• A COALITION of animal protection organisations, led by WA-based not-for-profit Stop Live Exports, have unveiled a new campaign against live animal export leading up to the looming federal election, while claiming cruelty has continued to this week.

    The Keep The Sheep Here campaign will feature a digital advertising and billboard blitz, and election discussion paper highlighting the ongoing suffering of Australian sheep in the live export trade.

    The organisations say the Nationals’ pledge to overturn legislation phasing out the trade if the Opposition wins government placed animal suffering squarely on the ballot paper.

    Stop Live Exports WA spokesperson Ruth Gourley says it defies common sense and decency.

    • It was cattle, not sheep this week, but Stop Live Export says they’re both still happening and traumatising animals.

    “The live sheep export trade is cruel, outdated and unnecessary, and it’s not supported by the overwhelming majority of fair-minded Australians, and that includes Western Australians,” Ms Gourley said.

    “A reversal of the phase out would cause outrage within the community and we’re going to make sure people across the country are fully aware of where all parties and candidates stand on this brutal and unnecessary trade.”

    Tangney will be one of the electorates targeted by the campaign, with adverts featuring images of Australian sheep suffering from heat stress as well as cruel handling and slaughter practices in importing countries

    Alliance for Animals policy director Jed Goodfellow said the phase-out made sense for both animal welfare and economic reasons which is why it resonated with most Australians.

    “The trade is already on the way out, with or without the phase-out legislation, having shrunk by over 90 per cent in the past 20 years and hitting a record low of just 419,000 sheep in 2024 – that’s a 34 per cent drop from the previous year,” Dr Goodfellow said.

    “It’s time to focus on the significant value-adding opportunities that come with keeping the sheep here, processing them in Australian supply chains, by Australian workers, to Australian standards.

    “This is the future and there’s a $139.7 million transition package on the table to help the industry secure it.”

  • FREMANTLE’S community-backed independent candidate, Kate Hulett, has launched a suite of climate policies, citing overwhelming support for climate action as the community’s top concern. 

    The announcement, made ahead of the March 8 WA state election, sets the tone for what Hulett describes as a “grassroots response to government inaction” and followed several months of interviews, surveys and holding stalls at markets to collate which issues were troubling the electorate.

    “So all of the information that’s gathered is put into a program which divvies it all up into the right areas, and then it extracts the key issues that have come up,” Ms Hulett said.

    “Of course, a community of 22,000 people, there’s all sorts of different concerns and issues and dreams and hopes, but the number one issue was climate change, environment and biodiversity, by an absolute country mile.

    • Independent candidate Kate Hulett.

    Ms Hulett’s platform includes a statewide ban on fracking, a halt to new and expanded fossil fuel projects—including the gradual winding down of operations on Murujuga—the permanent protection of Scott Reef, and reforms to prescribed burning practices in the South West. She also wants the Environmental Protection Authority “genuinely independent and well-funded.”

    There’s a distinct similarity between her policies and many of the Greens , which has been a talking point around town all week, particularly after many of the party faithful attended last week’s campaign launch, but she doesn’t see it as a big problem.

    “There’s a few things to say with that question. One is that we shouldn’t choose our political parties like our football teams. We should choose them on the policies that they release. So it’s fine to move around.

    “Second part is that a good idea is a good idea, and I fully agree with many of the Greens policies,” she said.

    “What this community, independent campaign movement offers is that it’s very specifically representing that community and not a party.

    Party room

    “So there may be people who have always voted greens, that may vote for me because they think ‘I want my voice and my neighbour’s voices and my street’s voices to be heard as a priority over what a party room might decide’.

    “It’s not about blocking ideas or being opposite or fighting, it’s about working for the best outcomes for the community, while party politics is working for the outcomes of perhaps the national kind of party.

    “And of course, all of our communities are very different. What we want in Fremantle differs enormously what people in Joondalup might care about,” she told the Herald.

    The inclusion of Scott Reef—a biodiversity hotspot—in Hulett’s platform reflects both local awareness of broader environmental priorities. “We live by the ocean, and Fremantle has an affinity with the sea,” she said. “Why would we ever undertake industrial projects that threaten our incredible, pristine coastline?”

    Hulett also highlighted the decline in Fremantle’s tree canopy as a pressing local issue. “We have such a low canopy cover in Fremantle,” she said, praising council efforts to plant more trees but calling for state-level action.

     “We need canopy targets for the state, and we don’t have them, and then they need to be more ambitious.

    She says WA’s planning laws, which have been overhauled heavily during Labor’s last term, don’t have a point at which trees are prioritised.

    “Living heritage is treated opposite from our built heritage, which isn’t right.

    “In the Esplanade Park, there’s those clusters of pine trees that 112 years ago or something, a councillor planted for masts. 

    “I think, ‘what an incredible legacy a copse of stuff trees is to give’.

    Imagine if our leaders were thinking about positive legacies that they can give to generations which they’ll never meet; that is the sort of leadership we want

    Hulett also criticised the role of big money in WA’s politics, particularly donations from fossil fuel companies. 

    “They’re not donating money because they’re philanthropic or because they’re supportive through the good of their own hearts, they’re donating money because they want something.”

    by STEVE GRANT

  • I HAVE experienced many journeys in my 72 years of life.

    A current one is the Parkrun adventure, incorporating community, outdoor activity and visiting beautiful sites at various Park Runs in metropolitan Perth.

    A growing movement, there are now 34 parkrun sites around the city, 21 of which I have made my way around with thousands of others. 

    Check out the Parkrun map for their easy access – you’ll no doubt find one close to you.

    • Chris O’Connor (the silvery fox in the centre) on one of his regular park runs.

    Parkrun began 20 years ago in England and has since grown to approximately 2,500 sites worldwide, including 500 in Australia.

    These numbers are increasing all the time, recent additions including Lake Monger (Galup) and South Perth, due I think to providing a community space where there are no divisions, only support and fun. 

    Run fast, slow, walk, push a pram, lead your dog (not at all runs), it’s up to you.

    By the way it’s free, FREE!!, that’s correct and as all runs are managed by volunteers, you can also participate and contribute at that level and learn new skills.

    The courses are 5km and you will never be last, as all events have a tail walker who is there to fill that position, also a volunteer.

    To join, simply register at the website, https://www.parkrun.com.au/, copy your barcode number and remember to always take it with you to all runs for your results to be acknowledged and registered.

    Also I recommend registering in the 5k app, free also and all your results will be available, including great statistical information and maps.

    Sounds simple; it is, so I’ll see you there!”

    by CHRIS O’CONNOR

  • ARTISTIC swimming is back in Melville as the SupaNova club returns to its home at Booragoon LeisureFit. 

    Founded in 2015, SupaNova had called Booragoon home until the centre’s year-long renovations, having to relocate to the Perth High Performance Centre in Mount Claremont. 

    SupaNova vice president Lesley Enzor says the “combination of athleticism and endurance” of artistic swimming makes the sport “incredibly unique” in WA. 

    “The athletes have to have the endurance of a marathon swimmer, and combine that with the grace of a ballet dancer and the flexibility of a gymnast, whilst being upside down,” Ms Enzor said. 

    “It requires an awful lot of skill… it’s probably one of the only sports where you have to work exactly in unison with the person right next to you.”

    • SupaNova has something for everyone – even blokes are being encouraged to try artistic (synchronised) swimming.

    The completed renovations also signalled a name change for the sport once known as synchronised swimming, to “better reflect the difficulty”. 

    WA, and SupaNova itself, have their fair share of representation even at Olympic level, including Amie Thompson, Alessandra Ho, and Hannah Burkhill, who all represented Australia at the Tokyo Olympics. 

    The national team also trains at the Perth High Performance Centre. 

    It’s a growing sport in WA, according to Ms Enzor, and despite the high skill level required, it’s not as inaccessible as it may seem. 

    “It’s a much smaller sport than say football and cricket, but nevertheless, WA has a large representation [of athletes] at a national level,” Ms Enzor said.

    “We’ve got everything from complete beginners to Olympians, including over 60s classes too.

    “We go from all ages and all levels, right up to our junior squad, five athletes of which are on national teams.”  

    SupaNova head coach Ana Mendigutxia Balil says it is “everything” to be back at the pool in Booragoon because the renovations, although necessary, had an impact on the number of people at the club. 

    “We lost a lot of athletes when the pool shut down, because families need to work around their schedules to get their children to training,” Ms Mendigutxia Balil said. 

    “The places that we moved to ended up being up to an hour for the families to get to, and because artistic swimming is a very competitive sport that you need to train a lot for, it was very challenging. 

    “It’s pretty important for us to be back at Booragoon, because it’s a very good location, it’s easy for all of the families to get to, and this is where we started.” 

    One of the key aims in relaunching the club is to get more men and boys into the sport, according to Ms Enzor, so they will be running male-only come-and-try sessions. 

    Last year’s Paris Olympics were the first in which men were allowed to compete in the artistic swimming events. 

    “The gender barrier has just been there for so long,” Ms Enzor said.

    “We’re trying to raise awareness of the fact that it’s a combination of swimming, gym work, and strength, it’s not all makeup and jewels on your swimming costume.” 

    SupaNova will be relaunching on Saturday, February 9, which will include free classes and demonstrations. 

    Paris Olympic team members Margo Joseph-Kuo, Zoe Poulis, and Georgia Courage-Gardiner, alongside coach and two-time Olympian Amie Thompson, will be in attendance. 

    More information is available on the SupaNova Artistic Swimming Club website.

    by KATHERINE KRAAYVANGER

  • LETTERS: 25.1.25

    Atrocities

    I AM writing to inform the local community about the atrocities witnessed at Fremantle Port over the past month, as live exporters continue to ship Australian cattle and sheep overseas on long, arduous and cruel journeys.

    On Monday, December 23, as temperatures neared 41 degrees, I was horrified to see footage of thousands of cattle loaded onto the Gudali Express live export ship. 

    In these scorching conditions, cattle were kept in trucks under the full sun before they were slowly loaded. 

    Footage on the Stop Live Exports Facebook page shows cows being hit while they tried to turn around on the ramps, clearly fearful, distressed and agitated. 

    The heat stress they endured in the dangerous temperatures, compounded by their time being trucked to the port in cramped conditions, is unimaginable.

    Cattle were again loaded in boiling hot and scorching conditions only this Monday (January 20), when it again reached around 40 degrees as they were loaded at the port. 

    These cattle remained on the enclosed vessel, the Gelbray Express, in heatwave conditions for two days which is cruel and totally unacceptable.

    The livestock industry brushes off these concerns and reassures Australians that cattle are familiar with heatwave conditions.

    This is ludicrous – the cattle being loaded in heatwave conditions would have never previously experienced the stress of long-distance journeys by truck (in extreme heat) or standing in the full sun in metal vehicles, with the searing temperatures being exacerbated by truck engines and the Port’s concrete and metal infrastructure.

    In another incident on Saturday December 27, approximately 42,000 sheep were loaded onto the Maysora for export to Jeddah. 

    Again, thanks to concerned witnesses at the port, we have gained disturbing footage of sheep with visible injuries, including open head wounds and trauma to their face and eyes, being forced onto the vessel. 

    Appallingly, the use of electric prods and sticks were used by handlers, further exacerbating the stress and suffering of these animals.

    The community needs to be made aware of the ongoing cruelty of the live export trade. 

    Live exporters want West Australians to believe that they have made improvements, but they are pulling the wool over our eyes. 

    Time and time again we see animal welfare standards breached and fragrantly ignored.

    The recommendation from the Australian Veterinary Association and RSPCA Australia is for animals to be slaughtered as close to the point of production as possible. 

    Clearly, live export is in breach of these recommendations by organisations who have the welfare of animals at heart.

    As such, we must urgently shift away from live animal exports to chilled meat alternatives. 

    As long as live exports persist, animals will continue to suffer.

    Ruth Gourley
    Stop Live Exports

  • WHO’S on a post-Christmas diet?

    Channeling Donald Trump, I’ve decided to alter reality and have passed an executive order to extend the festive period until the kids go back to school.

    That way I can keep drinking every night and eat unhealthy food for another week.

    It all makes sense in some JG Ballard novel where the world is teetering on the brink of insanity.

    However, I am cutting back on expenditure, so I decided to give Seabreeze Fish and Chips a go.

    Situated on the Canning Highway, just before East Fremantle town hall, I’ve always seen a sign for the chippie while idling at the traffic lights, but have never went because it was too tricky to park.

    Turns out the easiest way is to take the May Street turn off, then right at the roundabout and park on Silas Street.

    Seabreeze is a no-frills takeaway.

    You know the drill – drinks fridge in the corner, plastic chairs along the wall, faded “Fishes of the Sea” poster, and newspapers strewn across a table.

    But it’s hard to beat their prices, especially their family packs.

    I ordered the Special for 4 ($55) which had four pieces of hake, four crab sticks, dim sim or pineapple, and an $8 portion of chips.

    If you are sans kids, their individual hake was $13.20 and chips were $5.50.

    Seabreeze has a good range of fish including hake, barramundi, snapper, Spanish mackerel and red emperor.

    They also do a wide variety of “snacks” with everything from crumbed sausage and NZ mussels to corn jacks and prawn cutlets.

    The chippie should be commended for being open seven days a week – a bold move in these tough economic times.

    When I visited on a stinking hot Wednesday evening, it was fairly quiet and the staff were friendly and polite.

    As I waited for my order, I could hear the reassuring gurgle of the deep fat fryer and felt my arteries tensing in anticipation.

    First off it’s great value for money – there was a mountain of chips and eight pieces of fish (four large and four smaller fillets).

    But did it taste any good?

    • Archive photos of Seabreeze Fish and Chips in East Fremantle.

    I’m pleased to report it was very enjoyable – the fish had a light golden batter and the fillet was super fresh.

    You could get the chips normal or crunchy and we went for crunchy – they were just the right thickness and had a satisfying crispy bite.

    The dim sim had a nice mix of tasty pork and herbs and weren’t desiccated (sometimes they can be rock hard and dry).

    My fish cake ($4.70) had a pleasant soft filling with subtle traces of herbs and spices.

    The crumbed coating was nice and light and it was one of the best fish cakes I’ve had from a takeaway (usually they’re deep-fried atrocities).

    The salt and pepper squid ($9.90) was enjoyable too – not overcooked with tender squid and a peppery kick.

    If you’re after budget fish and chips, I can’t really fault Seabreeze – great value for money and the quality was good.

    And if you’re feeling guilty afterwards, there’s a gym around the corner.

    Or you could leave it until the kids are back at school.

    New executive order – eat more chips.

    Seabreeze Fish and Chips
    17/155 Canning Hwy, East Fremantle
    9339 6129
    seabreeze-fish-n-chips.tuckerfox.com.au

    by STEPHEN POLLOCK

  • BOB DYLAN in the mid-1960s personified the political commitments and feelings of his generation. 

    That now-grey-haired generation flocked to the Luna on SX special preview screening to see Timothée Chalamet star in the project that took him, as producer, more than five years to get to the screen. 

    Chalamet does not disappoint. 

    He has Dylan’s hunched walking style and enigmatic style of speech down pat. 

    He can also play the guitar and sing the songs well. 

    He communicates the earthquake that Bob Dylan was.

    • Timothée Chalamet as Bob Dylan

    There is no miming of performances in this movie and the producers went to extraordinary efforts in researching exactly what microphones were used in the original performances and recordings. 

    Guitar manufacturer Gibson even produced replica instruments faithful to the era.

    This creates an aura of authenticity.

    The script was developed with Dylan’s participation, so the movie comes with the great man’s imprimatur.

    The film covers two distinct periods of Dylan’s life: his early rambling period as an aspiring folk singer rising through the ranks in New York’s Greenwich Village (1961-1963) and then jumps to 1965 when he controversially left folk music behind and started moving into what was called folk-rock.

    Dylan first made his mark as a politically engaged protest singer, but in the film the political milieu gets short shrift. 

    We see important contemporary events on TV scenes, but people’s left-wing analyses, which created the entire environment that thrust Dylan forward are not forthcoming.

    Passomg 

    In passing we see Greenwich Village folk stars like Dave Van Ronk and Maria Muldaur. 

    Dylan’s first New York girlfriend, Suze Rotolo (called Sylvie Russo in the film, at Dylan’s request) in her memoir, A Freewheelin’ Time, says that Van Ronk’s apartment was “the living room of a new generation of Bohemians”.

    Van Ronk had significant socialist political commitments in both the Young Socialist League and the International Workers of the World but here we just see him drunkenly roaring in arguments about folk versus country music.

    Rotolo also had serious left-wing involvement but in the film that is mentioned once in passing. 

    In fact, it was her influence that opened Dylan’s eyes to the civil rights movement and the political struggle unfolding in the USA. 

    Instead, A Complete Unknown centres on Dylan’s tumultuous love life, in particular his relationship with Rotolo and his competing relationship with Joan Baez. 

    Rotolo’s 1963 abortion, which marked the end of her time with Dylan is not mentioned. 

    Dylan’s final, awful falling out with Rotolo, self-pityingly described in his song Ballard in Plain D is nowhere in sight.

    Another thing absent is Dylan’s use of drugs. 

    Dylan was heavily stoned for many of his concerts and used heroin to relieve his inner demons, but there’s no sign of that here.

    Dylan has been labelled for years as inscrutable and A Complete Unknown reinforces that mystique. 

    We see him squirming as his fame grows and he rebels against the youthful scene that was itself rebelling. 

    Why he finds it so difficult to express his feelings while being able to write eloquent songs is not explored.

    The film’s climax comes at the 1965 Newport Folk Festival, bringing to life all the stories that have grown up about that event. 

    We see Dylan snarling out the lyrics of Like a Rolling Stone, which includes the line that gives the movie its title.

    We also see the crowd booing and Pete Seeger and other folk scene luminaries fighting to shut down the music amid general mayhem. 

    Nearly all of that is mythical but makes for exciting cinema.

    Timothée Chalamet and director James Mangold have created a fascinating film in A Complete Unknown. 

    However, ultimately Bob Dylan escapes understanding. 

    After two hours the audience has no insight into why he can’t commit to the women in his life. 

    He is as completely unknown at the end as he was at the beginning.

    by BARRY HEALY

  • MELISSA Clements’ latest exhibition is like Caravaggio crossed with a Netflix murder mystery.

    Most folk associate oil paintings with Renaissance classics like the Last Supper and the Mona Lisa, but 26-year-old Clements has taken the art form and given it a 21st century twist – exploring issues like female oppression, liberation and violence.

    There’s a painting of a woman plunging a knife into a man’s neck, a distraught woman being restrained by a security guard, and a woman looking into the eyes of a menacing snake.

    The juxtaposition of classical figurative painting with modern themes gives Flight of the Battery Hens an unsettling tension and a thought-provoking yin-yang.

    • Melissa Clements gives classical oil painting a modern twist in her latest exhibition Flight of the Battery Hens.

    “The exhibition was inspired by themes of resilience, freedom, and the tension between entrapment and transcendence,” Clements says.

    “These ideas are things I have always resonated with but were developed during my residency in the High Arctic, where the harsh but majestic environment underscored the strength of the human spirit. 

    “Each work reflects the dualities of life – love and violence, good and evil, freedom and confinement – crafted through narratives that blend mythology, contemporary struggles, and spiritual undertones.”

    At such a young age, Clements’ technical mastery is impressive and it’s no wonder she’s already been a finalist in the prestigious Archibald (2023), Darling (2022) and Lester Prize (2021).

    She graduated with a bachelor of philosophy (hons) in art history and philosophy from UWA and aged 23 was commissioned by the WA Supreme Court to paint the portrait of the chief justice Peter Quinlan. 

    Specialising in classical figurative painting, British-born Clements imbues her work with a sort of gothic, bucolic menace, hinting at the rolling fields and country mansions in her country of birth.

    “My influences range widely, but I often draw from Renaissance and Baroque masters like Caravaggio and Artemisia Gentileschi for their dramatic storytelling and mastery of light, as well as the Dutch Masters’ treatment of fabrics and materials,” she says.

    “Contemporary Australian artists also inspire me … and it’s always great to bounce ideas off one another and share out experiences.” 

    As part of her residency at The New York Academy of Art, Clements travelled to Svalbard in the High Arctic to develop new works. 

    “The residency at The New York Academy of Art honed my technical skills and deepened my appreciation for classical traditions, while also challenging me to innovate within them,” Clements says.

    “The High Arctic trip offered an entirely different perspective – its stark beauty and extreme conditions reinforced the themes of survival and endurance that underpin my work.

    “These experiences gave me a richer vocabulary for exploring human vulnerability and strength in my art.”

    This vulnerability is on show in her latest exhibition, especially in the portrait of an older lady cradling a baby goat.

    Flight of the Battery Hens is the culmination of a residency at PS Art Space in Fremantle.

    “I feel fortunate to be part of such a vibrant and supportive arts community,” Clements says.

    “PS Art Space, in particular, has been instrumental in nurturing my practice and connecting me with other creatives.”

    Flight of the Battery Hens is at the PS Art Space on Pakenham Street Fremantle until January 31, and Clements will be doing an artist talk at the gallery with Dr Susanna Castleden at 6pm on January 29. For more details see psas.com.au and melissaclementsartist.com.

    by STEPHEN POLLOCK

  • AFTER 40 years in the cosy bosom of public service, former punk rocker Neil Fernandes has emerged from his creative cocoon and is enjoying an Indian summer as a singer-songwriter.

    Back in the late 1970s, Fernandes played with Kim Salmon and Dave Faulkner in Perth’s first punk rock band The Cheap Nasties.

    The band broke up and became The Manikins, before Salmon went on to form the Scientists and Faulkner went on to form the legendary Hoodoo Gurus.

    But what became of cult figure Fernandes?

    Well he completely dropped off the musical radar and realised his “childhood dream” of becoming a public servant; working in the vocational educational system for four decades, before retiring in 2016 as managing director of Central TAFE.

    • (above) Neil Fernandes is enjoying a creative rebirth in retirement. Photo by Jeff Atkinson and (below) back in the day he played in The Cheap Nasties.

    His only real musical output during this period was playing with TAFE’s School of Rock at their Christmas party.

    But in retirement the creative juices started flowing again and he blew the dust off his Les Paul.

    “Music had always been my foremost passion, but I’d been writing briefings, speeches and reports instead of songs – much easier to do, but far less spiritually rewarding,” Fernandes says.

    “It was Dave Faulkner who gave me a brief Garageband lesson some years ago that enabled me to transform the many iPhone snippets into home recordings.

    “I don’t play live very often…once or twice a year to be precise…but have been regularly releasing songs.

    “Nowadays, I play, write, and record almost every day….making up for lost time, and thoroughly relishing doing it for my own gratification.”

    Fusing Americana, roots and rock, his solo material is like JJ Cale meets Mark Knopfler with a hint of Tom Petty.

    His 2024 track Ducks in a Row is particularly good, conjuring up images of a slow-burning road trip across America’s Deep South.

    His laconic, gravelly voice has lots of character, and he’s pretty handy on the guitar, knocking out tasteful, melodic solos.

    Fernandes has embraced the digital age and records at home on his trusty Mac.

    Occasionally friends will contribute parts remotely and his son Christopher plays drums, but generally he’s a one-man band.

    “I play all original songs, when I do play, and do it solo,” Fernandes says. “Almost everyone with whom I’d love to play is already playing in bands, but I do have a faithful co-conspirator in my recordings, Howard Shawcross, bass player and mentor extra-ordinaire, who sorts the wheat from the chaff amongst the songs.”

    Away from music, Fernandes says he is happy and contented, enjoying retirement with his wife, kids and grandkids.

    But after a few beers late at night, does he ever sit on his porch and think about what could have been if he had pursued a career in music with his old mucker Dave Faulkner?

    “I don’t think I was ever cut out for life as a gigging musician. I’d not have survived,” he says.

    “I’d hated touring so never wanted to leave home as my contemporaries did, nor tour again.

    “So, as I’ve said on many a previous occasion, ‘While my friends went on to fame and fortune, I realised a childhood dream of becoming a public servant’. If there is a wish, it’s that I could have developed the craft of songwriting, which is what I’m trying to do these days.

    “And now, my only hope is that more people listen to my songs than read the reports I wrote when I worked in government!”

    Fernandes doesn’t play many gigs, but he’s making a rare solo appearance at the Perth Folk and Roots Club 5pm-8pm on Sunday January 26 at Inglewood Bowling and Sports Club on Stancliffe St in Mt Lawley.

    Also on the bill are The Snake Charmers, and the house band. It’s free entry. To find out more see perthfolk.org.

  • WHEN this Chook was a young spring chicken, it always fancied living in a townhouse.

    You’ve got the space of a home, but don’t have to worry about gardening and are close to all the fun in the city. 

    This two bedroom one bathroom townhouse is situated in the heart of Mt Lawley on the leafy and picturesque Lawley Crescent.

    It’s only a few streets away from the Astor Theatre and all the cafes, pubs and restaurants on Beaufort Street (no more Ubers home!).

    Part of a small quiet complex, it has the feel of a lush bolthole with plants, trees and shrubs dotting the well-maintained grounds.

    The open plan lounge/dining area feels bright and airy thanks to the glass front door, large windows and high ceilings, enhancing the sense of space. 

    The windows are particularly attractive with the bespoke timber arches providing lovely views of the verdure outside.

    Tucked around the corner, out of sight, is a neat dining area with enough space for a decent-sized table. It’s slightly private and offers a bit of noise separation from the lounge.

    The kitchen is spacious and has good storage with lots of cupboards, drawers and a wine rack.

    There’s a nice mottled stone benchtop and pleasant views through the window above the double sink.

    Out the back is a large courtyard fringed with lush plants and trees.

    It’s a fantastic spot to enjoy a BBQ with family and friends or a glass of vino with your better half. Both bedrooms and the bathroom are located upstairs.

    The main is spacious and has built-in robes, while the other bedroom has a large balcony.

    The modern bathroom has a large shower, neat vanity and an added bonus – a bath.

    Bathrooms are often dated in townhouses, so it’s good this one is contemporary and fresh.

    The home includes air-con throughout, extra powder room, linen cupboard, separate laundry and a large built-in pantry.

    Situated in the centre of Mt Lawley, everything is at your fingertips, including lots of public transport, but the townhouse does have an undercover carport. 

    From high $600,000s
    2/23 Lawley Crescent, Mt Lawley
    Beaucott Property 9272 2488
    Agent Carlos Lehn
    0478 927 017