• Pavilion given another reprieve

    THE demolition of East Perth’s Banks Reserve Pavilion has been stayed for a second time as regular users of the community hall made an impassioned plea to Vincent councillors not to bowl it over.

    The pavilion was due to be demolished on July 20, but regular hall users fronted Vincent council’s agenda briefing session this week to make an impassioned plea for its retention.

    The council argues the hall is expensive to get up to code and maintain and has low use, which is disputed by those who used it.

    Wendy Herring taught yoga at the hall before being turfed out last year after the first Covid lockdown, and attended the briefing to make a case for the pavilion staying.

    “My heart goes out to everyone who can’t use the centre anymore, it’s like the heart has been ripped out of the community,” she  said. 

    “There is no low cost community halls available in this area.

    “I had been teaching at Banks for a couple of years, and had a really good clientele.”

    She had to close during lockdown and a couple of days before she was due to pick up the keys and reopen, the council called her “informing me that [the pavilion] was to be demolished and no one could use the centre.

    “This came as a big shock to me. I tried to find a venue… there was nothing available. I no longer have the group of students, after 12 years of having that business it no longer exists.”

    Ms Herring said “my eldest student is 88 years old and she used to walk to class … most of my students are 60-plus.

    “I do believe Banks is the same sort of vintage as me, and I’m certainly not ready to be knocked over and pushed down. Sixty years old is not very old, and for me as a 60-year-old woman to go out and find a job doing something else has been really difficult.”

    Private childcare

    A privately owned early learning and childcare centre also operated there and its rent covered a lot of the hall’s costs before Vincent council ended the lease. Vincent did not count it as a “community use” in their usage stats because it was privately owned.

    Resident Caroline Cohen said: “It was very sad when the City of Vincent chose to not renew the lease the little school had over this building … I know it was termed a ‘private use’ for this building, but these are children who live in the community, so it’s also a community use”.

    One of the council’s justifications for not redeveloping the building was “as the pavilion is located in a riverbank flood zone, the likelihood of having a development or building application approved for major improvements or changes is low”.

    That didn’t wash with former councillor Dudley Maier, who pointed out; “the building is located in what is called the flood fringe,” and only the less-beloved toilet block was in the more wet-prone “floodway”.

    “Interestingly, part of the East Perth Power station is also located in the flood fringe, so somebody better tell Andrew Forrest and Kerry Stokes before they put any money into that,” he said.

    Resident and artist Leon Pericles has prepared a petition and an alternative proposal to revive the hall to put to council before the next meeting, hoping they’ll rescind the demolition plan. 

    His petition says: “Community support is so great that we have already compiled a very long list of respected professionals that will donate their time and expertise to launching the space with free classes, seminars and workshops. 

  • Great plan – let’s get on with it

    MORLEY is sad and hurting, but how to turn it around? 

    In this week’s Speakers’ Corner resident JOSH EVESON takes a look at Bayswater council’s upcoming Morley Activity Centre Streetscape Plan. Councillors vote on whether to endorse it on July 27. 

    FIRSTLY, I’d like to thank the team that has got the Morley Streetscape Plan to this point, not only the officer’s and more recent councillors – but all of the feedback participants along the way – land owners, local businesses and community for ongoing contributions since 2010.

    We are finally at the point of funding detailed design of the Morley Streetscape Plan – this truly has been a team effort.

    2010 you might say? Yes, the objective to develop a plan to enhance the public realm in Morley Town Centre was identified in the Hames-Sharley Morley City Centre Masterplan of 2010.

    A quick crumb from that plan – developing the Morley Streetscape Plan is short-term 0-5 year implementation objective #6 (on page 66). With other related objectives #15, 22, 23, 35 and 38 also focussed on streetscapes. So yes, this idea has been around for some time. 

    Prompt delivery

    Given this, I fully support the officer’s recommendation to support implementation of detailed design and wholeheartedly encourage prompt delivery of final funding and project scope options to Council. Funding option 3 (also officer recommended) gets my tick as well due to objective crossover for Morley TC and streetscape improvements.

    The suggested tender process gives full optionality on the sequence and priority of delivering the detailed design – this is vital. Well done again officers.

    Providing flexibility, as some areas require more urgent assistance than others, whilst a strategic approach needs to be maintained and link it altogether. The best way to get maximum impact as quickly as possible.

    Businesses are struggling. It’s not just because of Covid – that’s a more recent development. Morley Town Centre looks shabby and unkept. An area screaming for attention, while other strategic centres across Perth see focus, large scale refurbishments and investment.

    Morley needs to restore the pride of yesteryear, clearly seen in imagery from groups like “Ol School Morley”. Things like the shiny new Boans department store, the thrill of live music and big name bands at The Generator, getting dressed all fancy to have a meal at the Coolabah Tavern, the drive in, the Morley Fair – there were a lot of reasons to go to Morley back then.

    I’m not talking about looking back, it’s about understanding the past and providing a clear vision forward, to the Future Morley.

    Local businesses and private investment are doing their best, but it is time the city contributed; and gets down to the business of really helping local business.

    Help bring people into Morley town centre. And when they are here help them to feel safe, keep the streets clean and tidy, offer alfresco dining, activated frontages. Create a buzz, a vibe, a real sense of belonging and community. People will reward the effort. They will spend their money, enjoying the many small businesses that Morley still has to offer – whether it’s restaurants, entertainment or other services. Morley needs clear direction. A clear vision. And investment to start delivering it – NOW.

    Fully funded

    Fully funding the detailed design is a must, as is physically delivering an updated streetscape.

    But I urge council there is a lot to do for Morley, activated frontages will deliver the best outcome.

    Talk to any business owner – and I have. They will tell you. Enhancing the customer experience will deliver more business. Linking it together is also not to be overlooked. Businesses working together creates the destination.

    An example – Simon Says, Little Viet, King Hot Pot and Bobaboba to name a few – they’d all benefit from activated frontages. Alfresco dining, a comfortable outdoor space. Improved pedestrian access, inclusive pathways that sort of thing. This is what the businesses are asking for so do the checks and balances – and get on with it.

    Council needs to support those that have invested their time and money in trying to keep Morley alive. A vibrant town centre improves the quality of life for community that surrounds them.

    It’s just better for everyone.

  • Pho fun

    EIGHTEEN days of biblical rain and counting.

    As I splashed through the puddles on Oxford Street, I felt like a slightly-overweight Noah, looking for bits of wood to make my ark, “Blue Origin II”.

    As the rain became torrential, I sought refuge in Three Sisters Vietnamese Tuckshop, a cute little number at the quieter end of the street.

    Sisters has just enough room for some bench seating beside the window and a few tables and chairs. 

    There’s also a pavement alfresco with bright floral tablecloths, adding a splash of colour to a grey and overcast Tuesday.

    Like the cafe, the menu was small and to-the-point with a range of rice paper rolls, banh mi, noodle soups and salads, and rice bowls. I needed some winter comfort food, so I ordered the beef pho ($15.90).

    Pho is like the clean-cut and well-behaved brother of the laksa, which can be more brash and full-on with its flavours and ingredients. 

    I’m a fan and prefer a subtle dish to one that bellows “Look at me, I’m very tasty!”

    The quality of the thinly sliced beef in the pho immediately stood out; it was super tender and had a lovely pink hue in the middle.

    I’ve lost count of the number of noodle soups I’ve eaten with tough, cheap cuts of meat.

    The broth was equally impressive – fresh and clean with no greasy film on the surface – but the chef hadn’t compromised on flavour with plenty of depth and complexity in there.

    Lurking at the bottom of the pretty Asian bowl was a serpentine mass of flat rice noodles, which were just the right firmness and helped bulk out the dish.

    I liked how Sisters gave you a seperate bowl with a wedge of lemon and beansprouts, and a tub of chilli paste, letting you set your own heat level.

    I gradually added more chilli as I went, until I felt a pleasant warm tingle on my lips. Perfect.

    The only downside to a tiny cafe is being stuck beside some garrulous loud mouth with no volume control.

    For the entire meal I had to endure a man telling his friend his life story – a fascinating tale of sheep farms and cow dung.

    Thankfully the friendly and polite service made up for this, with my dish brought out quickly with plenty of smiles and chat.

    Sisters is clearly popular with locals, who were queuing out the door on a wet Tuesday to get their Vietnamese lunchtime fix.

    I was very impressed with the beef pho, and I’ve previously tried the banh mi (Vietnamese baguette) and spring rolls, which were just as tasty.

    Three Sisters Vietnamese is a cute little joint that dishes up lovely food at great prices.

    Well worth a visit.

    Three Sisters Vietnamese Tuckshop
    253A Oxford Street, Leederville
    Closed Sundays threesistersperth.com.au

    by STEPHEN POLLOCK

  • Meaty follow-up
    Meat’s cast Georgia Wilkinson-Derums, Declan Brown and Alexandria Harris. Photo by Courtney McAllister

    #METOO protests may have slipped from the front pages, but the pause in finger-pointing and shaming has opened the way for the arts to take a nuanced – but still pointy – look at where to next.

    Fremantle Theatre Company will follow up last year’s debut breakthrough featuring Grey’s Anatomy star Kate Davies with a local ensemble tackling the thorny issue of relationship consent in Meat, which opens August 17.

    FTC artistic director Renato Fabretti says Meat is a “searing” comedy set in a bustling Dublin restaurant of the same name.

    “It’s like a well-cooked steak, for a metaphor; it really is scorching on the outside, but super tender on the inside,” Fabretti said.

    “What I’m interested in as an artistic director is creating a conversation that leads an audience towards being comfortable with the messiness – the grey.

    “You don’t get to lynch someone and blame and point a finger and lose your shit on Facebook.

    “For me it’s more profound and nuanced; how do we engage people in a fresh, or new, or deep way that does affect change.”

    Fabretti brings his own understanding of #metoo, having “been pulled into a room by someone with power over me”, 

    but acknowledges it’s predominantly about the experiences of women.

    “I’m fortunate enough to have a perspective, but I don’t have a female friend who hasn’t.

    “I say that again; I literally do not have a female friend that hasn’t dealt with some level of harassment at work 

    at the highest levels, or some continued pursuit in backchannels, or just the day-to-day misogyny veering on harassment veering on assault.”

    The play is the international debut of Gillian Greer, an Irish literary agent who saw hundreds of plays cross her desk before finding her own voice.

    Fabretti says the lilting Irish accent is the perfect foil for the messy topic.

    “This reminds me of The Smiths; you’ve got this beautiful Johnny Marr melody, but you’ve got this horrific subject matter from Morrissey.”

    The three-hand cast includes NIDA graduate Georgia Wilkinson-Derums, whose side-gig as a punk rocker Fabretti reckons helps give her a “scalpel sharp” stage persona (locals might remember her from her time with pint-size Freo rockers The Flairz back in the early noughties).

    Testosterone

    Ally Harris trained under the renowned Guildhall School Educators in a French conservatory and featured in the current season of Harrow, screening on ABC, while the testosterone is provided by White Gum Valley’s Declan Brown, who Fabretti has previously worked with in youth theatre and describes as a “violently good performer”.

    “Declan is a ‘brought up by his own bootstraps’ kind of self-trained local, and I really believe in artists that have found their own path,” Fabretti says.

    “It’s something that Kate Walsh was very passionate about, having got to meet Dalip, Lucy and Mararo (FTC’s first cast), that there is this staggering talent living in Fremantle that can go toe-to-toe with her, and in Dalip’s case win best actor for the year.

    “Our feedback from the last show is that’s what people are crying for; great new plays, great new talent.”

    Meat will run from August 17 – September 12 at Victoria Hall on High Street. Tix from https://premier. ticketek.com.au/shows/show. aspx?sh=MEAT21

    By STEVE GRANT

  • Arty peek

    THE highs and lows of Pasifika queer life are captured in an extremely personal film by Sione Tuívailala Monū at PICA art gallery. 

    Shot entirely on an iPhone, we get a voyeuristic glimpse into the lives of Monū and their friends – a mix of the mundane and the outrageously camp.

    Smoking, making a bag with a saucy print, twerking, a drag cabaret, eating breakfast, and dancing at a festival all feature in a chaotic and entertaining montage.

    Some scenes are accompanied by a brooding classical score, reminiscent of the psychological space thriller Solaris, but it’s the softly spoken voiceovers that ground the film, drawing you into their colourful world and adding a poetic quality to the visuals.

    In one scene Monū’s friend talks about the minutiae of smoking, and in another the challenges of growing up queer.

    “From a young age I’ve always captured footage of myself and family and edited little clips of us with music and edit in ways I would see in films,” Monū says.

    “I loved seeing my family in this cinematic context, a art form that doesn’t have a large Polynesian voice. 

    “These little clips I’d edit of my family was escapism for me and for my family and eventual audience but also it was a way of imagining our lives and our stories as equally important/interesting/profound as the Caucasian voice/experience in cinema.”

    Of Tongan heritage, Monū now divides their time between Canberra and Auckland, working in a variety of mediums including photography, moving-image, fashion and adornment.

    The artist cites director Pedro Almadovar as their biggest influence in film. 

    “At the moment I’m very interested in what Luca Guadagnino and Apichatpong Weerasethakul are making,” Monū says.

    “I don’t think I usually have any overarching theme in mind when I edit my short films. I’m more concerned with moods and feelings that are conjured with the footage and music I edit. 

    “Usually ideas and concepts that I’m interested in makes its way into the work subconsciously.

    “I think that’s the great thing about developing an editing practice on my phone from a young age, the work I make is very intuitive and organic.”

    With more and more iPhone film-making competitions, could we soon see the demise of traditional movies?

    “I think big studios will always be around coz nothing beats an big over the top $200m action adventure film, ha ha, but I do feel there’s endless potential in the new technologies everyone has in their hands these days,” Monū says.

    Leitī, a series of short films by Monū, is showing as part of the winter exhibition at PICA in Northbridge from July 30 until October 10.

    by STEPHEN POLLOCK

  • Easy living

    THIS charming Inglewood home is perfect for downsizers or a small family.

    Featuring two bedrooms and a bathroom, it’s super low maintenance and situated on a 322sqm corner block.

    The centrepiece of this home is the spacious lounge, which has an original, decorative brick fireplace.

    It’s a nice relaxing space and feels like a spot where a family or couple could relax after a hard day’s work.

    Throughout this home the high ceilings, ornate cornicing and original jarrah floorboards create a classy feel with plenty of character.

    Cooking meals will be cinch in the renovated kitchen, which has modern appliances, natural wood benchtops and white cupboards.

    It’s spacious and bright, and there’s enough room for a dining table and chairs.

    The seperate laundry and W/C have also been updated, so the house is pretty much move-in ready.

    There’s plenty of storage in the main bedroom, which has a three-panel mirrored wardrobe and a relaxing neutral colour scheme.

    At the back of the house a galley-style area is being used as a study/home office, with plenty of natural light and views of the rear garden.

    Alternatively it could be a play area for a child or a little studio if you are a budding artist/creative.

    There’s a large sheltered alfresco out the back, which would be a great spot for family meals and BBQs in the summer.

    If you added some cafe blinds, it would be an all-year-around area, almost like an extra room.

    Throw in some potted plants and fairy lights and you could transform it into a cool entertaining zone.

    Most of the outdoor areas are paved, so there would be little to no maintenance.

    There’s a double carport and massive driveway with room for four cars or even a boat or caravan.

    The home has loads of modern features including ducted reverse cycle air con with smart control, and is connected to the NBN.

    Situated on Crawford Road you are close to lots of cafes, restaurants shops and parks, as well as Edith Cowan University and Inglewood Primary school.

    This home is a good opportunity to live in the Inglewood area at an affordable price.

    Make sure you get in there fast before it’s snapped up.

    339 Crawford Road, Inglewood
    Home open today (Saturday July 24) 11am – 11.45am
    RealEstate88 9200 6168
    Agent Terry Lu 0410 213 027

  • Maali Festival is back
     • Hear centuries of ghost stories from a small country town in York, starring Maitland Schnaars. Photo by Garth de Bruno Austin

    AFTER a two week Delta-related postponement, the inaugural Maali Festival is back on to celebrate the oldest living cultures on Earth.

    Put on by Black Swan Theatre Company, Maali Festival is named after the Noongar word for black swan. Curated by Ian Michael, (Wilman Nyoongar) and Chloe Ogilvie, (Yamatji Nhanda), it’s themed around reclaiming the State Theatre Centre.

    It was meant to run over July 9 and 10 before the new Covid-19 strain hit and it’s now been condensed into a one-dayer on July 24. 

    The festival spans epochs with traditional dance and ceremonies, modern hip hop from Flewnt, and WA’s longest running play Binjareb Pinjarra, a dramatic and comedic exploration of the black and white versions of the Pinjarra Massacre.

    There’s a mix of free and ticketed events, check bsstc.com.au/whats-on/maali-festival for times.

  • Big Perth backed

    PERTH councillors have endorsed a plan to triple the CBD population to 90,000 by 2050, outstripping the state government’s own target.

    This week the council approved a strategy which sets out the first 15 years of actions to boost the population, locking in the aspirational target set by commissioners who sat in while the previous council was suspended.

    The state’s own target is 53,000 residents by 2050.

    A staff report says a bigger population will “achieve busy streets, a safer place, more investment, business and economic growth”.

    Many of the CBD’s problems are blamed on its emptiness at night as workers retreat to dormitory suburbs, but under the new strategy it’s hoped many will simply hike home to their inner-city digs.

    The population boost would come through improving six “highly liveable, mixed-use neighbourhoods” in central Perth, Northbridge, East Perth, Claisebrook, West Perth and Crawley/Nedlands. Planning rules would be introduced to encourage “quality and diverse housing” and deter  developments too dependent on cars. 

    At the July 13 special council meeting, deputy lord mayor Sandy Anghie said “studies over many years have shown that an increased inner city population is the key to a more vibrant city, and residents are the ones who will bring life to our city 24/7. But targets and quotas for inner city housing aren’t enough. Currently it’s not a supply issue, it’s a demand issue.

    “We need people to want to live in our city.”

    The strategy aims to hit 55,000 people by 2036, on the way to 90,000 by 2050. 

    The plan will need to be rubber stamped by the state’s WA Planning Commission, likely to take a few months, before it can be sent back for council to put it out to public comment.

    That means the final call will be made after October’s election, where the four councillors who only got a brief one year term are up for a vote once again.

    by DAVID BELL

  • Protest can’t save pavilion
    Locals protested to keep the pavilion, but were only able to stave off demolition for a couple of months.

    BANKS Reserve Pavilion will be demolished after all, with a community protest only slightly delaying its demise.

    Vincent councillors were not willing to rescind a 2019 decision to demolish the pavilion, which was made on the basis that it was getting too old and expensive to make compliant with building standards and because its use was lower than other facilities. 

    The demolition is part of the Banks Reserve upgrades and eventually an outdoor plaza will go where the pavilion is. 

    Brief stay

    About 40 locals attended a meeting in May calling on the council to keep the building, leading to a brief stay of demolition.

    Mayor Emma Cole agreed to ponder a few alternatives to demolition: Full retention until the plaza was ready to build would cost $210,000, and partial retention would cost $195,000. 

    No one on council moved a motion to rescind, finding those retention options too expensive given the pavilion’s trend of lowish use. 

    Ms Cole has now issued a letter to locals advising them of the demolition and saying “we understand that many residents remain committed to retaining the old pavilion and will be disappointed. 

    “I assure you this hasn’t been an easy decision to make. We have taken time to consider the options carefully, weighing up all factors and seeking solutions for the long term.”

    The council will now ponder whether the plaza can have some indoor aspect, given indoor-only uses like the yoga classes that were turfed out of the pavilion have now been displaced.

    Those ideas will eventually go out to consultation, but any replacement’s a long ways off as they’ll need consent under the Aboriginal Heritage Act given the riverside site’s significance.

    The area will be lawn until then.

    by DAVID BELL

  • Drama unfolding
    Judith Forrest’s Unfolding Lives in collaboration with Terri-Anne White. Photo by Moondyne under Creative Commons 3.0

    PEOPLE who spent their childhoods in institutional care are campaigning to get a missing memorial back on display after it was removed from the Northbridge Cultural Centre without consultation.

    Judith Forrest’s artwork “Unfolding Lives” holds special significance to care leavers. Styled after a child’s “chatterbox” folded paper toy, the sculpture is inscribed with words by author Terri-ann White reflecting care leavers’ experiences, and came about after the 2009 national apology to forgotten Australians.

    Distressed

    Not-for-profit organisation Tuart Place represents care leavers; former child migrants, foster children, people who grew up in residential camps like the notorious Bindoon Boys Town, and Stolen Generation members and their descendants.

    “It’s really significant,” Tuart Place director Philippa White says of the memorial. People were distressed to find it had been removed without a word.

    “Care leavers are a population who’ve been marginalised and given second class treatment throughout their lives.

    “This memorial was placed in a really prominent position,” a pleasant surprise to care leavers when it was unveiled in 2010, “and a lot of people were very upset when they found out it wasn’t going to be put back where it was originally located.”

    The memorial was removed and put into storage in 2016 as part of the museum upgrades.

    Last year care leaver and advocate Mark Farmer began campaigning for the memorial’s reinstatement.

    It led to a meeting in March at Tuart Place, attended by care leavers and the commissioner for victims of crime Kati Kraszlan. The commissioner offered an apology for the lack of information provided when it was removed, and noted the memorial had been damaged when it was removed from the plinth. Funding had been made available to repair it.

    “The renovation and replacement does lend itself to a really good opportunity for there to be more signage – interactive links so people can find out more information right there on their phones, and also an opportunity for all the institutions in WA to be listed,” Ms White said. 

    “That emerged as quite important to people, and we actually heard recently the artist would have been quite happy to do that.”

    The area it stood on opposite the museum has been extensively changed so a new location is needed, with Kings Park mentioned by some care leavers as a favoured spot.

    “It needs to be prominent. People don’t want to see it hidden away as a token thing. They want it to have at least the prominence that it previously had,” she said.

    The Voice contacted the office of the commissioner for victims of crime and haven’t heard back yet, but after the March meeting the commissioner’s plan was to relay the care leavers’ feedback to the state government and come back to discuss reinstallation options.

    by DAVID BELL