• Fishing’s in the De Ceglie blood

    FREMANTLE’S Blessing of the Fleet is a time of great tradition for the De Ceglie family; fishing is “in the blood”.

    Their ancestors worked the rich waters off Molfetta, Italy, for generations until the aftermath of WWI left them struggling to earn a keep and looking further afield to support their families.

    It was the step-father of Giuseppe De Ceglie who first tried his hand in Fremantle, arriving more than 100 years ago aboard the Omar and spending a decade helping to establish the local industry before calling the 16-year-old to join him.

    The pair worked Cockburn Sound where the snapper were abundant, but Giuseppe’s son John recalls his father saying life wasn’t as ideal as he’d have liked.

    • Sam and John De Ceglie with their sons Joe De Ceglie and (yes) Joe De Ceglie. Photo by Steve Grant

    “I remember dad saying when he came here they actually lived on little 35-foot boats, and he hated it.

    “He said, ‘well, I come from Italy – from Molfetta, living in a house, and me dad brought me here and I’m living on a little bloody boat sleeping on bags’,” John said.

    Eventually there was something of a revolt from the burgeoning fleet’s deckhands, and they were able to secure ‘apartments’ on the top of the old warehouses that still line Cliff Street.

    Giuseppe continued to work with his step-father Donato until his 20s, but at that time there was a buzz about the crayfish which some of the Molfettan fleet were starting to bring in from deeper waters, and he decided to join the Piano family and Saverio Mezzina in purchasing the vessel Maddalena.

    It was a successful partnership in more than one way; when Giuseppe met Saverio’s sister-in-law Filomena love blossomed and they were married.

    The couple had two boys and life looked great, but when World War II broke out, John says his parents were thrown into chaos.

    Interned

    “The Australian government took an especially heavy-handed approach to Italian fishermen; the boats and two-way radios were considered ideal for transmitting secret intelligence, thus they were interned and their boats impounded for the duration of the war,” he says.

    Years later the government was to issue an apology and the family were able to resume their fishing – and building, eventually ending up with six boys and three girls; John, Sam, Don, Mick, Serge, Annastacia, Anna and Geraldine.

    They had an idyllic life growing up in Fremantle, where there were no backyard fences.

    “We lived here in Nairn Street and Collie Street – most of the fishermen lived around this area. Our playground was the park over there,” he says, indicating the Esplanade Reserve.

    “Every day when we’d come home from school we’d go crabbing and prawning and fishing.”

    Back then you could walk the shoreline all the way to South Beach.

    “Our dad was a fisherman and he wanted us to go to school, but being down here every day and going fishing in the dinghies and all that, none of us wanted to go,” John says.

    Seasoned salts

    His brother Sam cuts in: “We all left school at 14,” but he says by then they were already seasoned salts.

    “Dad worked at Lancelin, so we used to go there during the school holidays and spend time up there with the families; all the families used to do that in those days.

    “And we used to go out with dad and it just got into our blood.”

    John says by the time they were about 10 years old, all the boys could splice ropes, make pots, tie fishhooks and mend nets.

    And so it has been with the next generation – and here’s where the story gets complicated, because all the brothers’ first sons were called Giuseppe, or Joe, after their grandfather. Most of the girls have been named Filomena as well.

    John’s son Joe says he appreciates how tough it was for the early fishermen, who often had to manufacture their own tools, had little access to fresh food on long trips and often faced treacherous conditions sailing up the coast.

    They now buy all their pots rather than make them hand, and the three-months of off-season repairs and cleaning is now all done and dusted in about a fortnight thanks to air- and battery-powered tools.

    John recalls his father speaking about some tough storms they faced, but fortunately for him the age of the diesel engine had taken off just as he took his place aboard his father’s new boat, the ‘freezer boat’ St Gerard where they could catch, process and export their catch directly off the vessel.

    “Dad used to tell us stories, but fortunately it never happened to us.

    Sailing

    “In the sailing days, they got some really bad storms and they tore sails and all that, and you might think it’s a bit silly, but they’d pray to the statues on board that things would come good,” he says, motioning towards the figure on the cross that hangs from the back of the wheelhouse looking forward.

    Sam says they really feel safer out on the water thanks to the prayers and the blessing of the boats during the festival; it’s been a part of their lives from since they can remember.

    “My mother, she was a very devoted Catholic, and when we used to come back and do our gear, she’d get the priest to come home and bless the post,” he says.

    “When we’d christen the new boats, she’d get the priests to come on board and bless the boat and the crew and all the people that were on the boat.”

    They say that while the Blessing of the Fleet has dwindled from its heyday when all the hotels would get decked out in flags and the harbour was full of a colourful flotilla, it’s still a big day for the family.

    Flags

    “I’ve got three girls and they love coming down and they help us with flags and all that sort of stuff,” Joe says.

    “So they’re still involved; it’s just, I guess there’s not as many fishermen any more.”

    But they’re hopeful the industry is poised for another lift, with hints that the Chinese government may soon lift its boycott of Australian crayfish.

    While that might mean a lift in price, they’re still keen to make sure the markets that stepped in and helped keep the industry alive won’t get frozen out.

    “If you own you own boat and your own business like we do – because we’ve been in it that long, you can make a decent living,” John says.

    by STEVE GRANT

  • Stirling holds on

    CUSTOMER call waiting times at Stirling council has been rated the slowest out of six councils surveyed by a customer service industry association, with average wait times clocked at 11 minutes, 22 seconds.

    The Australian Customer Experience Professionals Association released their October report on call waiting times after having “mystery shoppers” make repeated phone calls during August to councils, banks, internet providers, electricity companies, and TAFEs around the nation.

    Councils were the slowest to answer calls, with the six audited councils making callers wait an average 5 minutes, 22 seconds on hold across three trial calls.

    Brisbane council had the shortest average wait at 22 seconds, while callers to Stirling put up with a lengthy 11 minutes 22 seconds of hold music. 

    The test callers were given a maximum waiting threshold of 15 minutes before hanging up, and one of the three calls to Stirling wasn’t answered within that time limit.

    There was a silver lining for Stirling in ACXPA’s report. While the wait times were long, Stirling was rated the highest of any organisation for actually providing good information once the calls actually got through, with a 87.5 per cent satisfaction rating for providing the customer “with targeted, relevant information”. 

    Stirling’s phone operators also led the pack when it came to their “energy” rating. 

    We learned of the survey from former Stirling councillor Paul Collins, who’s kept an eye on happenings at his old council via his social media and blog. He posted about Stirling’s lengthy call waiting and mused that it was time to “vote for some new blood on the council” come the October 21 election.

    ACXPA has been around for 12 years, describing themselves as an industry association to “help Australian businesses elevate their customer experience”. They’re not entirely disinterested researchers: ACXPA sells training courses to call centre operators on how to improve their customer service.

    We asked Stirling council about the survey, and their emailed response states: “The City of Stirling acknowledges that the findings released by [ACXPA] do not align with our community or organisational expectations” and they’re looking at ways to speed it up, including increasing customer service staff during peak periods.

    Their response noted August was a busy time given rates notices recently went out, and “this combined with staff shortages may have added to the delay experienced by the mystery shoppers.

    “It is important to note that during August 2023 the City’s Contact Centre received approximately 16,800 calls with an average wait time of 7.39 minutes whereas during a standard month approximately 12,000 calls are received with an average wait time of 2.24 minutes.”

    ACXPA CEO Justin Tippett tells us their surveys are intended to mimic real-life scenarios where people typically do not make a large number of calls: while averages may vary, for the unlucky caller who does get the prolonged wait time that might make up their sole impression of an organisation. 

    by DAVID BELL

  • Food fight

    I had planned to try some continental rolls from a deli in the North Perth Plaza, when I got into a tussle with two pensioners.

    It was like a cross between Cocoon and Saving Private Ryan as they engaged in an ‘elbow war’ to bypass me and reach the front of the queue.

    I was conciliatory and waved the white flag, letting the elderly platoon capture the bain-marie and take the sausage rolls hostage.

    The food didn’t look that good, the queue was taking forever and those decrepit Rambos were preparing for another assault on Hamburger Hill, so I decided to leave the Plaza and try my luck on Fitzgerald St.

    Maybe it’s the tight road, heavy traffic and parking chaos, but there’s something about this little strip of North Perth that feels decidedly ‘angry’ with everyone driving like lunatics and pedestrians in a mad rush.

    With deadline looming, I opted for the low-key U Dumpling & Bento, across the road.

    The eatery was small and unassuming with some bench seats by the window (always good if you are eating on your own) and a few tables and chairs.

    It was one of those joints with photos of food on the window and lots of bright cards with Chinese writing on the walls, advertising things like phone cards.

    Some of my most enjoyable meals have been in places that look a bit skew-whiff and on occasion like a low budget horror movie, so I was hoping this was another diamond in the rough.

    The menu was a laminated one-page job with a range of steamed housemade dumplings (vegetable, prawn and chive, beef and spring onion), bao (pork and onion, pork and carrot), bento boxes (teriyaki salmon, katsu chicken) and sides (takoyaki, squid salad, spring rolls).

    It wasn’t long before the man behind the till was back with my very reasonably priced mixed dumplings (12 for $12.80).

    While the dumpling casings didn’t have that glossy, freshly-made look, they were nice and soft and had a pleasant texture.

    The standout was probably the chicken and corn. I’ve never tried a steamed dumpling with corn before, but it added a nice sweetness and texture.

    The beef and spring onion were another highpoint with the strong meat and lively onion creating a good flavour punch.

    Bringing up the rear was the pork and Chinese cabbage, a nice combo with the filling having an interesting mix of textures.

    Once doused in soy sauce and chilli oil, the dumplings burst into life and it was a decent feed for the money, but nothing exceptional.

    It wasn’t long before I was tucking into my Japanese curry beef bento ($14.80).

    There was a nice mix of tender beef, carrot and onion, but the sauce was a tad watery and unfortunately didn’t have thick curry tang.

    I enjoyed the mound of sticky rice, but the side salad was a bit baffling with sweetcorn (again) and some red and white cabbage. It felt like a bit of an afterthought.

    The guts of the bento were nice, but it was let down by the sauce.

    If you’re in a fix and need a quick cheap lunch, U Dumpling & Bento is worth a shout.

    Or you could don your tin hat and take your chances in the North Perth Plaza.

    “Form the Square!”

    U Dumpling & Bento
    410 Fitzgerald St, North Perth

    by STEPHEN POLLOCK

  • A light touch

    HAVING painted for more than 60 years, you could forgive Perth artist George Haynes for packing away the brushes altogether, but the 85-year-old “master of light” still has a twinkle in his eye and paints everyday.

    In fact he’s busy preparing for his latest exhibition In Search of Painting, a sort of career retrospective featuring old and new works.

    Known as a ‘master of light’, Haynes imbues his paintings of WA landscapes and everyday life with beautiful swathes of colour and delicate shadows.

    • Pilbara dusk

    His work is reminiscent of the vibrant colours employed by David Hockney in the 1960s, but with a more dreamy, soft-focus touch.

    Born in Kenya, the son of a doctor, as a kid Haynes would sketch to pass the time in remote regions of Africa, before going on to study at Chelsea School of Art and then moving to WA in 1962.

    “On arriving in WA, one was so struck by the light that you had to do something about it,” he says

    “Having been painting in London – grey old London – yeah, it was a blast.”

    • Cue

    Over the years, Haynes has drawn on the old masters like Caravaggio and Georges de la Tour, who popularised the use of chiaroscuro (light and shade) in their paintings.

    “Very powerful lighting, you know, and the same with la Tour,” Haynes says.

    “It makes for nice things in the shadows and so on. But, you know, another great favourite of mine is the Dutch painter, Gerard Ter Borch, and he has a thing about material and it’s just fantastic. You know, I rate him very highly in the Dutch school.”

    Following some recent health problems including a heart scare, Haynes admits to slowing down and not getting out and about as much. But he still paints in his home studio in Spearwood everyday, taking inspiration from his lush back garden, which he has cultivated with his partner and fellow painter Jane Martin. And he has never lost his amazing touch for creating vibrant and radiant colours.

    • Us at Ooloo

    “I hammer away at colour. I’ve got a whole rule book about colour you know. I can hardly embark on it!” he says.

    “It’s all about complementary colours and compensating for complementary colours with colours of lower chroma.

    “So put on the bright red and you put a grey beside it. That zings because it’s just the right lightness, it’s just the right tone. Slightly lighter than the red, you know. That’s a nice trick. All tricks just to occupy eye whilst looking at the painting.”

    Over the years, Haynes has dabbled in other mediums, but the ‘golden ratio’ has been a relative constant, popping up in various guises and forms throughout his work.

    “Yeah, I get, you know, crazes and the golden mean is very special,” he says. “In one particular painting, the snail shape of the golden mean construction was most intense in the centre so all the complementaries radiated around this scheme – it’s fun to do.”

    • George Haynes. photo by Rob Frith

    Haynes says he enjoys the unpredictability of mother nature when painting landscapes; travelling on his bike with his sandwiches safely tucked away in his pannier bags.

    “Well, painting from the landscape teaches you a lot because you don’t know what you’re going to get,” he says.

    “And the other thing about going out in the landscape is that the day changes. So that you have to pretend those trees that are really quite pale at the moment, are going to be silhouetted because that’s finishing up time, four o’clock, three-thirty, something like that. 

    “And these little disciplines, you know, and if you make it look like the landscape that’s a bonus – but it will teach you because it’s changing, it’s mutating, giving new ideas.”

    As part of the exhibition, Art Collective WA is producing the first ever monograph about George Haynes with over 150 photographs and essays by art critic John McDonald and curator Sally Quin.

    In Search of Painting is at the Art Collective WA in Cathedral Square (565 Hay Street) Perth from October 21-November 18.

    by STEPHEN POLLOCK

  • The piece Dvorak almost boycotted

    EMERGING cello star and UWA Conservatorium of Music star Max Wung is set to dazzle audiences again at the Perth Redemptorist Monastery in North Perth on Saturday, November 18, at 2 pm with the Fremantle Chamber Orchestra.

    Under the guidance of associate professor Suzanne Wijsman since July 2019, Wung’s musical journey began in 2010 with mentors Rod McGrath and Xiaole Wu, who guided him to distinctions in the AMEB music exams.

    Wung joined the Churchlands Senior High Symphony Orchestra as principal cellist in 2014 and later assuming the same role in its Chamber Orchestra. 

    His accomplishments includes performances with the Metropolitan Symphony Orchestra, invitations from the Vienna Pop Orchestra, and appearances on ABC3 TV’s BTN Extra. Wung has also honed his skills through masterclasses with renowned cellists like Lynn Harrell, Liwei Chin, and Pablo Ferrández.

    • Rising cellist Max Wung

    In 2018, Wung participated in the WA Symphony Orchestra international artist masterclass, solidifying his reputation as a rising star. His international experiences include attending the National Arts Centre young artists program in Ottawa, Canada, and competing in the prestigious Ai Qin International Cello Competition, where he secured second prize.

    Wung’s 2020 debut with WASO featured lauded performances of works by David Popper and Ernest Bloch. He also organised a successful fundraising concert to support Australian bushfire victims.

    In 2021 an outstanding performance at the Brisbane International Youth Music Festival took him to  first prize in the strings category.

    Wung will be playing Dvorak’s Cello Concerto, a piece whose public premiere was almost boycotted by the Czech composer.

    Dvorak initially rejected the cello as a solo instrument, complaining it was  too nasally in its high registers and too mumbly in its lower. 

    But on hearing the instrument sing through a concerto in New York, he changed his mind and wrote his own concerto, finishing it in 1895 and promising his good friend Hanus Wihan the opportunity to perform the first public performance.

    But there was a clash of dates and over-eager publicists hired English cellist Leo Stern and started advertising the concert, prompting Dvorak to threaten a walk-out. Nobody knows exactly what happened, but it’s believed Wihan released Dvorak from his promise to allow the performance to go ahead; perhaps Stern playing only one of 60 cellos made by the famed Stradivarius helped mollify him..

    Wihan eventually got his chance to perform under Dvorak’s baton in 1899 and despite the broken promise they remained firm friends for life.

    If you miss the monastery performance, the orchestra will also be playing the concerto at the Fremantle Town Hall the following day.

    Tickets are available from trybooking.com, 0438 933 250 or at the door on the day.

  • Quay to success

    IF you’re after a penthouse-style apartment in Elizabeth Quay, then look no further.

    This 27th floor abode is situated above the Ritz Carlton Hotel and has glorious views of the Swan River, Kings Park and the Narrows Bridge.

    All the waterfront cafes, bars and restaurants at Elizabeth Quay are literally on your doorstep, or why not jump on the ferry and take the five-minute trip to The Windsor Hotel in South Perth.

    And after all that fine dining and champagne, go for an invigorating walk, cycle or jog along the river to burn off some calories.

    It literally is the ultimate waterfront lifestyle. But what is this one bedroom one bathroom apartment like inside?

    It presents really well with a neutral colour scheme and plenty of natural light flooding through the large windows.

    There’s plenty of storage in the kitchen, which is built into a wall cavity, maximising the space for cupboards and drawers.

    The light floor has a nice herring bone design that enhances the sense of space.

    The open plan living/kitchen/dining area has a clever bi-fold partition that can be left open or used to close off the lounge. 

    There’s also a huge feature window with motorised tilting to let the afternoon breeze in. 

    The spacious bedroom has built-in robes, plenty of space and is carpeted, while the bathroom is stylish with a nice vanity.

    The flat is in a complex with resort-like facilities including heated swimming pool, sun deck, alfresco BBQ, fully equipped gymnasium, cinema room, residents lounge, kitchen and formal dining area.

    There’s also a 24-hour, on-call concierge service for low maintenance living. This is an ideal buy for an investor with a fixed term lease in place at $675 per week until the end of April.

    The realtor’s asset management team reckon you could get $750-$800 per week in the current rental market. This is a superb flat in an awesome waterfront location.

    EOI welcome
    2706 / 1 Geoffrey Bolton
    Avenue, Perth
    Halyn Property 1300 149 116
    Brian Lynn 0407 932 583
    Mark Hales 0415 915 967

  •  FREMANTLE’S FAVOURITE NIGHT OUT

    Tickets have gone on sale for the event, which brings together the best local food, beverages and entertainment in the heart of Fremantle, Walyalup Koort, on Saturday November 25th. A partnership between local legends The National Hotel and St Patrick’s Community Support Centre (St Pat’s), the Fremantle Long Table Dinner raises much-needed funds for people experiencing homelessness in our community.With queues out the door at St Pat’s, National Hotel owner Karl Bullers said the Freo Long Table needs to raise at least $150,000 this year.

    “By booking your tickets today you’ll be helping St Pat’s provide vital services and support to individuals and families experiencing extreme hardship, including meals, accommodation, showers, health and dental care, mental health and drug and alcohol support and so much more,” Mr Bullers said.

    Ticketholders will be taken on a gastronomic odyssey with a three-course feast served under the stars accompanied by the finest in vintage wines such as Leeuwin Estate, Capel Vale Winery and Greenskins, alongside boutique beers from Little Creatures Brewery.Or you can partake in a delicious cocktail at one of the Long Tables pop-up bars, thanks to Aperol, Brown Forman Corporation and Republic of Fremantle Distillery.

    “We’ve got a Michelin-star chef on board who we’re very excited about,” Mr Bullers teased, “so stay tuned.” 

    Guests will also enjoy world-class entertainment, including Oats Supply, Circus WA, Junkadelic and special guests Rocks & Rhubarb, who took out the John Curtin College of the Arts Battle of the Bands 2023 competition. 

    St Pat’s Chief Executive Officer, Michael Piu, said the community service organisation was proud to partner once again with the National Hotel to bring the Long Table Dinner to Fremantle.“I would like to invite everyone to join us in a celebration of art, culture and above all the incredible people who make us proud to call Fremantle home,” Mr Piu said. 

  • Carpartments

    THE lure of development bonuses to get more people living in Perth’s CBD will see the repurposing of a private carpark just up the road from Royal Perth Hospital into swish apartments and offices.

    Big financier Perpetual owns the carpark through one of its trusts, and has submitted a development application to build one- and two-bedroom apartments on its four upper floors, then add a 12-storey office tower on top.

    From this…

    Residents in the lower floors will share their space with parking for office workers, the next couple of levels will have residential parking, while the ground floor will have a covered public space for mingling, retail shops and a residential lobby.

    Perpetual’s designers Element Advisory said the apartments were designed to incorporate the carpark’s existing columns and roofbeams into their internal layout.

    “The facade of the carpark structure is proposed to be largely retained, with architectural inserts proposed that complement its robust aesthetic and are reflective of its new use,” Element’s report to the Perth Local Development Assessment Panel said.

    …to this

    The developer applied for the maximum 20 per cent density bonus for providing new apartments in the CBD, after satisfying the panel efforts were made to protect residents from the hustle and bustle of the commercial activities.

    Perth council’s planners were also happy to support the bonus because it stopped the concentration of new residential areas in DevelopmentWA’s City Link and Elizabeth Quay precincts.

    Distributing developments further across the CBD “will ensure sufficient population for services and facilities outside office hours and will provide greater economic support for local businesses, especially at night and on weekends, and help the city become more self-sustaining and resilient”, the planners noted in a report for the panel.

    Element had to have a couple of cracks at earning another 20 per cent density bonus for providing a public space, with the City’s design advisory panel finding the first iterations weren’t sunny enough, didn’t address anti-social behaviour and might not be comfortable for users.

    The panel had to grant the developers some discretions for some additional height and reduced setbacks, but none of the neighbours objected and only one submission was lodged which generally supported the concept.

    The City’s planners said the development could set a “benchmark” for reusing multi-storey carparks.

    “The proposed reuse of the existing building will inject vitality and life into a podium streetscape that is currently inactive and unoccupied,” they noted.

    by STEVE GRANT

  • ‘Neglected’ cottage to lose protection

    THE demand for social housing and bigger roads has spelled certain doom for a heritage-listed 1904 cottage on Guildford Road that Main Roads has neglected to the point it’s unsalvageable.

    At this Tuesday’s agenda briefing, Vincent councillors will debate a recommendation to remove the Federation Queen Anne cottage from category B of its municipal heritage inventory, which is normally reserved for buildings worth preserving.

    It’s not the first time Main Roads has had a crack at bowling over the building, but this time the request has come through the powerful Department of Planning, Lands and Heritage because the Cook government wants to amalgamate the surrounding vacant lots for a big social housing development.

    • The cottage at 40 Guildford Road has been left to the mercy of graffiti artists and other vandals.

    As far back as March 2000 the council, led by mayor John Hyde, voted to allow the surrounding buildings to be demolished, but ordered 40 Guildford to be retained because of its “historic, aesthetic and rarity values”.  

    Main Roads was back in 2007, arguing uncertainty about the site’s future meant the building should go, but the Nick Catania-led council again refused the request.

    “The house at 40 Guildford Road is a substantial and good example of the Federation Arts and Crafts style, which demonstrates the aspirations of the original developers for this neighbourhood before the growth of traffic on Guildford Road impacted so heavily on amenity,” a report prepared at the time found.

    But the traffic continues to grow, and Main Roads has come back again saying it needs to widen the road at the intersection with East Parade which will mean the cottage’s verandah and front rooms will encroach on the expanded road reserve.

    Main Roads says any attempts to rejig the house so it can be retained will further diminish its historic value and character.

    Character

    A heritage assessment from the council’s Design Review Panel noted that Main Roads had already contributed to the cottage fading character. 

    “Over the last 17 years the subject site has been neglected, which has resulted in degradation of the building and a significant loss of its heritage values,” the assessment said.

    Four submissions from the community agreed, saying Main Roads’ request was as a result of “demolition by neglect” and calling for it to be retained, although three others were happy to see the building go because it was covered in graffiti and was now an eyesore.

    • The cottage’s interior has been trashed, and all the fitting like fireplaces and skirting boards ripped out.

    The council’s planners also bemoaned the neglect, but said the need for the road widening and lack of options to preserve parts had tipped the balance.

    “The extent of demolition and modification will have a material impact on the fabric of the existing dwelling such that the original character, authenticity and significance of the dwelling will be irreversibly impacted and cannot practically be retained,” their report said.

    The site at 40 Guildford and 33 adjoining lots have been earmarked for social housing under the Cook government’s Housing Diversity Pipeline program.

    The site is zoned for three storeys and while the government hasn’t yet determined what the development will look like, it’s next step is to call for detailed proposals.

    by STEVE GRANT

  • Coy RASBA ruffles feathers

    A COMMUNITY group which has been a little coy about its membership has ruffled a few feathers after dipping its toes into Vincent council’s election.

    Vincent’s Resident and Small Business Association claims to be a non-political organisation that gives, “a voice to residents, ratepayers and businesses who are not being heard by councillors”. 

    It emerged in March this year just as Vincent council was coming under heavy fire from business owners over a trial that replaced free one-hour parking in its carparks with a $1 fee.

    RASBA’s Facebook page has included several critical posts about the parking change and the subsequent negative affect it has had on local businesses, including Shawn Offer’s Fresh Provisions and Greg Johnson’s Tredway’s shoes.

    Mayor Emma Cole, who isn’t recontesting this election, reinstated free first hour parking across the city from 3 July with exception of The Avenue and Frame Court carparks in Leederville.

    That saw the association swing its criticism to the council’s 4.5 per cent rate hike in its’ 2023/2024 budget.

    RASBA’s website says its members prefer to keep a low profile at the moment, though the Chook was due to meet Mr Johnson post this week’s deadline.

    RASBA has been busy leading up this month’s election, posting voting dates and profiling mayoral candidates Ron Alexander and Ashlee La Fontaire.

    But Mr Alexander says he is, “not and never has been involved with the RASBA group”.

    In a brief interview over the phone, Ms Fontaire declined to answer questions and instead asked if they could be directed via email, but we didn’t hear back before deadline.

    Another mayoral candidate, Suzanne Warner, has questioned RASBA’s anonymity and challenges whether its really representing ratepayers.

    She says it’s odd that she has many similar campaign platforms to Mr Alexander, but doesn’t crack a mention on RASBA’s social media platforms or flyers attributed to the organisation.

    Platforms

    “Let’s know who they are so other candidates are able to talk with them as well,” Ms Warner said.

    Another candidate, Alison Xamon, also questioned RASBA’s transparency and said no-one from the association had attempted to reach out to have a discussion with her.

    Ms Warner flagged a connection with former Vincent mayor Nick Catania, saying it was “accepted fact” in the community, but he bluntly told the Voice he wasn’t going to confirm or deny anything.

    We did get in contact with local ratepayer Ray Stevenson, who joined RASBA shortly after its inception.

    “I joined as a ratepayer and never heard back,” Mr Stevenson said.

    Despite being a member, Mr Stevenson said he was unsure who the organisers or other members of RASBA were.

    by ZOE HUNTLEY