All experienced Perth musicians with other bands on the go, SNOO started out as a bit of fun, but after being impressed with the material they wrote, the band are going all-in.

    “As we were all busy with life and other projects we just did the odd show here and there but more recently we have all wanted to dedicate the time in getting these songs out there and connecting with people who feel the vibe of them,” Lizzy says.

    “Musically we all clicked and enjoyed pushing the normal 4/4 musical boundaries in which most radio friendly songs are written.”

    Another interesting facet of SNOO is that Lizzy is married to the band’s drummer Jamie, who used to play in Shimmer Gloom.

    “SNOO just needed a singer – in comes me,” Lizzy says.

    “I was already in the house enjoying the music. It made sense to give it a go and I’ve loved singing alongside such amazing writers and musicians. We all have different influences, so we are all coming from different perspectives but somehow it still works and I think it makes what comes out of a jam very interesting.”

    It’s definitely an eclectic mix of styles: Susanto-Lee is into Stevie Ray Vaughan and The Police, bassist Dominic Donbavand likes Level 42 and Primus, Lizzy namechecks Christina Aguilera and Alanis Morissette, and Jamie digs Tool, Big Country and Tori Amos.

    The band might never have happened if Lizzy and Jamie hadn’t seen Susanto-Lee playing some amazing guitar with The Date at a gig in Perth in 2016. 

    “I recall Jamie saying ‘Who the f*@! is that guitarist? I have to jam with him’” Lizzy says.

    “They swapped numbers but it wasn’t until another gig maybe a year later that the interest was re-sparked and they organised a jam. More jams followed until they decided they had enough material to put on a show.”

    SNOO will hold a special launch gig for After Dark at Four5nine in the Rosemount Hotel North Perth on Friday August 5 at 7.30pm. For tix go to oztix.com.au and there’s more info on the band at snooband.com.au

    by STEPHEN POLLOCK

  • History maker

    Do you fancy living in the iconic Roschanmaure building in Mt Lawley, just a street back from Hyde Park?

    This heritage listed property was built in the 1950s and has loads of gorgeous period features and yesteryear charm.

    Featuring two bedrooms and one bathroom, it’s part of only 12 in the building and just one of four with a garage.

    The Voice loves how the building is hidden behind mature trees, giving it the feel of a classy retreat in the inner-city where you can easily unwind after a hard day in the office.

    Inside the apartment, art deco light fittings mingle with burnished jarrah floorboards, picture rails, terrazzo tiles and a modern renovated kitchen.

    The speckled granite benchtops in the kitchen contrast nicely with the white cupboards and doors, and it’s a decent-sized kitchen for an apartment.

    There’s no seperate laundry but there’s enough space in the kitchen for a washing machine and tumble dryer beside the fridge freezer.

    The apartment isn’t just attractive, it’s practical and the kitchen had loads of storage space.

    There’s a gorgeous original fireplace in the main living area, which is spacious and bright courtesy of the light flooding through the windows.

    Both bedrooms are bright and airy with the main featuring floor-to-ceiling built-in robes, while the bathroom has the original stunning terrazzo floor.

    The sunroom is a lovely little nook and would make a great home office with some blinds in the summer, and come winter you could enjoy all that natural light and heat, saving on energy bills.

    The home includes a garage with electric door and has a communal outdoor entertaining area and veggie patch. The Voice understands the complex has a strong community feel with regular resident catch-ups.

    Situated on William Street, just a stones throw from Hyde Park, location is a massive drawcard with this apartment, which is street-facing and on the first floor.

    You are two minutes away from all the local bakeries and wine bars including Chu Bakery, Miller and Baker, Vincent Wine Bar and Wines of While.

    And come the weekend when you want to chill, just walk over the road and enjoy the greenery and open space in Hyde Park.

    This is a stylish, heritage-listed apartment; perfect for a young professional couple starting out in life.

    Buyers in the $500,000’s
    8/545 William Street, Mount Lawley
    ACTON Mt Lawley 9272 2488
    Agent Carlos Lehn 0416 206 736

  • Heritage wind back
    New designs for the Lyric Theatre site will see less of the heritage-listed building retained.

    But ADC keeps Lyric parking concessions

    A CINEMA historian has decried new designs for the development that’ll sit atop the remains of Maylands’ Lyric Theatre, with more of its heritage fabric to be hacked away.

    The Lyric Theatre was built at 43-53 Eight Avenue in 1923 and is listed as a “category 2” site on Bayswater council’s Local Heritage Survey, which states “any alterations or extensions should reinforce the significance of the place”.

    Developer ADC’s initial plans to build seven storeys of apartments and five shops were approved in November 2020. They were allowed to demolish the roof, interior, and most of the walls save for the south-eastern wall which was to be kept. That wall’s inner side hosts elaborate plaster mouldings of pillars which formed part of the theatre’s ornate interior design. 

    In return for keeping the historic wall, they got leeway on the usual rule requiring they either provide parking bays for visitors or pay a ‘cash-in-lieu’ fee for each missing bay. The cash-in-lieu can quickly end up being big bucks and is used by councils to pay for public carparks elsewhere to make up for the shortage. 

    After the developer’s consultants spent some time poking around the building, they decided the wall was in too poor condition and that had to go too.

    The redesigned version put to Bayswater council was approved in April.

    Councillors Sally Palmer, Giorgia Johnson and Elli Petersen-Pik voted against the new design, but the majority won and now ADC can knock down the wall and still doesn’t have to provide visitor bays.

    Another business owner on Eighth Ave told the April meeting it was unfair: Michiel De Ruyter said when he developed he’d had to pay into the cash-in-lieu fund for not having enough parking bays.

    “I paid quite a bit of money because my commercial [developmment] didn’t come up to standard [of having enough bays],” he said. “They’ve got nil [parking], they’ve paid nothing. 

    Heritage value

    “This was because of the fact that they had had heritage value in their building. The variation sought removes much of the heritage structure, which was the basis of reducing car parking.”

    Cr Petersen-Pik penned a social media post after the meeting saying “the availability of car parking in the Maylands Town Centre continues to be the biggest concern raised with me by both businesses and residents. While constraining parking supply can help to increase the number of people using public transport, walking and cycling, at least some car parking does need to be provided.”

    He said allowing the removal of the historic wall undid “a lot of effort… invested by many (including myself) to protect this important historic building, which did not have any protection until a couple of years ago”.

    Cinema history expert Greg Lynch, who grew up in Maylands and who went on to a career in film after watching movies at the Lyric back in the 1940s, was no fan of the original plan and further decried the April redesign.

    Mr Lynch said the redesign “completely destroys, beyond reclamation the buildings heritage value”.

    by DAVID BELL

  • City goes frugal

    A FRUGAL budget’s been passed by Perth council with a modest rate increase “believed to be the lowest announced to date of all metropolitan local governments” according to the council’s finance staff. 

    Residential and office ratepayers will see their bill rise an average of 1 per cent, and retail, hotel and commercial rates will go up an average of 0.5 per cent. It’s the first rate rise in three years after the freeze during the Covid era. 

    The rates have been kept low in part because the council’s reduced operating costs.

    Some recent money-saving measures have been unpopular though, like the closure of the Citiplace Child Care Centre and ending the 24-hour public toilet provision near the train station. It was the only 24-hour toilet in the city and a lifesaver for late night widdlers, but now closes at 6.45pm weeknights and 2.30am on Fridays and Saturdays. 

    All up spending on community services dropped from $10.3m last year to $8.3m this year.

    Lord mayor Basil Zempilas said the small rise in rates “demonstrates our commitment to supporting our ratepayers”.

    “The $261.9m budget will see us invest in programs to keep our city clean and safe.” Mr Zempilas said. “It includes important upgrades to street lighting and roads, as well as cycle ways and shared pathways, to give people sustainable options for getting around the city.”

    Cost of living

    Only one councillor voted against the budget, with Cr Sandy Anghie arguing against any rate rise.

    “I believe further savings could have been found,” Cr Anghie said.

    “With the cost of living pressures in the news every day, people don’t need a rate rise if it can be avoided, no matter how minor.”

    Cr Anghie also opposed the council’s trend of spending money directly on its own events, saying they should instead just sponsor others’ events.

    She’d pored over old agendas and found that when the council funded external events it usually brought in twice as many people per dollar spent than when it funded its own shows. 

    “I would like to see the city support others more to deliver a steady stream of events rather than the city embarking on events itself,” Cr Anghie said.

    The 0.5 – 1 per cent rate rise in Perth has been dwarfed by 7.6 per cent increase in Vincent and the 3.75 per cent increase at Stirling, though Perth council can usually afford to have lower rates given how much it makes in parking revenue.

    Stirling’s rates were on track to be higher but they scrimped and saved and delayed some projects to keep it at 3.75 per cent. 

    “We have made some tough decisions to make sure we do the right thing by our ratepayers and keep increases to a minimum,” mayor Mark Irwin said in his budget statement.

    “Major construction projects such as the redevelopment of the Recycling Centre Balcatta and the Hamersley Public Golf Course have been put on hold while the cost of building and construction continues to rise.”

    by DAVID BELL

  • The power of one
    The ribbon cutting on July 11.

    ONE East Perth resident speaking up about pedestrian safety has led to a huge $2.8 million upgrade of the Trinity shared path in East Perth.

    These days more people are using the path that borders the river side of Trinity College and state Perth MP John Carey was contacted by an East Perth resident who’d been seriously injured by a cyclist there. 

    Mr Carey took the case to transport minister Rita Saffioti to secure funding under the Perth City Deal between the Perth council and the state and federal governments. 

    To fit in all the extra riders and walkers the paths have been widened, upgraded and realigned, lighting’s been installed for night riders, and the foreshore’s been stabilised against erosion. 

    The 350m shared path’s a key link leading to Matagarup Bridge and over the river to Perth Stadium and is expected to get even more use once the new Swan River Bridge for pedestrians and cyclists is built to divert them off the perilous Causeway.

  • Leaving a moorditj footprint
    Lindsay Calyun says there were many memories of laughter and fun in East Perth – less at the Roelands Mission.

    FOR many years Lindsay Calyun stayed quiet about what happened to him as a member of the Stolen Generation, taken from his family in East Perth in 1965 and sent to the Roelands Mission 170km away.

    He says for a lot of his life the subject just wasn’t something to talk about, and he had to stay strong for his family despite the trauma he’d gone through. 

    “They knew I was put away. They knew my missus was too. They understand, but they keep quiet about it. I don’t talk about it much.”

    Now he wants to “keep those memories alive,” and has recorded his story as part of an animated short film Moorditj Footprints.

    Ivy Penny, who produced the film along with director Brenton Rossow, has been working with Mr Calyun to record stories of Noongar people who grew up in East Perth around the 1960s.

    “For years Lindsay’s been saying he’s wanted to tell the stories of his friends, his family, before people passed on,” Ms Penny says. 

    “That’s how Moorditj Footprints, the oral history project, got started.

    “In the middle of all that we said, ‘hang on, we’ve got to record Lindsay’s story as well… Lindsay’s story is so rich and beautiful’.”

    Going with an animated format gave them some creative room, and Mr Rossow had the idea to insert the figure of the adult Lindsay in the scenes with his younger self as both sit in the Mount Lawley Receiving Home cell, and as they walk into the dark and frightening boarding room at the mission.

    A reminder

    It serves as a reminder, Mr Penny says, that the grown man recalling the story and the frightened young boy are the same person. 

    Mr Calyun had previously written an award-winning short memoire for Vincent council’s local history awards, but he’s found it especially touching to see his story on screen with his two selves in the frame. 

    While the experience of being taken away is a tough story to recount, there’s a lot of joy in Mr Calyun’s memories of East Perth, and a sense of triumph when he and some other boys escape from the mission and find their way back home. 

    “That’s something that came through in all the stories,” Ms Penny says. “A lot of fun, a lot of laughter, good times in East Perth.”

    Moorditj means great, solid, or strong, and Mr Calyun says growing up there were Moorditj footprints all over East Perth.

    Going back there today and surveying his old surrounds, Mr Calyun says “the old school’s still there, the big park’s still there where people gather together.

    “The place changed a bit… the memories are still there.”

    Moorditj Footprints was one of three short films made as part of the joint City of Vincent/Revelation Perth International Film Festival project. They premiere July 17 at 7pm at Luna Leederville at the Get Your Shorts On screening alongside a curation of other films. Book via revelationfilmfest.org

    by DAVID BELL

  • Global art search
    Barry Loo (back row, second left) with other young Carrolup artists. Photo from the Mary Durack Miller Collection in the Battye Library.

    A GLOBAL search is underway for hundreds of missing artworks created by Noongar kids who were members of the Stolen Generation. 

    Back in the 1940s at the Carrolup Native Settlement teachers Noel and Lily White used art to build a connection with the Noongar children who’d been forcibly taken from their families. Many would go on to become prolific artists, recognised for their ability to depict a deep understanding of their land.

    Exhibited

    In 1949 London Soroptimist Club president Florence Rutter visited Carrolup and was so impressed with the work she arranged for them to be exhibited across London, Manchester, Birmingham, Liverpool, Edinburgh and Glasgow. 

    Funds from sales bought more drawing materials for the kids back at Carrolup.

    Today the works are scattered across the globe. Recently some were found in storage at Colgate Universtiy in New York, where they’d sat for some 40 years.

    John Curtin Gallery has been the custodian of a portion of the works, the Herbert Mayer Collection of Carrolup Artwork, but there are many missing pieces still out there.

    JCG director Chris Malcolm is urging people to check attics, cupboards and drawers for paintings that resemble the chalk works.

    “While hundreds of artworks that were created by the children of Carrolup in the 1940s were taken overseas, only some have been recovered and returned home to Noongar country,” Mr Malcolm said in a media statement.

    “We are hoping these two new exhibitions in Manchester and Glasgow will help uncover more of these precious artworks that made their way to the UK during the various exhibitions organised by Mrs Rutter in the 1950s.

    “A critical part of our reconciliation process of addressing the wrongs of the past includes uncovering these priceless artworks as they could be the only physical connection a family has with their ancestors.

    “The artworks form a basis from which we can deepen our knowledge and understanding of our past, and help us walk together towards a better future.”

    Anyone with a lead on Carrolup artwork is asked to contact John Curtin Gallery.