• Claws out over cat inaction

    STIRLING council has been derided for inaction over the menace of roaming cats hunting wildlife, but council staff are resolute that they have no power to keep cats contained on owners’ properties.

    In recent years many councils have tried to enact laws to keep cats at home, with varying levels of success. In most cases, council’s have seen their proposals rejected by WA Parliament’s Joint Standing Committee on Delegated Legislation which decides whether local laws are compatible with state law.

    But there’s fierce legal debate over whether the JSC is in the right, and some wildlife advocates are urging councils to challenge the JSC and make a fresh attempt at a local law to keep cats at home.

    Stirling council was considering minor updates to its local cat policy this week, and many residents spoke at public question time disappointed their council wasn’t taking firmer steps. 

    Resident Simon Wheeler said the report that staff had prepared for councillors, which recommended only small changes and did not advocate for cat containment, had downplayed the community’s desire for action.

    Mr Wheeler told mayor Mark Irwin “in a strong field, Mr Irwin, this is one of the most blinkered and one-sided reports I’ve ever read”.

    “This report, and internal advice, condemns consultation as irrelevant in the City of Stirling. Just another waste of ratepayer funds. ‘Have your say’, just don’t expect to be heard or acknowledged.”

    Mr Wheeler asked “what internal advice was given to councillors as to why the results of community consultation on the local cat laws were considered irrelevant enough to be withheld from tonight’s agenda?”

    Stirling’s director of community development Michael Quirk was adamant the council had no power to keep cats at home. 

    “The key outcome of our review of the community consultation was that yes, there were a number of residents seeking cat containment,” Mr Quirk acknowledged. 

    “Our position based on consultation with the Department of Local Government, with WALGA, with advice from the Joint Standing Committee, our own legal advice, is that cat containment is not possible under the current Cat Act. 

    “I understand that you disagree with that point of view, but that is the City’s perspective.”

    As to Mr Wheeler’s commentary about the report ignoring community consultation results, Mr Quirk said “it doesn’t matter how we slice and dice and present the community consultation through this report, cat containment is not possible under the Act.”

    Mr Wheeler still contends that “cat containment, through responsible control of cats in public places, is absolutely possible, it already has occurred in several local governments”.

    But for now, councillors went ahead with publicly advertising their proposed mild updates to the cat policy, and it’ll be out for comment shortly. 

    Mr Wheeler had also satirically suggested that the staff report to councillors had included an answer to resident concerns that surely must have been inserted in error: In a summary of community concerns, the report noted that during consultation residents had asked “can we report cat nuisance outside of cat prohibited areas?”

    The roundabout answer suggested first talking to the cat’s owner (“if known”), and then a long list of alleged cat deterrent substances.

    Mr Wheeler said: “An answer to how one might report a nuisance cat has been replaced instead with remedies for male pattern baldness that one may have found in certain gentlemen’s magazines of the past, advertising application of a little citrus peel, coffee grounds, cinnamon, lemongrass, and of course garlic, though I honestly thought that garlic was for vampires.

    “And whilst I have zero doubt that oil of lavender and vinegar sprayed in specific areas will keep pussy away, what on earth, mayor Irwin, does that have to do with the response to City-initiated public consultation that overwhelmingly asked, not for recipes – eye of newt and hair of bat – but for solutions.”

    Mr Wheeler said that along with protecting wildlife, many are also concerned with cat welfare too, and he said cats are happier and safer at home where they’re away from traffic and other threats.

    “Some 40 or so fur babies won’t come home each and every week in metro WA,” Mr Wheeler said. “They haven’t run off to join the Liberal party, or a cult, they have not won the lottery and retired to a fish market in Italy… they’re dead.”  

    by DAVID BELL

  • Virtual star, real appeal

    ANYONE passing Perth Arena last week would think a pop star was in town, but the lines of adoring fans were there to see a singer who doesn’t actually exist: Virtual pop star Hatsune Miku.

    “When Hatsune came out and began singing, a girl near me [started] sobbing,” long-time friend of the Voice Jennifer Motherway told us.

    It was the first Australian “tour” of the virtual star, who is rendered in an animation on stage either via hologram or LED screen. Hatsune Miku doesn’t have a voice actor like older animated pop star characters: she’s a “vocaloid” with an artificially generated voice.

    • Jennifer Motherway and her pal Joe ticked off a “bucket list” item by seeing Hatsune Miku in person (kind of).

    “I paid $196 for one ticket,” Ms Motherway says. “I’m shocked she came here, I just never imagined that the creators of Hatsune Miku would consider coming to Australia… she’s played in Tokyo, she’s played in LA, she’s played at Coachella. 

    “Seeing Hatsune Miku in concert has always been on my bucket list. 

    “I always imagined I would have to go to Japan, so I was going to pay whatever it took to see her, simply just to be there for the experience.”

    Virtual characters like Hatsune Miku can be extremely profitable, making money for their creators through their music, sales of vocal software, merchandise and product endorsements. 

    In Japan, where Hatsune Miku first rose to prominence after a Tokyo concert in 2010, much of her male fandom is characterised as being attracted to the character’s visual appeal. 

    • Hastune Miku “on stage” from @RAC on Instagram.

    But the virtual singer is popular with women too, and many fans are into other elements of Japanese pop culture like anime and manga.

    “Her songs are very catchy. 

    “Her music is very fun,” Ms Motherway says. 

    “She represents a happiness and a carefree sort of vibe that a lot of people enjoy.” 

    Real pop stars can be messy. They can get depressed, or addicted to drugs, or make offensive statements. They also have relationships, and it’s been common for managers to try to hide their celebrity client’s dating habits for fear fans will be less interested if their idol is ‘off the market’.

    “People like their pop stars, especially the female ones, to remain single,” Ms Motherway says. But as for Hatsune Miku, “she’ll never have a boyfriend. She can be anyone’s girlfriend.”

    Fans also don’t seem to treat her much different just because she doesn’t exist. 

    Ms Motherway says celebrities’ stage personas are also something of a created character: “[If] I see someone like Ariana Grande or Lady Gaga, in terms of a pop star, Hatsune Miku is just as real as those people to me.”

    Hatsune Miku’s Japanese owners, Crypton Future Media, seemed to have some problems translating the Voice’s questions, so we’re not sure what prompted her Aussie ‘tour’ and whether she’d be back again.

    If she does ever return, Ms Motherway reckons her fans will only have grown in number after word spreads of Tuesday’s show.

    “The atmosphere at the concert was amazing. 

    “Everyone was really lovely to each other, because we all have this shared interest that’s a bit niche.”

    by DAVID BELL

  • Waste phase-out

    BAYSWATER council will phase out its commercial waste collection over the next four years, despite a warning it will drive up costs for small businesses.

    The move followed the first review into the City’s commercial waste services in 20 years, which found that some businesses had been rorting the system for years, and staff trying to pull them into line had been threatened.

    Some of the tricks business tried to avoid paying for their bin collection were ripping off the council’s logo to design their own stickers or stealing their neighbours’.

    Councillor Georgia Johnson tried to get the council to adopt a “moderate” withdrawal from commercial waste collection with a residential-style system for small businesses, but even she reckoned some of the shady dealings were unacceptable.

    • Waste services staff say often commercial bins are in terrible condition and clog up verges, making industrial areas unsightly.

    Scrap metal

    “We heard stories about businesses requesting, for example, a FOGO bin, and then filling it with scrap metal parts; I mean that’s just not on,” Cr Johnson said.

    The report found the council was losing more than $62,000 each year collecting bins that hadn’t been paid for, equating to $1.2m over the 20 years its commercial waste collection had been running.

    Cr Johnson said the report showed the diversity of commercial businesses, particularly with industrial areas, made it difficult for the council to tailor its collection to their needs, but didn’t favour a complete phase-out.

    “If you’re producing a small amount of waste that is similar to our residential collections, then that’s something that the City does really well,” she said.

    Her motion got support from deputy mayor Elli Petersen-Pik, but when it failed and the council moved to consider a total phase-out by 2028, he warned there could be business .

    “I definitely acknowledge that some businesses, definitely in the industrial areas, probably should be moving onto private waste services, but you need to understand that some businesses in our town centres, they are very small,” Cr Petersen-Pik said.

    “That will require them to now pay much more to have basic services that I think every local government should provide, even if it’s limited to the amount of bins they can have.

    “We will have businesses questioning what they actually get for their rates.”

    But Cr Josh Eveson said the phase-in period would give businesses time to plan for the change, while a last amendment from Cr Steven Ostaszewskyj will see CEO Jeremy Edwards explore non-council alternatives to “support” businesses through the transition.

    by STEVE GRANT

  • Mayor dismisses vaccine appeal

    STIRLING council has been called on to ‘stop the vaccine mandates’ and withdraw Covid-19 vaccines – two issues it does not control.

    During public question time at December 3’s council meeting, a trio of anti-vaccine activists implored the council to take action against Covid-19 vaccines. 

    They cited the Town of Port Hedland’s recent motion calling for “immediate suspension” of mRNA COVID-19 vaccines, a move that prompted premier Roger Cook to say “the Town of Port Hedland should stick to its knitting”.

    The activists said there was confirmation that Covid-19 vaccines were “contaminated” with excessive levels of DNA. The Therapeutic Goods Association has described these reports as “misinformation” based on faulty methods of testing DNA levels. 

    • Mark Irwin

    Glenda Lord of Doubleview asked: “Would the council consider having a special meeting to stop the mandates, and withdraw the vaccines?”

    Mr Irwin said a local government doesn’t have the authority or the expertise to do anything about vaccines.

    Sandra Dowling was concerned about Stirling’s elders. 

    “Stirling council, I believe, is the 17th biggest council in Australia… my concern is the elderly population, a lot of them just watch telly etcetera, but they don’t understand. The doctors have been hoodwinked. People have been coerced. Your own staff were mandated [to take] this deadly injection.

    “We’re all talking about budgets and all these wonderful things that the City of Stirling are going to do. I wonder how many people are going to be left? It’s very concerning.”

    Another resident from Wembley Downs asked if vaccines aren’t council business, then “how can the Chinese trackless tram, which is state and federal [managed], be in the remit of local government? What is the difference here?”

    Mr Irwin responded: “Trackless trams come under land use planning, along with road engineering, which is entirely under the remit of local government.”

    “Whilst, again, I acknowledge there is concern from the community, you’ve heard from other members of the gallery this evening: We don’t always get it right when dealing with sand dunes and cats. You don’t want us dealing with vaccines. 

    “I’m not trying to make light of it, but you don’t want an uninformed council dealing with significant, serious health issues.

    “We’ve got to deal with roads, rates, and rubbish.”

    by DAVID BELL

  • The last one

    THE un-one-waying of Perth CBD streets continues with works now pending to restore two-way traffic flow to a length of Hay Street. 

    Many inner-city streets were converted from two-way to one-way many misty years ago but it’s led to some awkward layouts and traffic snaking around looking for a way in or out.

    In the past decade or so a rolling effort to undo the confusing grid has progressed across the city, with Hay Street from William to Elders Streets the last remaining one-wayer.

    • A concept illustration from the Hay Street – William to Elder – Streetscape Revitalisation plan.

    The conversion could cost anywhere from $4 million for the bare basics to $20 million if the City adds new street trees and pavers, granite kerbing, and street lighting and other bonuses to make it a pedestrian-friendly avenue.

    At the December 3 council briefing, lord mayor Basil Zempilas said “in a previous life as a talkback radio broadcaster, we would often look at the city’s changing road designs and say… they seemed to have only changed that not so long ago. Why are they changing it again?

    “It is a reasonable question; why are we changing Hay Street,” answering his former self’s query that it was about “connection” and “permeability”.

    “As I understand it… this is all about unlocking connectivity,” he said, noting as one example that the current one-way setup made for a runaround trying to come from Subiaco to the city.

    Councillors will vote on the final concept plan at the December 10 meeting.

    by DAVID BELL

  • Pie weather?

    DEJAXO Artisan Bakery is a bit of an anomaly.

    Surrounded by houses as far as the eye can see, it’s plonked in the middle of the Mt Hawthorn burbs and there’s no other businesses close-by.

    A bit of digging revealed the building used to be the milk bar for the neighbourhood, and suddenly it all made sense.

    A family-run artisan bakery led by husband-and-wife team Damein and Kate Nabbs, Dejaxo has four outlets across Perth and prides itself on “quality over quantity”.

    Their main attraction – the sourdough bread – is free from additives and stabilisers.

    I’ve previously tried some and while I’m not a bread aficionado, it was some of the best sourdough I’ve had – not too dense with a subtle sour tang and lovely crust.

    Dejaxo’s Mt Hawthorn outlet was uncluttered and stylish with a dining area off to the side and a large serving area as you walked in.

    There were several display cabinets with all sorts of goodies including hot pies and a range of tarts, quiches, lasagnes and pies to take home and heat-up.

    There was also a fine range of delicious-looking cakes and sundries, and racks of freshly-cooked bread.

     If you wanted to sit-in, there was a dining area where you could enjoy tea, coffee and cooked meals.

    Although classed as a bakery, it’s really an all-rounder and you could get produce for any meal of the day.

    I’m a bit of a moussaka junkie, but unfortunately the popularity of the dish has waned significantly since the 1970s and the number of restaurants serving it, aside from dedicated Greek eateries, has dwindled.

    What’s next, shops not selling Nana Mouskouri LPs?

    So, my eyes lit up when I saw that Dejaxo had a vegetarian and meat moussaka.

    For me, it has to be lamb to be authentic, so I went for the family meat version ($32).

    This was a superior Greek treat.

    The layers of sliced potato and soft eggplant tasted delicious when combined with the minced lamb and rich tomato sauce.

    It was a decadent affair with the thick capstone of béchamel making the dish moreish and transforming it into sophisticated comfort food.

    The tray easily fed a family of four and it was one of the best takeaway moussakas I’ve had.

    The following night we enjoyed a hearty shepherd’s pie ($28).

    It sounds funny eating pies for dinner in December, but summer is having a wobbler right now with unseasonal patches of rain and cooler spells, so it went down a treat with the family. 

    While not scaling the heights of the moussaka, the shepherd’s pie came a delicious second.

    A lovely whipped potato summit, which went nice and crispy in the oven, and a mouth-watering mix of veg and mince.

    It held together nicely when divided into four squares, and the sauce was tasty with just the right consistency.

    Another hit.

    My takeaway moussaka and shepherd’s pie from Dejaxo Artisan Bakery were top notch and I’ll be back to try their sit-in brunches at the weekend.

    Hell, I might even dig out my old Nana Mouskouri LPs and tan bell bottoms for the occasion.

    “‘Til the white rose blooms again.

    You must leave me, leave me lonely…”

    Dejaxo Artisan Bakery
    2 Coogee Street,
    Mount Hawthorn
    dejaxo.com.au

    by STEPHEN POLLOCK

  • Indie king

    PERTH Voice advertising director Matt Eeles has been awarded the Independent Spirit gong at this year’s WA Screen Culture Awards.

    He was recognised for his tireless devotion to Australian film through his Cinema Australia website and WA Made Film Festival.

    “His unwavering commitment to supporting local creatives and highlighting the diverse voices of our filmmaking community has earned him a well-deserved reputation as a key figure in the state’s and nation’s screen culture,” noted the WA Screen Culture Awards committee. 

    Founded by Eeles in 2013, Cinema Australia started out as a humble fan page devoted to homegrown films he loved watching.

    Over the past decade it has gone from strength-to-strength and is now a popular hub for everything to do with Aussie cinema, especially up-and-coming talent.

    • Ben Elton and Matt Eeles at the premiere of Three Summers

    Eeles has interviewed literally everyone in the industry from indie filmmakers and cult actors to famous Aussie stars and directors including Eric Bana, David Wenham, Rachel Griffiths and Jack Thompson.

    “My most memorable interview is my first ever interview with the great Robert Connolly, a filmmaker many consider to be the godfather of contemporary Australian cinema,” Eeles says.

    “I had no idea if my questions were any good, and I told him that I was nervous.

    “He comforted me by telling me that it’s very easy to confuse nerves with excitement, and he was right.

    “This calmed me down and it’s advice that I still carry with me when conducting interviews or speaking publicly.”

    Buoyed by the success of Cinema Australia, Eeles co-founded the WA Made Film Festival in 2020.

    Held in Perth, the event was a celebration of locally-made films including premieres of WA movies, Q&A screenings, shorts, and even a category for films shot on a smartphone. 

    Only problem – four days before the Festival was due to launch, Australia went into lockdown.

    • Suzie Worner and Eeles with his Independent Spirit Award.

    “That first event taught me more about event management than any school or university could ever teach me,” Eeles says

    “That experience got us through another two years of covid interruptions which has been the most challenging aspect of running the festival. 

    “The most rewarding aspect has been the feedback from young up-and-coming filmmakers who have told me that they continue to make films because we accepted their debut film to screen at WA Made while no other festival would. 

    “One local filmmaker has a tattoo of a film reel with each frame of the reel filled with a film he has had accepted into WA Made. When I asked him what the empty frames are for he told me they’re for future films he hopes to screen at the festival. Incredible.”

    After a turbulent launch, the annual festival proved a hit with filmgoers and the 5th and biggest-ever WA Made Film Festival, featuring a 10-day programme, was held earlier this year.

    It holds the distinction of being WA’s only independently operated film festival featuring exclusively WA-made films.

    Originally from Northam, Eeles’ down-to-earth persona and easygoing country charm has made him a popular figure on the Aussie film scene.

    He’s frequently asked to host Q&A screenings and do red carpet interviews at film festivals.

    He says his most memorable experience was hosting the WA premiere of Ben Elton’s Three Summers in Perth to an audience of more than 500 people.

    “Imposter syndrome kicked in and I remember thinking, ‘Who the hell am I to be standing on a stage with a legend like Ben Elton?’” Eeles says. 

    “I was asked to host two more events with Ben following that, so I must have done something right.”

    The WA film industry enjoyed some good news earlier this year when construction of a new $233 million world-class film studio in Malaga began.

    It’s expected to be completed by the end of 2025 and open in early 2026.

    Featuring four sound stages, production offices, art department and wardrobe, workshops and backlot, it’s anticipated the studio will attract major productions from around the world.

    To find out more about Cinema Australia go to cinemaaustralia.com.au and for the WA Made Film Festival see wamadefilmfestival.com.au.

    by STEPHEN POLLOCK

  • Pretty home

    THIS Bayswater home is a delightful affair.

    From the white picket fence to the heritage features inside, this four bedroom two bathroom abode has loads of character and is real easy on the eye.

    The Voice loves the lounge – it’s got a large pendant light, ornate ceiling medallion and wide cornicing.

    The icing on the vintage cake is the lead light windows, which conjure up lovely views of the lush front garden.

    Whipping up meals will be a breeze in the open plan kitchen/dining area.

    The large renovated u-shaped kitchen has double sinks, plenty of bench space and a sleek black oven.

    The pale blue on the kitchen cupboards is a nice touch, adding a splash of subtle colour to the room.

    The high ceilings and polished jarrah floorboards complete the pretty picture.

    Another stylistic high point is the bluey-green feature wall in one of the bedrooms. It really makes the white frame on the lead light window “pop” and gives the room extra depth.

    It’s so pretty, the window is almost an architectural feature in its own right.

    The spacious main bedroom has built-in robes, and there’s a chic family bathroom with matt black shower heads and taps.

    It’s a cool touch and contrasts nicely with the white wall tiles.

    The sense of style continues in the back garden which is well-presented and has a lovely collection of fruit trees and shrubs.

    There’s also a cute patch of lawn and a little deck with an L-shaped couch off to the side.

    The home has a good layout with three generously sized bedrooms, two bathrooms, and a separate study or nursery.

    The house has been freshly painted and includes security doors, reticulated front garden, bonus utility space including a shed and additional storage, renovated laundry, and double carport with extra parking on the driveway.

    Situated on a whopping 500sqm block on Essex Street, it’s within walking distance of beautiful parks, Bayswater town centre, Meltham train station, bus stops, Chisholm College and Beaufort Street.

    Everything has been done with a sense of style in this family home and it’s a real looker.

    Home open today (Saturday December 7) and tomorrow
    12pm-12:30pm
    Offers in low $1m’s
    49 Essex Street, Bayswater
    Beaucott Property 9272 2488
    Agent Carlos Lehn
    0478 927 017 

  • Celebrate Local Fremantle Talent at the Final Perth Makers Market!

    This holiday season, support your local Fremantle artists and give the gift of art at the final Perth Makers Market of the year. Held on Sunday, 15th December, at Goolugatup Heathcote Reserve, the market will feature over 200 stallholders, including these four incredible Fremantle-based artists whose work is perfect for unique Christmas gifting.

    From vibrant watercolours to stunning photography and handcrafted designs, explore meaningful gifts that celebrate local creativity and make a lasting impression. Meet the Artists:Call Me Ishmael combines bold illustrations with eco-friendly design to create fine art prints, greeting cards, and homewares such as blankets and coasters. Every product is crafted with sustainability and quality in mind, making it a gift that will be cherished for years to come.

    Happy Lazuly is perfect for children and nature lovers, Happy Lazuly’s delightful watercolour art includes reproductions of animal illustrations, alphabet prints, and maps, alongside ceramic palettes for budding watercolour artists.

    Jo Riley’s Coastal West Creative features stunning photography and hand-drawn minimalist line art. From greeting cards and framed photo prints to keyrings, bookmarks, and coasters, her work showcases Australian landscapes and artistic coastal themes that bring beauty to any home.

    Acott Art offers a range of acrylic land and seascapes, portraiture, and greeting cards. With a focus on iconic Western Australian locations, his work captures the essence of WA’s natural beauty, making it a meaningful gift for any art lover. This is your chance to celebrate the vibrant Fremantle art scene and support local makers while finding a unique, heartfelt gift this holiday season.

    Sunday, 15th December
    Goolugatup Heathcote Reserve
    9:30 am – 3:30 pm

    For more information, visit perthmakersmarket.com.au or follow us on social media @perthmakersmarket.

  • Pride under fire over censorship

    PRIDE WA organisers have been peppered with multiple censorship accusations after several marchers were ordered not to display politically-charged signs. 

    The Order of Perpetual Indulgence was a prominent no-show this year: The satirical sisters have been an enduring mainstay of Pride events but Mother Gretta (aka Neil Buckley) tells us their proposed theme satirising Donald Trump was “banned” by the Pride board.

    The order of activist nuns had planned a float criticising the transphobia of Trump’s Make America Great Again movement: “We had six-foot blow up penises and we were going to put a whole heap of Trump flags on them, and we were going to write ‘MAGA’ down the front of them,” Mr Buckley says.

    • WA Labor MP posted this image of Rainbow Labor members with the signs they were ordered not to brandish.

    The plan had been to frame transphobes as “dickheads” who were pre-occupied with penises, with Mr Buckley citing the current Republican-led campaign to ban transgender people from the restrooms matching their gender identity. 

    But Mr Buckley reported on the eve of the event that “the Pride board asked that we not march with our ‘MAGA and transphobia dickheads’ float”.

    He says they didn’t get a solid answer out of Pride organisers as to why their theme was rejected, but the board asked them to run with a different theme. Instead the Sisters pulled out.

    “The censorship really has been a bit much,” Mr Buckley says, noting a shift towards a less outrageous, more corporate event. 

    “It really has changed… there’s no political satire any more in the parade. It’s a nice parade, but it’s very boring.”

    • Mother Gretta of the Order of Sisters of Perpetual Indulgence’s Perth Abbey with the satirical ‘dickhead transphobe’ inflatable penis, which was not allowed in this year’s parade.

    The Sisters have often marched with provocative signs, and there’d been no issue with giant inflatable penises in a previous Pride outing.

    “That’s what it used to be about. People could make those statements, and now they seem really worried.”

    “We’ve always gone in with a political message, and this was really about transphobia.” 

    Mr Buckley says locally some people are fearing that ramifications of Trump’s election will be felt here, and it’s a prime time to stand up for their rights. 

    Transphobic

    “To say that doesn’t affect us here is just rubbish, because it gives permission for people here to be transphobic.”

    Other political messages also faced censorship at the November 23 parade: WA Labor’s Perth MP John Carey penned a furious social media statement the next day saying “Pride WA censored the WA Labor/Rainbow Labor… instructing us to remove signage which criticised the WA Liberals on their anti LGBTQAI+ commitments and for closing a women’s shelter.”

    The latter referred to ending funding of the Safe Night Space by Perth council, headed by lord mayor Basil Zempilas who is also the Liberal candidate for Churchlands at the next state election.

    Mr Carey said: “Pride marches are built on a history of political activism and protest, freedom of expression and advancing the rights of LGBTQAI+ community”.

    But he said at this march “police were approached and informed by Pride WA that WA Labor was breaching the agreed conditions of the march participation, despite no rules prescribing any limit on political messaging to enter the parade.

    • Labor’s rainbow crew marched with their less contentious, all-red messaging.

    “I have a great working relationship and respect Perth Police – they were just doing their job by asking us to remove the signage and were highly professional and good to deal with. 

    “The real reason behind the censorship became clear when a Pride WA leader told a member of WA Labor they feared losing City of Perth funding.

    “Only last week Pride WA also sought to remove the same signage because of complaints by members of the Liberal party: later  confirmed by a Pride WA board member that those were also complaints from the City of Perth.”

    Local LGBTQIA+ news outlet Out in Perth also reported on a video showing another group of marchers being ordered by police not to display a sign reading “Fuck! Cops BHP Rio Tinto Fuck! Corporate Pride”, a sharp critique of the presence of police and corporations marching in a parade that was once a protest. 

    According to Out in Perth’s report, the group was then told by police they have the power to call for signs to be removed if they believe it will cause a disturbance, and that they can issue ‘move on’ notices if people refuse to comply. 

    We put a series of questions to Pride WA about the censorship claims but did not hear back before deadline. However in answers to Out in Perth Pride brass said: “Some of our volunteers were made to feel unsafe at the Parade and this is deeply concerning. This warrants further consideration at the appropriate time.”

    The Voice has asked for clarification on what made the volunteers feel unsafe, and how that description gels with Mr Carey’s account that other censorship attempts had been communicated a week ahead of the parade.

    by DAVID BELL