• Merry dance

    WHERE do you take young kids to eat at Crown Perth without breaking the bank?

    There’s some good value eateries on the gaming floor – Junction Grill and 88 Noodle Bar – but they’re 18+ so out of the equation.

    Once you’ve chalked off the upmarket places like Modo Mio, Nobu and Rockpool Bar and Grill, it only really leaves Market & Co and The Merrywell.

    There is the ‘Food Hall’ but it’s not really a proper food hall – a Maccas, Subway and Noodle Box in a pokey annex at the Riverside entrance.

    My sister-in law, who was visiting from Victoria and staying at the casino with her family, burst out laughing when she walked into the ‘food hall’ – comparing it to the real deal at Crown Melbourne.

    With four ravenous under-nines and a jet-lagged three-year-old in tow, we decided to hit The Merrywell, which looked like a casual, family-friendly pub.

    On early Sunday evening, there was a good atmosphere at the bustling venue with music playing and people streaming in and out.

    It had a nice beer garden where a talented young singer was belting out classics with an acoustic guitar, drum machine and a fascinating looking synth violin.

    He was going down a storm with the mums and kids, who were dancing to cheesy classics like Simply The Best and We Are The People.

    Inside, The Merrywell was big, loud and brash – think an American-style pub/restaurant.

    It was super busy, but somehow we managed to secure a table for 10, as they had an area with super long tables near the window.

    The menu was unashamedly pub grub with burgers/American-style sangers, loaded fries, pub classics like fish and chips and chicken parmi, salads, and jumbo share plates including crispy fish tacos, buffalo wings and nachos.

    There was nothing that exciting on there but all the old favourites were covered and price-wise it was comparable to most pubs in Perth.

    The ordering system was good – your bought drinks at the bar and there was a seperate booth for ordering food, which really sped up the service. A great idea.

    With it so busy, I thought we’d be in for a lengthy wait, but it wasn’t long before the waitress was at our table with the grub.

    My chicken poke bowl ($24) was pile high with grilled chicken breast and a medley of salad and veg including lettuce, avocado, roasted cauliflower, pickled red onion and pumpkin seeds.

    All the serves in The Merrywell are huge and this was no exception, so it’s good value for money.

    The chicken was decent quality but a tad dry, and it only came to life when doused in the accompanying vinaigrette.

    The real star was the accompanying mound of avocado, quinoa, pumpkin seeds and cherry tomatoes. And my new favourite food – edamame beans – which added a lovely texture and fresh burst to the dish.

    For $24 it was great value with tons of veg and salad; it’s just a shame the chook wasn’t quite up to scratch.

    My wife was busy tucking into her halloumi and mushroom burger ($25).

    “The brioche bun is lovely and soft, and the field mushroom has a nice meaty punch and goes really well with the grilled haloumi. Mind you, what doesn’t?” she said.

    “I really like the crispy ‘ripped’ potatoes with herb aioli. It’s a nice change from fries and adds a flavour twist. Overall a lovely burger, if a little on the greasy side.”

    Once we managed to drag our kids off the dance floor, they tucked into their mini cheeseburgers and fries ($15) from the kids menu.

    It was good value – they got two cheeseburger sliders and a decent portion of chips. The kids menu also had fish and chips, Mac and cheese, and chicken tenders.

    My sister-in law’s husband went for the Korean-style fried chicken bao buns (three for $24) from the share menu (even though he wasn’t sharing). He waved the white flag after two of the monstrous buns, but said they were tasty and filling, and hit the spot after a day of traipsing around Kings Park.

    The food was okay at The Merrywell, but the overall experience was very enjoyable with live music, quick and friendly service, and family-friendly entertainment for the kids.

    I know it’s a casino for adults, but Crown Perth should really have a proper food court and more family-friendly options that don’t break the bank.

    The Merrywell
    Crown Perth, Burswood
    crownperth.com.au/restaurants/the-merrywell

    by STEPHEN POLLOCK

  • Arty break

    WITH the school holidays looming, the Voice has an arty Red Cross parcel to keep kids entertained and parents sane during the two-week break.

    The mega-popular Dog Man books by Dav Pilkey have been turned into a musical (it seems everything is being turned into a musical these days with Mrs Doubtfire recently opening in London’s West End).

    With the head of a dog and the body of a policeman, Dog Man loves to fight crime and chew on the furniture. 

    What more could you ask for?

    Dog Man: The Musical is at The Octagon Theatre in Crawley from September 27-30.

    There’s another great kids show on at the Blue Room Theatre – Alex and Evie and the Forever Falling Rain.

    Evie has just moved to a place where it’s always raining. In fact, it’s rained every minute of every day of every year, forever. But this year, before her 10th birthday, Evie decides she’s going to stop the rain. And then Alex arrives at her front door…

    It’s a heartwarming tale about never giving up and how friendships and relationships can profoundly alter our view of the world.

    The show has an accompanying learning resource which will keep kids entertained for days. Alex and Evie and the Forever Falling Rain is on September 21-30.

    The WA Museum has a host of school break activities including Codebreakers (part scavenger hunt, part escape room, it’s a self-guided family tour with a twist), Beyond the Tomb (explore the afterlife through activities in the Beyond the Tomb activation space) and Story Time – 30 minutes of story-telling for younger kids in the the colourful Museum galleries.

    If you’re down Freo way, there’s a heap of stuff to mark the 40th anniversary of Australia II’s victory in the America’s Cup, including an open day with live music, activities and food trucks at Victoria Quay tomorrow (Sunday September 24).

    There’s also a free, daily, kite-building workshop at the WA Maritime Museum until October 8.

    If you fancy something a bit more avant-garde, then PICA are hosting the Sea of Light by Patch Theatre. Using a UV torch as a paintbrush, kids steer ships that leave glowing paths of light in their wake across the sea floor. 

    Suitable for kids under seven, the installation is on from September 26-30.

    If you want to experience a world-class theatre show with high production values and a top-notch cast then Mary Poppins at the Crown Theatre Perth is a great shout.

    The new production from Disney and Cameron Mackintosh, stars Australian icon Patti Newton as Bird Woman alongside two of Australia’s brightest talents – Stefanie Jones as Mary and showstopping Jack Chambers as Bert. 

    Adapted from the beloved stories by PL Travers and the original film, the world’s favourite Nanny comes to life on stage in a spectacular and unforgettable production.

    If you want to take your kids to the cinema, but not to see a Marvel movie or Transformers 12: the exhaust pipe wars, then check out Scrapper at Luna Leederville.

    Winner of the Sundance Grand Jury Prize, the film follows a 12-year-old girl who lives happily alone in London until her estranged father (Harris Dickinson, Triangle of Sadness) reenters her life. 

    After her mother dies, resourceful Georgie manages to convince social workers and the surrounding community alike that she is in the care of her uncle ‘Winston Churchill’. She steals bikes with her best mate Ali and sells them on to get by. At home, her flat is filled with magic – the resident spiders are constantly making snarky comments and she seems to be building a strange tower.

    When her estranged father turns up out of blue, she’s forced to confront what’s really going on. 

    by STEPHEN POLLOCK

  • Luxury abode

    THIS luxury Perth flat is in a top spot.

    Situated on the border of West Perth near Kings Park, you have all the delights of the city on your doorstep, but are slightly removed from the hustle and bustle, so it feels very peaceful and relaxing.

    Positioned on the fifth floor, you have lovely views of the treetops, skyscrapers and Parliament House, which can all be enjoyed from a massive wrap-around balcony.

    Elizabeth Quay and countless CBD attractions are a short walk away, or if you’re feeling energetic have a crack at the nearby Jacob’s Ladder.

    The inside of this two bedroom two bathroom luxury pad lives up to the location and views, with gorgeous polished wooden floorboards, high ceilings and lots of natural light, courtesy of the large floor-to-ceiling windows and glass doors.

    With so many windows, the view almost feels like part of the apartment with the ultimate indoor-outdoor flow.

    The open plan living/dining/kitchen area is bright and airy with plenty of space for a decent dining table and lounge setting.

    The kitchen is a cracker with lovely muted benchtops, a double sink and plenty of cupboards and drawers. With summer just around the corner, the Voice reckons you’ll be spending loads of time on the balcony, which wraps around two sides of the apartment.

    It really is a cracker and the perfect spot to enjoy sundowners with friends, before heading out to sample the city nightlife.

    The carpeted bedrooms continue the high standard with both featuring built-in robes and the main including a lovely, contemporary ensuite.

    The flat includes 76sqm of internal living space, a whopping 29sqm entertainer’s balcony with north and east-facing views, split system reverse cycle air con and two side-by-side car bays.

    It’s situated in the secure Scene Apartment complex, which has a lovely courtyard and great facilities including a well-equipped gym.

    The flat is currently leased out for $590 a week until January 19 next year, but the realtor believes you could get $700 a week in the current market.

    This is a great opportunity for an investor or someone who wants to buy and wait until early next year to move in.

    Home open today (Saturday September 23) 11am-11:30am
    32/33 Malcolm Street, West Perth
    Halyn Property
    1300 149 116
    Agents
    Brian Lynn 0407 932 583
    Mark Hales 0415 915 967

  • That Auld Mug

    WE’RE sitting almost exactly where former prime minister Bob Hawke lounged after one of the longest and tensest nights in Australian sporting history, famously warning bosses if they sacked workers for not turning up that day they were a “bum”.

    • Archivist John Readhead with one of the many pieces of America’s Cup memorabilia in the Royal Perth Yacht Club’s amazing archives. Photo by Steve Grant

    Nearby a display cabinet in Royal Perth Yacht Club’s Wardroom recounts that historic moment on September 26, 1983 when a nation stayed up all night to watch Australia II take the America’s Cup from the New York Yacht Club; the little country making its first steps towards globalisation had achieved what no one else had managed in 132 years.

    There’s photographs of skipper John Bertrand and his crew celebrating moments after the win, a miniature replica of Australia II’s legendary winged keel signed by the syndicate’s millionaire bankroller Alan Bond, and pride of place is the “Westpac Spanner” donated by the bank to the Australia II’s team so they could unbolt the Cup from the NYYC’s high security cabinet.

    Talking point

    “It’s a real talking point,” Royal Perth’s long-term archivist John Readhead says of the spanner.

    The cabinet is also packed with historic silver racing cups dating back more than 100 years, but Mr Readhead will be overseeing their temporary relocation as the space is given over to the Cup for a big 40th anniversary celebration on September 26.

    • The official defense poster from 1983 notes in little print that they had to guess about Australia’s II keel, which was the Aussie’s secret weapon (below) but in true larrikan style designer Ben Lexcen helped them out while the cup was making its way Down Under (above).

    “The Australia II crew will be here, plus other dignitaries such as the Lord Mayor and the Governor,” Mr Readhead said, adding that the sailors are making themselves available to discuss their historic win with the 400 members expected to pack the event.

    The archivist is in his 56th year as a member of RPYC and recalls the lead-up to the races fondly.

    “It was a big thing because the club promoted it; there were newsletters keeping everyone up-to-date with what they were doing all the way along.”

    He says most had cottoned on to the fact the Australia II had a winged keel, but its design was a closely-guarded secret.

    So much so that the official poster of the 1983 challenge, which hangs on the archivist’s wall, makes note that its depiction of Australia II’s keel is only as good as they could work out from limited information. Typical of the Aussie cheek after the win, the yacht’s designer Ben Lexcen has fixed it up for them with a black pen, before adding his signature alongside the rest of the team.

    Overwhelming

    “Then it got to the races when we won one, lost one, and it was not looking good,” Mr Readhead said.

    “But at the end when it looked like something might happen, the interest was overwhelming.”

    Mr Readhead says there’s between 200 and 300 items related to the Cup in RPYC’s archive, including paintings, photographs, press clippings and other bits and pieces, but it’s just a tiny fraction of the 17,000 entries in his database. It’s not surprising given the club was founded back in 1865 as The Perth Yacht Club.

    He’s been in the job for 28 years, and his passion for conserving and preserving the club’s history is so infectious that a raft of yacht clubs around Western Australia and over east can thank him for starting up their own archives, including Fremantle, Freshwater Bay, Royal Sydney and Royal Prince Albert.

    “By then I had 12 or 14 years of experience, and I used to say to them ‘every day you don’t start is a day you have lost – and that will cost you’,” he said.

    Mr Readhead new intimately what they were up for, having been given the role as the club’s first archivist by former Commodore Kel Quinlan.

    • Bob Hawke in the iconic coat he borrowed from a student for the celebrations at RPYC, telling bosses not to sack workers who were too tired to turn up for their shifts, otherwise they’d be “bums”.

    “When he first showed me the little room which was allegedly known as the archive room, and we first opened the door, there were three big bags of sails, two broken chairs, a couple of cartons of empty beer bottles, five or more cardboard boxes of books and a chipboard shelf – and you know how chipboard crumbles,” he says.

    “It took me nearly three years to sort out what was in there.

    “I would shuffle things from box to box and put them in order, until it got to the stage there were too many boxes.”

    Temperature

    These days the archive is a far cry from those early days; it’s temperature controlled and a shroud of concrete ensures the collection’s safety, although the electronic database has stood the test of time and can let him pull out anything in seconds.

    “I realised we had to get a database, so I tackled one of the young sailing members who was at university doing a double degree in IT,” Mr Readhead says of his early attempts to pull everything together.

    “He said ‘you write down what you think you need’, which I did, and in a week he had a program, and we changed a few things and he went away and again and came back again in another week and had a database which we’re still using today.”

    Mr Readhead said items in the archive stretch from old racing programs to DVDs and USB sticks with the latest news clippings, social events and races.

    One of the keys to his success was scoring scholarships to the National Library of Australia and the National Maritime Museum where he studied conservation and preservation, which has helped RPYC’s archive earn an “A” category from the latter and set him up to help other clubs start their own.

    “A large part of my job is to communicate with people and help them with their research,” he said, adding that requests can come from over east and overseas, and includes researchers and family members trying to trace a relative’s racing history.

    History

    He says the archive is also important for giving new members a feel of the club’s long history, and as part of the job he also puts together short-term exhibitions on various topics; coming up is a look at the life of former Commodore Justice Robert Burnside.

    He also scours auction pamphlets to keep an eye on important yachting memorabilia related to the club, but says they face a bit of competition from silversmiths, who tend to jump on a plane to take the silver trophies away to be melted down.

    “All that his just gone,” he laments.

    The club has also been running an oral history program for the last 10 years, collecting the memories of mainly older members, but also has lots of school groups who come to gather material about the river, racing or that famous Auld Mug, a life-size replica of which greets members as they tack their way up for lunch.

    by STEVE GRANT

  • Emerging talent takes a bow

    A NEW orchestra has formed to fill a gap for emerging musicians in Perth, and it’s entirely student-led.

    The a2. orchestra was founded by Josh Spirek and Aiden Labuschagne in 2022 when they were in their first year of studying a Bachelor of Music at UWA.

    Fellow music student and a2 orchestra member Charlotte Greenaway tells us via an email Q&A: “Something they noticed was that there was a lack of performance opportunities with orchestral accompaniment for younger tertiary students. Along with this, they were also interested in learning more about orchestral playing in general.” 

    It started with just one concert in November 2022, giving their fellow students a chance to perform a solo piece with a small orchestral accompaniment. 

    It was a big success and there were calls for more concerts from both musicians and audience members, and the project rolled on.

    The aim is to give students who are at a high level of playing a bridging space between university and employment so they can showcase their talents.

    “There is an abundance of young and emerging talent across Perth and a2. orchestra would like to present this to audiences through concerts consisting of exciting repertoire,” Ms Greenaway says. 

    “When choosing pieces for concerts, we take into account both our peers’ and audience’s requests,” Ms Greenaway says, in hopes it helps build a sense of connection with history, culture and emotion in the music.

    Their next show ‘Sanctity’ puts the spotlight on the French horn with a night of atmospheric and poignant music, running September 16 at Ross Memorial Church on Hay Street.

    The students then take the stage at Government House Ballroom on November 23 they present ‘Triumph & Tragedy’, contrasting drama and euphoria with works from Wagner, Tchaikovsky and Beethoven.

    Times and tickets are at a2orchestra.com

    by DAVID BELL

  • Fuelish plans

    A PETROL station franchise whose plans for a big new servo and convenience store in North Perth got knocked back by the state JDAP, have lodged a scaled-back application to upgrade the existing mechanical workshop and bowsers – even while the original plans go through an appeal.

    On The Run, which is in the process of being bought out by Shell oils, Coles Express and Geelong refinery owner Viva Energy, originally proposed a 24-hour station at the corner of Angove and Woodville Streets.

    It was widely hated by the community, sparking the creation of the Stop the Station lobby group, and the 228 opposing submissions and a 326-signature petition contributed to both Vincent council and the JDAP rejecting the application.

    OTR’s appeal over that refusal is still before the State Administrative Tribunal, but Stop the Station spokesperson Nicole Woolf said they were concerned the company’s latest application, though reduced in scale, showed it hadn’t read the room.

    “Looking at the little bit of information that you can see online, it’s just 41-43 Angove Street, and it’s for $500,000 renovations to that site, including the pumps,” Ms Woolf said.

    “From that we’ve assumed that it’s renovations to make the site operational again, for selling petrol and presumably a convenience store, just not as big.

    “Everyone disagrees with this for different reasons, but fundamentally, it’s the land use – it’s the fact it’s a petrol station.

    “Even though it might not be inclusive of the office they wanted to build at 45 Angove Street, or even if the final product has fewer bowsers than the original plans, it still comes back to the fact that next to residential homes, next to a primary school where there are 500 children in the middle of a vibrant town centre, is not the place for a petrol station.”

    Campaign

    Ms Woolf said the community which fought the original plans is “at the ready” for a new campaign: “As soon as those plans are published by the City of Vincent, we’ll be examining them very closely.

    “We’ll be discussing them with the professional planner we fundraised to engage.

    “We’ll be discussing with the lawyers that are part of our community group, and we’ll be mobilising a second round of a community campaign.

    “I know the company’s got a lot more resources than the community does, but we’re not fatigued by it; we’re ready to go for round two.”

    Stop the Station does have some hope through an amendment to Vincent’s town planning scheme which proposes banning petrol stations from town centres and residential areas, which has been adopted by the council and is with the WA Planning Commission awaiting a decision on whether it can be gazetted.

    OTR’s original application slipped in before the council had voted on the amendment (which was put forward by Stop the Station), so the new rules wouldn’t have been applicable, but Ms Woolf hopes that the latest application might hit some hurdles – there are precedents where councils have taken guidance from policy and scheme amendments which have been lodged but awaiting approval.

    Ms Woolf says her group is “very pro-development, but believes development in our unique area needs to be designed thoughtfully, serve the community and not compromise the safety, or the vibrancy of our town centres.

    “We would love to see the space turned into a boutique retail store, a bar or restaurant, or public space that everyone in the community can enjoy.”

    by STEVE GRANT

  • Fast Track working

    IN a significant stride towards streamlining its planning processes, the City of Stirling’s Fast-Track (Development Applications) service has proven a winner in its first 12 months.

    Since its inception in October 2022, the innovative planning system has not only reduced bureaucratic bottlenecks but has also saved both time and money for homeowners and developers.

    The Fast-Track service was conceived to address the challenges associated with residential development applications in Stirling, where small-scale residential developments often faced delays due to incomplete applications, requests for further information, and time-consuming assessments. These challenges left applicants frustrated and uncertain about timeframes, hindering the growth of the housing sector.

    Collaborating with key stakeholders such as the Master Builders Association, the Housing Industry Association, and major applicants like ABN Group and BGC, Stirling pioneered a digital development assessment tool that not only automated several requirements but also integrated data from the city’s Geographic Information System to expedite the assessment process. 

    This tool, the first of its kind in WA, caters to various residential development types.

    The Fast-Track service has sped up approvals to an average of just 20 days, but has also saved applicants and landowners approximately $3,000 in development and home loan holding costs for each single house and grouped dwelling application approved, according to a report to this week’s monthly council meeting.

    This represents a substantial 67 per cent reduction in time compared to standard development application timeframes.

    Fast-Track service has been embraced by the community, with 115 registered users and 718 development applications lodged within its first year. 

    The success of Stirling’s Fast-Track service has not gone unnoticed, with planning minister John Carey lauded the council as a shining example of a local government committed to cutting red tape and streamlining approval processes for the benefit of the community.

    The City is planning to expand the Fast-Track service to cater to three and four-grouped dwelling applications.

    by STEVE GRANT

  • Celsius revived

    SLIGHTLY smaller designs have been released for the apartment block planned to run along Fitzgerald Street from Alma to Raglan Roads, following widespread opposition to the previous 13-storey design. 

    Celsius Property Group’s proposal for 97 apartments across 13-storeys was rejected by the Joint Development Assessment Panel in December 2022.

    It was voted down due to being far taller than Vincent council’s usual guidelines of six-storeys in that area, and the bulk and scale was deemed to impose “a significant negative impact” on amenity.

    The new design is nine storeys and includes 104 apartments. It also packs in 179 residential car bays, above the council policy of 88 bays

    Celsius’ new application says the new version has “a more sympathetic and contextual built form”. 

    • Celsius’ new plans for the site are now out for comment. 

    Residents so far haven’t been won over.

    Adjacent resident Neil Stacey has chatted to many locals since the new plans were released, and says the sentiment is still firmly opposed.

    “It’s still an over-development,” he says. 

    “The impact on the neighbourhood is massive”, with major concerns including overshadowing and several hundred car movements per day car clogging the narrow laneways behind the building.

    He says residents would be happy with a design that stuck to the rules, but they’re ready for another fight to keep this one away.

    Public comment is open via imagine.vincent.wa.gov.au until September 28, then the designs will go to Vincent council’s planners who’ll prepare a recommendation for the JDAP to make the final call.

    by DAVID BELL

  • Sound waves

    THERE will be a tribute to David Bowie and a hint of heavy metal when four world-class classical guitarists from WA take to the stage in North Perth tomorrow night (Sunday September 17).

    The Silver Sands Quartet are open-minded and innovative, playing modern compositions that have a rock, minimalist or ambient flavour, as well as lively Latin American pieces.

    There’s no lack of talent in their ranks with the quartet featuring award-winning guitarist and associate WAAPA professor Jonathan Paget, acclaimed French virtuoso Ingrid Riollot, leading Perth guitarist Craig Lake, and seasoned axe man Ethan Dorrian, whose just back from a stint performing and studying in Spain.

    Riollot says one of their favourite songs to play is Passing of a Black Star, a tribute to Bowie written by Canberra-based composer Marion Budos.

    • The Silver Sands Guitar Quartet (above) fuse classical with rock, minimalism and ambient, including a piece that pays tribute to David Bowie (below).

    “We love Bowie’s expressive ballads and his catchy rock riffs—they get under your skin (and you can’t get them out of your head),” Riollot says.

    “But honestly, this piece is so much fun for both us and the audience.  

    “Even though we are classical musicians, we also live in the modern world. So, yeah, of course we do listen to rock in our spare time – and so do our kids.

    “Maybe Jonathan [Paget] is a bit more straight, but even he might enjoy a bit of rock I think (at least in the privacy of his own home). But we also love the novelty of blending the sweetness of the classical nylon sound within a rock groove.”

    This melding of rock and classical is most evident when the quartet tackle Outcrop, a new piece by Perth-based composer Azariah Felton.

    “It is an intriguing blend, part heavy metal and part Steve Reich (the renowned minimalist), while at the same time evocative of the iconic geological feature so common to the topography of Western Australia,” Riollot says.

    “We like to think about Bluff Knoll (close to Azariah’s home town of Albany), although he tells us that he didn’t have any particular outcrop in mind.”

    Riollot moved to Australia in 2018 to marry guitar maker Damon Smallman, part of the famous Esperance-based luthiers Smallman & Sons, whose acoustics are played by some of the best guitarists in the world including John Williams.

    Before moving to Australia, Riollot had an impressive career in Europe – teaching for many years at music conservatories in France, and performing at prestigious international festivals.

    Now based in Esperance, she travels around the world giving masterclasses and performances, and has released four CDs of classical guitar music.

    She recently joined Silver Sands, a successful trio that had toured across Australia and Asia.

    The French guitarist says being a quartet allows them to explore new material, and they all love playing Latin American-style compositions.

    “There is a fantastic Spanish and Latin American heritage for the guitar,” Riollot says.

    “We love that Brazilian music is full of lively rhythms, beautiful counterpoint and jazz-infused harmonies, not to mention lots of fast finger work that is fun to watch (for the audience, at least). 

    “This is a very fun and engaging program and there is something for everyone—from the rock-inspired, to ambient minimalism, Brazilian, and some beautiful contemporary Australian works.

    “This is music that we absolutely love and we feel sure that audiences will love it too.”

     The Silver Sands Guitar Quartet will make its debut at North Perth Town Hall on Sunday September 17. Tix at events.humanitix.com/silver-sands-guitar-quartet-the-world-in-a-single-grain

    by STEPHEN POLLOCK  

     

  • Remember covid?

    THERE’S still time to catch some great exhibitions at the WA Art Gallery before the new summer program, including a masterclass in existential dread by Özgür Kar.

    The Turkish installation artist has scared the living daylights out of sandgropers with his first show in Australia – Good Night – an almost eight-metre long animated skeleton trapped inside four TV screens.

    Created by Kar during the pandemic, it perfectly captures the feeling of being trapped by covid – whether in a country, house, room or the confines of your own mind. The skeleton is reminiscent of the cartoon character Bonesy, found in early works by the Gorillaz, a virtual band co-created by Blur frontman Damon Albarn.

    Working across video, sound, performance and installation, Kar explores contemporary existentialism, fusing danse macabre, experimental theatre, early 20th century animation and 1990s MTV cartoons.

    Using voice actors and musicians, he loops visuals and sounds to create an increasingly fraught and tense, and sometimes profound, experience.

    • Özgür Kar’s installation Good Night at the WA Art Gallery is a chilling postscript to the pandemic.

    The 31-year-old artist lives in Amsterdam, where he studied at the Rijksakademie van Beeldende Kunsten, a classical academy where philosophers, academics and artists meet to exchange ideas and knowledge.

    After all that existential navel-gazing, you might need some light relief, so make sure you check out Exquisite Bodies, a multi-sensory exhibition where people of all ages and abilities get to build giant figurative sculptures.

    Developed in collaboration with disabled artist Bruno Booth, it uses materials that young children, teens, artists and adults can easily pick up and manipulate. It’s a fun, arty way of letting off steam and satisfying your creative urges (as well as tiring the kids out during the school holidays).

    Winding up on September 25, Spacingout taps into those moments when your brain disconnects from reality and enters a parallel dimension. 

    “This exhibition lingers in moments of confusion and uncertainty; when our feelings and understandings of particular situations are not quite defined,” reads the WA Art Gallery blurb.

    Spacingout foregrounds what so often remains in the hazy background of life and proposes the potential for events to be other than what they are.”

    by STEPHEN POLLOCK