• Tasty trip

    IT was like going in a time warp to a different era.

    Before placing your order at the deli in The Re Store, you have to manually pull a paper ticket, with a number on it, from a machine that looks like it has been around since the days of JFK.

    My number was “24”, which I doubt has any cosmic significance (I’ll let you know after Thursday’s Powerball) but it wasn’t long before one of the pleasant, super-busy ladies behind the counter was calling it out.

    Adding to the feeling of yesteryear was the big, faded family photos on the walls, including one of original owners Giovanni (John) and Maria Re.

    But for me, the ultimate nostalgia trip is the alcohol section.

    A clinking grotto of grog from across the world, it has a wonderful variety of exotic-looking wine bottles and cans.

    A spectacular throwback, it’s an immersive experience, and for a split second reality is suspended as you buy vino for Sophia Loren in Sorrento in 1965.

    But I was on strict work duty, so no drinky poos for me – I was hear to try the food.

    Re’s filled rolls, especially the continental, are legendary (the long queue of people in front of me attested to that) but what are their hot meals like?

    There was a range of cooked pasta in containers at the deli, so I grabbed a gluten free creamy mushroom gnocchi and a saffron and zucchini risotto (both $13.95) to take home for the family dinner.

    To get the tastebuds warmed up, we started with four baby arancini ($4.50 each)

    They are usually cheese or mushroom-based, but these were stuffed with minced beef and peas.

    While not as moreish and decadent as their classic cousins, it was a tasty diversion and almost like an Italian samosa without the spicy kick. File under different and enjoyable.

    The large serving of risotto easily fed two adults.

    It was a creamy and filling affair with large chunks of skin-on zucchini and gloopy rice.

    The flavours were spot on and it was filling, but it was more of a side-dish and got a bit monotonous towards the end.

    Maybe a wider variety of veg would have held my attention.

    Across the table, my wife “Special K” was tucking into her mushroom gnocchi.

    “Wow, it’s super rich and those mushrooms pack a meaty punch,” she said.

    “I can just picture nonna ladling in the cream.”

    “The mushrooms are good quality and super fresh”.

    I had a sneaky taste and the gnocchi was perfectly cooked and had a lovely velvety texture, but the dish was too rich, and after a few mouthfuls my tastebuds were waving the white flag.

    As a little side treat, I munched away on a few slices of Re’s mild cacciatore ($34.95/kg),

    Far superior to the stuff you get in the supermarket, it had a lovely subtle heat and plenty of flavour.

    I also enjoyed some of Re’s sopressa ($35.95/kg) a type of salami with a slightly spicy tang. Very enjoyable.

    It’s worth going to the sprawling Re Store just to have a look around. 

    From the kitsch sign outside to the mind-boggling array of  imported foods, it’s a visual feast.

    The roots of the delicatessen stretch back to 1885 when Giuseppe Re immigrated from Italy to Sydney.

    In 1894 he was lured to WA by the Kalgoorlie gold rush, but saw another business opportunity and opened a deli in Fremantle, selling provisions to miners.

    Giuseppe and his wife Carolina had a whopping 10 sons and the second eldest Giovanni (John) opened a grocery store in 1936 on the corner of Lake and Aberdeen streets in Northbridge – the original Re Store.

    Today, The Re Store is still owned and run by the third generation of the family.

    The Re Store
    231 Oxford St, Leederville
    the-re-store.com.au
    9444 9644

  • Hard fix for Mike Leigh fans

    EIGHTY-one-year-old British film maker Mike Leigh is back with another of his slice-of-working class-life films. 

    With 23 films under his belt and numerous awards to his name, in Hard Truths he works with some of his favourite actors, his long-time cinematographer and familiar musical director.

    In his long-established manner, the project was built by workshopping the basic storyline with the actors over a long period and then writing the script from what resulted. 

    It is the actors who mould the characters and Leigh’s scripts leave plenty of space for the cast to improvise when in front of the camera.

    For those enamoured of his gritty yet compassionate style, Hard Truths is a treat. 

    • Marianne Jean-Baptiste gives an astonishing performance as the seriously depressed Pansy.

    For those who prefer a conventional narrative style leading to a tidy emotional conclusion, this film is more challenging.

    The heart of the movie is an astonishing performance by Marianne Jean-Baptiste as the seriously depressed Pansy. 

    Sad, angry and lonely, she spends long periods of each day sleeping but violently wakes in fright when disturbed. 

    Her human interactions are soured by her terrible temper. 

    All those close to her are quelled by her sharp tongue and strangers on the street are not spared. 

    There are hilarious moments where the audience simply gasps at the audaciousness of her verbal assaults on unfortunate, random people who brush by her.

    Is it possible to have empathy for such a person, let alone love them? 

    That is the hopeless predicament, the hard truth faced by every person in Pansy’s family. 

    Through stark close ups and gripping acting the audience is similarly challenged to search for its own capacity for pity.

    Leigh and the cast don’t flinch from exposing the terrible cost of Pansy’s alienation. 

    There is tremendous acting on display here and fine film making. 

    Slowly, through what is both said and left unsaid, the film reveals glimmers of the deep fear that she is protecting with her fury. 

    But while the exposed pain is unsettling, Leigh the storyteller only allows flickers of its causes to be explained. 

    Ultimately this is a movie that viewers will talk about for hours afterwards, teasing out the motivations of the characters who are so heartbreakingly believable on the screen.

    Hard Truths
    British Film Festival
    November 6 – December 8
    Luna Leederville
    Check lunapalace.com.au for session times

    by BARRY HEALY

  • Music survivor

    IT’S seen off covid, the cost of living crisis and a few changes of government, but you might not have heard of the Perth Folk and Roots Club.

    Founded by Perth muso Keith Anthonisz in 2012, the not-for-profit started out life at the Oxford Hotel and Mt Lawley Bowling Club, showcasing live music by folk and roots artists.

    Over the years it has evolved to become more than just a gig, partnering with various organisations including Act Belong Commit and Stirling Council.

    The end result is a community-minded event where artists and the audience have a mutual respect for each other.

    “Many musicians have noted how they appreciate playing at Perth Folk and Roots Club shows where people are friendly, listen to the music and show their appreciation,” Anthonisz says.

    “Other venues have music that is in the background where no one listens.

    “So we are the solution for people looking for live music and a cheap night out, and we have people who love the atmosphere of our shows, which revolve around the musicians.

    “It’s also good for people’s mental health and that is why we partnered with Act Belong Commit.”    

    • (above and below) Ange Leech and Daisy Cotton are some of the great acts who have played the Perth Folk and Roots Club.

    Now based at two venues – the Inglewood Bowling and Sports Club and Tattersall’s Bowling and Recreation Club in East Perth – they hold at least two shows a month, featuring a mix of up-and-coming and seasoned performers.

    “We’ve had Richie Power, a singer-songwriter from the town of Dungarvan in Ireland, Steve Tallis, a Perth blues shaman who now lives in Paris, and country and soul singer Buck Edwards from Melbourne,” Anthonisz says.

    “We also organised a couple of shows at the Lyric Underground in Maylands that featured Dave Graney and Clare Moore from Melbourne, doing a CD Launch.

    “Dave won an ARIA for Best Australian Male Artist after having many hits in the Australian charts in the 80’s and 90’s.”

    In recent years the live music scene in WA has taken a battering with many Perth venues going to the wall including Badlands Bar, Convenience Store and The Sewing Room.

    Music festivals have been dropping like flies too with Promise Village, Groovn The Moo, BluesFest and Splendour In The Grass just some of the casualties.

    The cost of holding an event, especially insurance, has skyrocketed and coupled with the cost of living crisis, it’s the perfect storm. It’s got so bad, earlier this year the federal government held an inquiry into the state of Australia’s live music scene and what can be done to resurrect it.

    Anthonisz says The Perth Folk and Roots Club has survived partly thanks to the support of local government and community sponsors.

    “Being a not-for-profit association, we are focussed on supporting musicians, offering free events with lower cost shows,” he says.

    “We have support from local government sponsors through the City of Perth and City of Stirling. We have also received sponsorship support from the Australian government’s Live Music Australia, Realestate88 and Masonic Care.”

    Right now, the Club is getting ready to put on a free show to mark WA Seniors Week, featuring The Calaveras, a 1970s rock cover band, and headliner Izzy, who does great versions of Bob Dylan songs.

    Also on the bill are the Club House Band with Steve Warner Jones on harmonica, Pete Birch on drums and Anthonisz on vocals/guitar.  The event is supported by the Council for the Aging, but Anthonisz says they all still feel young at heart. 

    “It may be funny for some of our Club to think that we are a part of the support for the seniors crowd, but then we have to remind ourselves that a lot of our artists are seniors and do cover songs from the 60’s and 70’s or are even playing older blues and jazz standards!” Anthonisz says.

    The Calaveras and Izzy are playing the Perth Folk and Roots Club (Tattersalls Bowling and Recreation Club, 2 Plain Street, Perth) from 6pm to 9pm on Thursday November 14. It’s free, but you can register at eventbrite.com.au. To find out more see perthfolk.org.

    by STEPHEN POLLOCK

  • Big Charlie

    IF you’re looking for a massive inner-city apartment, this could be the one.

    With 125sqm of living space, you’ll never be short of room in this North Perth abode. 

    It looks the part too with gorgeous wooden floors, coffered ceilings and stylish downlights.

    The north-facing open plan living/dining/kitchen area is particularly impressive.

    Bathed in natural light, it’s a spacious area to relax with family and friends.

    You don’t normally get big kitchens in apartments at this price point, but this abode has a cracker with tons of storage space and high-end stainless steel appliances. There’s loads of features including a double sink, 900mm oven, six-burner gas cooktop, and sleek benchtops.

    After dinner, open the French doors in the living area and head out to the north-facing balcony, where you can enjoy a little glass of wine under the stars.

    It’s a big 15sqm balcony and there’s plenty of room for a dining and lounge setting.

    The three bedrooms continued the high standard and they all have built-in mirrored robes.

    The main has a stylish, contemporary ensuite and the other two share a modern family bathroom.

    Conveniently, the home includes a 4sqm store room, and a laundry with washing machine, dryer and linen cupboard.

    Situated on the top floor, corner position (only one common wall) of a swish complex, this Charles Street apartment is close to local parks, the Angove Street precinct, Mount Hawthorn, Beatty Park pool and gym, and public transport.

    And parking will never be an issue with two secure, covered, side-by-side car bays.

    This is a fantastic, supersized apartment in a great inner-city locale.

    From mid $600,000s
    12/333 Charles Street, North Perth
    Beaucott Property 9272 2488
    Agent Carlos Lehn
    0478 927 017

  • City joins in speaker ban

    THE City of Perth has declared its Rod Evans Community Centre out of bounds for a public meeting about Palestine featuring Indian intellectual Vijay Prashad.

    This follows on the heels of the University of WA forcing the meeting off campus last week (“Students claim UWA tried to block speaker,” Voice, October 26, 2024).

    Australian-Palestinian UWA student Ahmad Alqaisi told the Voice the centre’s management contacted him on Friday, October 25, to inform him the venue would no longer be available for “political events”.

    Confirmed

    The call came less than 24 hours after a phone call and email he believed confirmed a booking had been secured.

    “They told me that the centre is only to be used for community events,” Mr Alqaisi said.

    “I asked, ‘Aren’t I part of your community’.”

    The council’s media office told the Voice there had been no booking because the requisite form had not been received. The City had also invoked a clause allowing it to refuse a booking at its discretion. 

    While the policy states that could be for events likely to incite violence or bad behaviour, it also gives staff room to make arbitrary decisions on any event.

    Mr Alqaisi said the only reason he didn’t submit the form was because the City denied him the venue.

    He’d also considered the form a mere formality after receiving the email, cited by the Voice, which told him the City was “able to accommodate you” at Rod Evans.

    “If there was never a booking, why did they phone me to cancel,” Mr Alqaisi asked.

    “And I wonder how they even found out about the nature of the event when the topic and the speaker had never been mentioned to them.”

    Mr Alqaisi said the event was an “academic talk” unlikely to incite protests or violence, while the Palestinian Cultural Society he heads had gone no further than to call for a ceasefire in Gaza.

    Mr Alqaisi said he and his peers viewed the venue rejections as targeted silencing.

    He believes they reflect a discriminatory stance against the Palestinian community’s right to engage in academic and cultural discussions. 

    “If we were not Palestinian, neither the university nor the City of Perth would be clamping down on our right to free speech and academic freedom,” he said.

    “Every day, we watch in horror as our own family members appear on the news in Gaza; why must we then struggle just for the right to call for an end to our suffering?”

    The Palestinian Cultural Society finally found a safe haven for Dr Prashad at the Boorloo Activist Centre, 15/5 Aberdeen Street, Perth, just near McIver Station. The event will be on Wednesday November 6 at 1pm.

    by BARRY HEALY

  • A blaring sign of over-reach?

    A RELENTLESS anti-Covid vaccine protester is opposing Perth council’s rules requiring a permit to hold a sign or play amplified sound in public.

    Stuart Chapman says he wants the right to publicly play a recorded message from a dying teenage cancer patient who refused the Covid vaccine.

    Mr Chapman is a regular sight on Perth streets opposing Covid vaccines and lockdown measures, and he’s planning another protest “against media and government” in city malls on November 2, according to his permit application. 

    Perth council laws prohibit people displaying signs without a permit, which requires a $99 application fee.

    Mr Chapman and his supporters have also come up against rules restricting the use of amplified sound: For protests of one or two people, those local laws are administered by the City of Perth, but for more than two people the decision is made by WA Police.

    • Stuart Chapman’s exchange with rangers, uploaded to Max Freedom Youtube channel in July.

    The WA Police usually allow protesters to use an amplifier if the number of attendees is large enough that speakers would need a loudhailer so everyone involved can hear. 

    They’re less inclined to issue permits for a small number of protesters to blast uninvolved passers-by with their message. 

    Mr Chapman said the restrictions on amplified sound make it impossible for him to play a recording of a now-deceased teenage cancer patient Dazelle Peters.

    Dazelle became a cause celebre for anti-Covid vaccine activists following media reports that she had been denied a lung transplant at a Sydney hospital because she was unvaccinated, and the hospital deemed vaccinations were necessary given the risk of infections due to lowered immunity post-transplant. 

    She died in June 2024.

    At the October 29 council meeting Mr Chapman said he wanted Perth council to change its policy advice to WA Police so he could play his message.

    Begging

    He told councillors he’d spent a half hour on the phone to a City of Perth customer service staffer “trying to convince him of the situation, and I was practically begging him to meet me on site and to work out a compromise, but was told no, the city has this policy position in place”. 

    He said: “So in essence the City’s position was the voice of a girl who was literally in ICU, who was literally at death’s door, should be silenced at a rally in Perth in her support.”

    “How can we share Dazelle Peters’ story with her own voice through a recorded message without using an amplifier?”

    Lord mayor Bazil Zempilas expressed his condolences for Ms Peters’ family. But the city stayed firm on its rules requiring a permit, and that any amplifiers at protests of more than two people would have to get approval from WA Police.

    The council’s restrictions against displaying a sign without a permit have previously been used against anti-fracking protesters in 2012, and in 2016 we reported on rangers using the rule to confiscate signs from homeless people begging around Perth train station.

    Mr Zempilas recently said on radio that it made sense to keep the permit system for signs.

    “I doubt our team is going to use or enforce this every single time there is a sign,” Mr Zempilas told 6PR’s Stuart Mills, citing the Prosh students selling funny papers for charity as an example that’s unlikely to be draw scrutiny.

    “But should they have it within their powers to be able to, if required? Yes, I think they should, I think our community would expect that the local authority could make a decision if somebody’s doing something in an offensive or in a repetitive manner, and the team has that in their kitbag.”

    After asking a series of questions Mr Chapman said: “Guarantee you’ll see me again, lord mayor.”

    “We look forward to it and we welcome it,” Mr Zempilas responded.

    “As I proudly say, the local government is the tier of government where members of the community can walk in and speak directly to their elected members. We’re very proud of that.”

    by DAVID BELL

  • Warndoolier milestone

    A MILESTONE in the redevelopment of Warndoolier/Banks Reserve has been marked with the opening of a space to “rest and reflect” on the area’s long cultural history.

    • A smoking ceremony with Walter McGuire Caleb McGuire Vaughn McGuire, and May McGuire. Photo by Matt Biocich

    One of a series of “River Journey interpretation nodes” telling the story of the Whadjuk Aboriginal connection the Derbarl Yerrigan (Swan River), this latest spot is emblazoned with artwork by Whadjuk man Vaughan McGuire.

    His work is sandblasted into the path and engraved on the interpretation panels, representing the inland lakes connecting to the river through the brook, and the connection between the Noongar people and the Waugal: the river snake said to lay her eggs in the reeds of the brook and then return to lead the hatchlings out to the river.

    • Caleb McGuire runs a hand across artwork by Vaughn McGuire that marks a milestone in the redevelopment of Warndoolier/Banks Reserve. Photo by Matt Biocich

    The work is the latest step in the ongoing Vincent council’s Banks Reserve Master Plan, and the next milestone is a footbridge over Walters Brook that is due to be finished shortly.

  • Mayor furious at ‘phantom’ report

    AFTER 10 mature trees were cut down for a state government housing project in Mount Lawley, Vincent mayor Alison Xamon is furious at the way locals and councillors were left out of the loop by the Department of Planning, Lands and Heritage.

    The block at the corner of East Parade and Guildford Road is being cleared of 10 of its 35 trees to make way for state housing (“Residents lament lost trees,” Voice, October 19, 2024).

    An initial arborists’ report provided to Vincent council in June said that there were no major issues that would require tree removal.

    Ms Xamon is particularly concerned about a phantom “second arborist’s report”. She says the DPLH told residents and media that an alleged “second arborist’s report” that supposedly justified the tree removal had been provided to Vincent council. 

    But the first report saying the trees were fine was “to this date, the only arborist’s report that has ever been received by the City of Vincent,” Ms Xamon said at the October 22 council meeting.

    “Not only is it devastating that these large trees have been removed, but the way in which they were removed and the way in which everybody was treated with such contempt, is absolutely unacceptable,” Ms Xamon said.

    Ms Xamon said she supported the housing project and it was a good site for it, but said the state should’ve still heard out the council and consulted with locals to find a way to design that’d retain the trees.

    Contempt

    “I’m extremely disappointed that DPLH effectively decided to ignore that opportunity to work with Vincent to see if they could come up with a really excellent design for that site.

    “Instead we were told that the trees needed to be removed because of underlying issues around asbestos. 

    “Now, I have no doubt that there was asbestos on the site. We have asbestos right throughout the City of Vincent… we are an old area and that means that there are a lot of these sites that require remediation of asbestos. 

    “But what we also know is that there are ways to actually engage in asbestos removal around existing trees; it is not the case that you automatically have to remove them.

    “We kept getting told that there was a second arborist’s report that made it clear that the trees had to be removed because of this asbestos, and what I’m extremely disappointed about is that the head of DPLH also told members of the community that that second arborist’s report had been received by the City of Vincent when I’d been making it very clear that no such report had been received… we were not aware, we had not seen the evidence that these trees needed to be removed because of the asbestos.”

    We contacted the DPLH to ask about their role in the rumour of a second arborist’s report (and also asked to see any such report if it existed) but did not hear back before deadline.

    Ms Xamon closed her public address saying: “I hope that we’re not ever going to see a sort of repeat of the contempt that we were subject to in the last week.”

    by DAVID BELL

  • Civic pride in full bloom

    POPPIES made by hundreds of loving hands will be displayed outside Vincent council’s admin building for Remembrance Day.

    Vincent put the call out in August for community members to contribute to the Poppy Project and more than 1000 flowers have been pouring in since from schools, clubs, playgroups, community groups and individuals.       

    The Poppy Project installation will be assembled on Friday November 8 and be displayed until November 12, the first such installation by Vincent.

    Each poppy is a reminder of those who served in conflicts and peacekeeping operations. Purple poppies will also be included to recognise the animals who served alongside our Australian Armed Forces.

    “Remembrance Day is an opportunity to honour the sacrifices of those who served for our country during wars and conflicts, and to reflect on the tragic cost of war,” mayor Alison Xamon said.

    “Support for the Poppy Project has been heartwarming. Our community have embraced the opportunity to commemorate Remembrance Day in their own creative way.

    “Through these lovely, handcrafted pieces, we hope to create a space for our community to stop, reflect and remember the 61,513 lives that were lost in battle.”

  • Wellard wins seat

    PERTH has a new councillor, with Steve Wellard winning the October 18 extraordinary election.

    A vacancy was left by former councillor Brent Fleeton who retired one year early to pursue a government advisory job in Dubai.

    It’s the second time Mr Fleeton has cut short a council appointment, having previously left his role as a Bayswater councillor partway through his appointment.

    Cr Wellard was ahead at the start of the five way race with 23.56 per cent of first preference votes. After preferences were distributed he ended up with 1644 votes, winning out over nearest contender Shirley Vine’s 1276.

    Perth council also has a new deputy lord mayor, with Cr Bruce Reynolds winning the votes of his colleagues this week.

    Shortly after the era of lord mayor Basil Zempilas started in 2020, councillors agreed among themselves to take one-year turns as deputy. 

    Accordingly Cr Clyde Bevan gave up his deputy role this month after a year as 2IC, and Cr Reynolds and Catherine Lezer nominated themselves. 

    With nine councillors voting in a secret ballot there should’ve been a clean majority, but someone lodged an informal vote, so they were evenly split 4/4.

    With one person out of nine managing to make an informal vote, that makes for a far higher proportion of screwy ballots than the general public who voted in the election, where only 34 informal votes were cast out of 3765 total. 

    After an adjournment and a private meeting between councillors behind closed doors, a second meeting was called and there was now a third candidate on the ballot, with Cr Reynolds nominating Liam Gobbert.

    This time Cr Reynolds held a majority of votes and won the role (which comes with a deputy lord mayoral allowance of $34,317 per annum).

    by DAVID BELL