• Sensor removals a touch insensitive

    MAIN ROADS has deactivated contactless sensors it installed around Perth during the Covid pandemic, leaving locals frustrated at the lack of communication and a change in their routine. 

    In 2022 the department rolled out the contactless sensors at 70 pedestrian crossings in busy areas across Perth. 

    They provided pedestrians with an alternative to pushing the button to activate the crossing; instead they could hover their hand over a sensor. 

    WA transport minister Rita Saffioti said at the time the technology would offer reassurance to people who were hesitant to use the pedestrian push buttons during the pandemic. 

    But Main Roads says the sensors suffered from “a number of faults” including issues with picking up when someone was trying to use them and also glitches in their audio elements. 

    It decided to permanently scrap the trial and deactivate the sensors across the 70 sites.

    Fremantle resident Bruce Wilson was concerned about the lack of communication from Main Roads before it turned the sensors off, saying it left people in the lurch.

    “They did it without being willing to advise everyone,” he said. 

    Mr Wilson said he still observed people trying to use the sensors, describing the situation as an “inconvenience” to people who use the crossings daily. 

    He says touchless sensors are good for hand hygiene generally and there should be more of them, while removing them is an “adverse direction to improving community health”. 

    Retail worker Ella Cooke is immunocompromised and has been using the sensors to help her cross a busy intersection near work several times a day.

    Ms Cooke said she was also concerned about the sensors being deactivated.

    ”Just because Covid isn’t as prominent any more doesn’t mean there aren’t still dangerous germs around,” she told the Voice.

    by SOPHIE KELLY

  • New lane hub

    FOOD trucks, outdoor movie nights and sustainable clothing swaps will be popping up at a new temporary pedestrian-friendly hub in North Perth.

    The City of Vincent’s Shortcut Lane: Pop-Up Event will see one side of the area from View Street carpark to the Rosemount Hotel carpark converted into a temporary pedestrian-friendly shared space.

    It will feature 10 free events including food truck twilight markets, open-air movie nights, a second-hand vintage market and sustainable clothing swaps and workshops. The events will run all month until Sunday May 26. 

    • Miam Miam:A Bite of France owners Sophie and Nicolas Bonifassi and sons Achilles and Jules with Perth artist Tessa Dorotich and City of Vincent mayor Alison Xamon.

    “Our exciting events line-up will have something for people of all ages and abilities such as mini golf sessions, community mural painting, movie nights, food markets and more,” mayor Alison Xamon said.

    “We expect to attract many locals, visitors and tourists from across Perth to the laneway and the wider town centre through this series.

    “There is huge potential in this area to become a pedestrian-friendly and accessible laneway, so we are grateful to receive support from RAC to bring our vision to life.

    “This trial project is a great opportunity to see if the community wants to see more permanent activation and events in the laneway.”

    Alfresco seating, greenery in parking bays, festoon lights, and entry statement installations will also be installed in the area. 

    During the event period, drivers will still have access to both the View Street and Rosemount carparks, although there will be additional speed restrictions introduced and some reduction in the number of parking bays. 

    Days where the space is not activated, the number of parking bays will return as per usual.

    For the full event program visit the City of Vincent’s website.

  • Die-in for Gaza

    UNIONISTS staged a noisy die-in to pressure the WA branch of the Mediterranean Shipping Company to drop an Israeli collaborator.

    A handful of police watched as protesters gathered outside MSC’s office calling for it to cut ties with ZIM Integrated Shipping Services, an Israeli-owned company it signed a collaboration agreement with last year to swap and share vessels and berths.

    Rumours have circulated that Zim carried weapons components and white phosphorous for the Israeli Defence Forces for the war in Gaza, though the company’s CEO has reportedly denied it.

    The local Unionists for Palestine protest was part of a international action by A15 Action who state their aim as to: “Identify and blockade major choke points in the economy focusing on points of production and circulation with the intention of causing the most economic impact” to Israel.

    Protesters in T-shirts covered with fake blood lay surrounded by sacks of flour while others shouted into megaphones in support of Palestine or condemning Israel for what they claim is a genocide. 

    The group shouted support for an “Intifada” or uprising against Israeli occupation ofn the West Bank and Gaza Strip.

    by KATIE SMOUT

  • Inlet an outlet for a natural talent

    IMMERSED in the stunning landscape of the Torbay Inlet near Albany and far from madding crowds, acclaimed fiddler Robert Zielinski’s head filled with music.

    Inspired by the gentle awakening of dawn and  serene starlit nights under the karri forest’s canopy, Zielinski listened deeply to the sounds around him and was inspired to compose a suite he says will transport the audience to the Great Southern at its world premiere at the Perth Concert Hall on Sunday May 12.

    Kiangardarup – The Torbay Suite, takes its name from the Minang Noongar word for “kangaroo place” as the traditional owners knew the inlet, and was gifted to Zielinski by local elder Vernice Gillies.

    “I didn’t set out to write anything but was just inspired,” Zielinski said of the experience.

    • Robert Zielinski immersed himself in the landscape of the Torbay Inlet.

    The studio where he crafts violins, including his own, is in the heart of the karri forest and Zielinski says he’d take daily walks down to the inlet, becoming attuned to the natural rhythms around him.

    Listening deeply is part and parcel of Zielinski’s fiddle-playing, as he never learned to read or write music.

    But he says composing the suite came naturally, with each piece unfolding in a predetermined sequence. Drawing on years of training to learn music by ear, he skilfully translated the essence of his surroundings into the melodies of the suite. Afterwards, Zielinski played the various parts to fellow musicians, who also learned it by ear and together they refined the composition.

    • Zielinski records amongst the giant karris.

    “I never learnt to read or write music, so I don’t,” he said.

    “It’s like the piece plays you, you have to get out of the way and let it play.”

    The result is a medley of sound that blends Zielinski’s fiddling with Melinda Forsyth’s cello, Manuela Centanni’s wooden flute and Jim Green’s bouzouki, with recordings the composer made of the inlet’s sounds.

    Although of Polish decent, Zielinski was adopted by Perth’s Irish community in the early 1980s because of his obvious talent, and when he was 12, local fiddling legend Mick Doherty took him under his wing.

    He moved to Ireland at the age of 17 and ended up staying for a 14-year residency studying with the country’s top traditional fiddle players and teaching at the Galway School of Traditional Irish music. His dedication and skill were recognised when he received the Michael Coleman Fiddle Player of the Year Award in 2000.

    Zielinski says choosing the Perth Concert Hall to premiere the suite was a natural choice.

    “The hall allows the audience to hear the natural sounds of the instruments and the emotions in every note without a microphone.”

    The concert is from 4-6pm, and tickets are $35-89 from https://perthconcerthall.com.au/events/event/kiangardarup-torbay-suite

    by EZEKIEL WHITE-U

  • Oddball treat

    THE EXCHANGE BAR is a bit of a West Leederville oddity.

    Surrounded by office blocks and trade outlets on Harrogate St, it’s a fully licensed bar that does lunch, breakfast and dinner (it’s open from 6am on weekdays).

    Nowhereman Brewing Co is nearby, but it’s only open from 4pm later in the week.

    There are no other daytime boozers in the vicinity and The Exchange is like some guilty pleasure for those shackled to a soul-crushing nine-to-five.  

    I was keen to see if this hybrid all-rounder could deliver good food, so I jumped in the Voice jalopy and spluttered up the Canning Highway to investigate.

    I’m declaring Monday the real start of Autumn as the temperature had plummeted and the wind had an icy bite.

    Jumpers and long trousers were in full force and we might all be turning on the heating soon.

    Situated opposite Bad Love Burger Co, The Exchange Bar is in a nice spot with an alfresco deck overlooking a leafy street.

    Despite the wind, I decided to sit outside, where I could watch people shuffle out their office cocoons into the frigid air.

    Exchange’s menu was a sprawling affair that covered breakfast/lunch (6.30am-2.30pm) and dinner (from 5pm).

    It was pretty much modern Australian with the brunch menu including waffles, pan fried mushrooms, keto salad, smashed avo, and chorizo & chipotle beans.

    The dinner menu had a smaller range with burgers, gourmet pizza, nachos, arancini, and salt and pepper squid. 

    There was also a display cabinet where you could get takeaway stuff like sandwiches, pizza, parmis, salads and arancini.

    I was a bit nervous about the food, as usually places with big menus aren’t so good (it’s best to do a small range really well than try and be everything to everyone). 

    On a chilly day, I decided to go for something hearty, so I ordered the Brisket Burger ($26).

    You ordered at the bar – a cosy refuge overflowing with colourful signage, beer pumps, glasses and bottles of spirits.

    It felt like somewhere you could lose yourself for a few hours during the day – a boozy Xanadu – before stumbling back outside and meeting reality head-on.

    On a Monday lunchtime, there was a decent amount of folk in the bar and it had a nice lively buzz courtesy of the inoffensive EDM playing in the background.

    The bar staff were super friendly and the man brought out my large bottle of premium sparkling water ($8) to my bench seat outside.

    It was nice and refreshing with a slice of lemon and ice cubes.

    It wasn’t long before he was back with my brisket burger.

    It was simplicity personified and there was no greasy edifice or slop hanging out the side.

    Instead I had a modest-looking burger where the flavours did the talking.

    The toasted brioche bun was a delight – light and fluffy on the inside, it had a pleasant crunch and tasted super fresh.

    The main attraction, the beef brisket, didn’t disappoint and had that strong, intense meaty flavour you only get through slow cooking.

    The brisket and chipotle mayo gave the burger the perfect blend of sweet and smoky, so it never got too sickly or cloying. There was plenty of it and they hadn’t skimped on the portions.

    The burger was topped with rocket, tomato and a slice of cheese.

    The rocket was a good choice as it needed something peppery and bold to cut through the smoky brisket.

    It was a delicious burger, but just have lots of napkins on hand as it was a sticky, tactile affair.

    After the high of the burger, the accompanying basket of fries was a let down.

    They didn’t come out at the same time as the burger and they tasted like frozen chips that had been shoved in the deep fat fryer.

    A shame, as the burger had such great homemade-style flavours.

    Fries aside, I really enjoyed my visit to The Exchange Bar.

    It’s a West Leederville oddity that reminded me of the the cult Steve Buscemi movie Trees Lounge.

    The Exchange Bar
    32 Harrogate St, West Leederville
    exchangebrewingco.com.au

    by STEPHEN POLLOCK

  • Face-to-face

    THERE’S a searing honesty to Angela Stewart’s art.

    The North Fremantle-based artist likes to peel back the layers to expose the doubt that occurs during the early stages of creating a painting.

    She then uses that to fashion something unique and a bit meta.

    One of her techniques involves painting a face, photographing it, then painting on the print to create something beautiful and slightly haunting.

    It’s like a sophsticated version of those weird full-length mirrors at the fun fair.

    “I have always been interested in people. Faces, the wash of expressions as a language spoken or unspoken between another … the touch of a hand, the nuance of expression, the age, the cultural identity,” Stewart says.

    • Remembering Arcimboldo by Angela Stewart.

    “It is the making of the work, the underbelly with drawing, photography and paint, the underbelly of process in and around the portrait that interest me. How our lives become stories.”

    Stewart has specialised in portraiture for the past four decades and has been influenced by artists like Kathe Kollwitz, Cindy Sherman and Tacita Dean.

    “As a young woman I developed a feminist stance examining painting and art books, researching the portrayal of woman in the cannon of Western Art,” she says.

    “Over the years I have gathered groups of people to make bodies of work.”

    These days Stewart is inspired by Italian renaissance art, especially Sofonisba Anguissola, a renowned 16th century painter who she researched for her Doctorate of Creative Art at Curtin University. 

    At that time, art was transitioning from fresco to easel painting, forcing artists to reassess their style and technique.

    “I became interested in the notion of artist’s doubt,” she says.

    “The gestural style of my painting altered into a darker palette.

    “The sensitivity of line will always be a pathway, my oeuvre leading from one epoch to the next leading in and beyond the portrait into flora or horses.”

    After graduating with a BA in Fine Art in 1988, Stewart went on to exhibit in solo and group exhibitions around the world and her work is in several major collections including Curtin University, BHP Billiton, The University of Western Australia and Edith Cowan University.

    She also lectured in art for several years at tertiary institutions including a lengthy spell at Central Institute of Technology in Perth, and completed a Masters in Visual Art and a Doctorate in Creative Arts at Curtin University.

    Her latest exhibition Memory: 40 Years of Making features paintings, drawings and painted photography from throughout her career and documents her evolution as an artist.

    It’s at Gallery Central (North Metropolitan TAFE) 12 Aberdeen Street in Perth from May 1 to 23. There’s an artists talk with Angela Stewart and Soula Vouyoucalos-Veyradier on May 8 at 12pm. For more info see www.artcollectivewa.com.au. 

    by STEPHEN POLLOCK

  • Musical freedom

    INSPIRED by their theatrical hit Black Brass from the 2021 Perth Festival, African-born musicians Mahamudo Selimane and Mararo Wangai have put together a purely musical venture which launches at Clancy’s in Fremantle on April 28.

    The pair now live in Perth and will release their album Khululeko, which means Freedom in one of the languages of the native Bantu people of southern Africa.

    Kenyan-born Wangai, who has forged a name in literary circles and last year was awarded the Maria Pallotta-Chiarolli Fellowship at the WA Centre of Stories, says the album celebrates the unity which music brings.

    • Mararo Wangai and Mahamudo Selimane (above) will perform at Clancy’s Fremantle, and (below) Peter Gabriel who signed the Mozambique band Eyuphoro, which Selimane plays in

    He says it’s a “healing balm, a sound of peace throughout a world full of war, oppression, and indifference.

    “Music asks us to feel and connect with our spirits regardless of the languages it is sung in, or the particularities of the bodies singing it.

    “Music will always defy borders, divisions and the arbitrary walls that so-called world leaders create.

    “Music connects me with my continent, and its history.” 

    The collaborators met in Perth and worked on Wangai’s show Black Brass, which was centred around music and went on to tour the Sydney Festival and South Africa’s Bloemfontein Festival.

    Wangai said it was the encouraging feedback from audiences that prompted them to work on a solely musical project, and he acknowledges that Selimane’s experience in the industry brought something special to the music.

    Selimane is a member of Mozambique’s most successful international exports, Eyuphoro, one of the first bands to be picked and promoted by pop icon Peter Gabriel’s world music label Real World.

    Eyuphoro use traditional rhythms from Mozambique’s Nampula province, such as tufo, namhandga, masepua and djarimane, blended with a cosmopolitan mix of Latin and Arabic styles, reflective of the areas role as a meeting point of cultures.

    Selimane and Wangai teamed up with local musos Lucky Oceans on steel guitar, Michael Bose on drums, Tom Greble on the saxophone and John Wilson on bass to record the album.

    by MAX BENNETTS

  • Regal abode

    A LUXURY pad in East Perth is the dream for a lot of people.

    This three bedroom two bathroom apartment is in a small boutique complex at the “Paris” end of Royal Street, one of the most desirable spots in the suburb.

    There’s a ton of cool shops, cafes, small bars and restaurants on your doorstep, with the beautiful Claisebrook Cove just around the corner.

    The buyers have told the realtor it’s a “must-sell”, so you might nab yourself a bargain.

    The layout of this 154sqm north-facing apartment is superb with a huge open plan living/dining/kitchen area bathed in natural light.

    There’s plenty of room for a swish lounge and dining setting with the breakfast bar perfect for casuals meals.

    The modern kitchen has stylish stone benchtops, high-end stainless steel appliances, a pantry, and loads of cupboards and drawers.

    Throughout the living areas, the light wooden floorboards enhance the sense of space and complement the neutral colour scheme.

    The carpeted bedrooms will be nice and cosy come winter with the main including walk-in robes and a big ensuite with corner spa bath and double vanities. The other two bedrooms have built-in robes and share a family bathroom.

    There’s plenty of space and features in this first-floor apartment including a powder room, laundry, store room and linen cupboard.

    And wait for it, this abode has not one, but two spacious deep balconies, giving the owners some flexibility, depending on the season and weather. 

    Both are great for sundowner drinks with family and friends, or you could even have his and her’s balconies!

    The home includes reverse cycle cir con and there’s secure undercover parking for two cars.  

    One of only eight owner-occupied apartments in the Axis Complex, there are lots of residents’ facilities including a gym.

    It’s currently leased until January 2025 for $950 per week.

    EOI welcome
    6/135 Royal Street, East Perth
    Halyn Property 1300 149 116
    Agent Brian Lynn
    0407 932 583

  • Deli comeback gets a little bitter

    THEY were once a quintessential part of the Australian landscape and a social hub for their communities, but a recent bid to give a Mt Hawthorn corner deli a new lease of life has split the neighbourhood.

    Number 5 Berryman Street has been a residential home for the past 62 years, but at the front of the property the iconic square shopfront is still visible, and the owners have asked Vincent council for permission to turn it into a cafe.

    They’re hoping to lease the cafe out to an operator who can tap into the sporting crowds that gather at Menzies Park across the road, and have proposed turning just 34sqm of the existing house into a cafe capable of hosting 14 patrons.

    • The old delicatessen on Berryman Road could be reborn as a modern cafe, but some neighbours say it’s too disruptive and there are plenty of other options for a caffeine hit nearby.

    But neighbours nearby say they purchased their homes on the understanding it was a purely residential neighbourhood and they’re worried noisy customers might start queuing in their street and create a hazard.

    Michael Douglas fronted Vincent’s agenda briefing session on Tuesday evening and said he was representing some of the owners who live directly adjacent to the building.

    “Sixty-two years ago when this site last had a commercial component, Australia looked quite different,” Dr Douglas said.

    “There were fewer cars and fewer cafes, and people had fewer options to get the things they needed.

    “These days locals already have an abundance of coffee options,” he said, noting Scarborough Beach Road’s cafe strip was just a 10-minute walk away and had six similar offerings.

    • Hats off to The Lake Deli, which has kept the tradition alive in Mt Hawthorn

    Inconvenience

    “For residents with a taste for coffee, this proposed cafe would be more of the same, it’s a matter of minor inconvenience to them,” Dr Douglas said.

    “But for the residents I represent immediately surrounding this site, this application would lead to a source of major inconvenience; it will affect their street, their sleep, their kids’ safety and the value of their homes.”

    Nathan Ebbs also spoke in public question time to note that patrons would have to walk through the kitchen to use the residential tenant’s toilet, as it was the only one on site. He said it made the application unapprovable.

    Mr Ebbs said proposed conditions aimed at preventing customers from milling around outside when they were waiting for coffees would be virtually impossible to police.

    • Many of the city’s old delicatessens have been repurposed for housing as big shopping malls and supermarkets killed off the small grocer.

    “A busy cafe on Berryman Street is at odds with the expectations of the residents and the residential amenity in Mt Hawthorn,” Mr Ebbs said.

    But Daniella Mrdja from Urbanista Town Planners said back in the ‘50s the store was a deli that served the Mt Hawthorn community.

    “When our clients first approached us back in July last year with their intentions to revive the space back into a cafe, my first thought was that this is exactly what the City of Vincent wants,” Ms Mrdja said.

    She said it was in an ideal location, was tiny and was aimed at locals.

    “The cafe’s not intended to attract users from outside the local neighbourhood or area, rather the intention is to operate in conjunction with existing users of Menzies Park and to serve the local residents.”

    Ms Mrdja said the protracted process to get the application before the council had been very stressful for her clients, a point picked up by councillor Nicole Woolf, who said she’d been fielding calls from ratepayers concerned that the application had been lodged in August but was still kicking around the administration.

    But Councillor Ron Alexander was concerned about how the application made it as far as getting a recommendation from staff for approval when it comes before the council for a decision next week.

    “I’m sure there’s residents who’ve bought adjacent to this house who’ve done their due diligence and see it’s for single use and all the rest of it, then along comes someone assisted by the City of Vincent who seeks approval to change it,” Cr Alexander told his colleagues.

    “It doesn’t at first glance seem fair.”

    by STEVE GRANT

  • Resurgent bowlers feeling a little green

    THE North Perth Bowling and Recreation Club’s resurgence has put such pressure on its grass greens that it’s decided its time to convert one to a synthetic surface.

    Back in 2017, the club was just about on its knees (but not in a great drive to the jack kind of way) with only 50 bowlers and double that in social members, until former secretary Dean Evans launched an ambitious plan to recapture its 1950s glory days “Bowl ‘em over,” Voice, October 13, 2017).

    Current treasurer Paul Russell says they’ve now got 1300 members, more than 800 coming from the immediate neighbourhood.

    “The club fields pennant teams in three divisions on Thursdays and four divisions on Saturdays, and again this year we have had several of those teams promoted through the divisions,” Mr Russell said.

    “Three teams played off for pennants flags of which we won two, making it four flags in the last three years.

    “With sustained success on the field comes reputation, and with that comes growth, meaning more pennants bowlers wanting to join the club.”

    • Former secretary Dean Evans’ dreams of a resurgent North Perth Bowling Club have come true, but it’s put some pressure on the greens.

    Mr Russell says the state’s bowling association and other clubs have started to take notice of North Perth’s success, as it’s become a great family hub and has even been bringing in the corporate gigs.

    But it has come at some cost to the quality of the playing surface and they’ve got plans to put an application into the federal government for $66,000 to convert one of the greens to a plastic surface.

    Synthetic

    “A synthetic green, while having environmental benefits, is now a necessity to cater for the sustained, increased use that is putting pressure on maintaining the natural grass surface,” Mr Russell said, adding it would also help the club to continue in its expansion.

    The club will need Vincent council’s approval to submit the application, as they’re leasing council-owned land, and councillor Ron Alexander said he’d like to see a “sinking fund” to ensure the club doesn’t come back in a few years with caps in hand.

    “In applications like these we hear ‘we’re not going to need a green keeper’ and ‘savings on water’ and all those sorts of things; also, we don’t want to see the same club back here in 10 years’ time wanting to replace the synthetic surface,” Cr Alexander said.