• Letters 22.9.18

    Tourism initiative
    SOME months ago your paper published an edict from my favourite source of local amusement, Vincent council, stating that any public function supported with funds from ratepayers would have to include a “welcome to country” ceremony or similar acknowledgement of our Aboriginal heritage.
    As a 10-year resident of the city I wondered about the relevance of being welcomed to my home, but accept that it is possible that people from outside the district would attend these functions.
    If the idea is shifted to those locations where visitors usually arrive in WA, then it has considerable merit.
    Every Saturday morning a train-load of passengers arrive at the East Perth rail terminal in Vincent, and then disperse to various tourist destinations across the state.
    Surely this would be a most suitable time for a “welcome to country” ceremony.
    It would be an opportunity to showcase our aboriginal culture and emphasise WA’s friendly reputation.
    As there are 52 train arrivals a year, the regular event could become a “must see” and significant part of a visit to Perth.
    Tom Goode
    Harold St, Mt Lawley

    The forgotten velodrome
    WITH regard to the Lake Monger Velodrome, now known as the Litis Stadium in Britannia Reserve, Leederville (“Club Springs $3M offside trap”, Voice, September 1, 2018)
    Australia won all the track cycling events at the 1962 British Empire and Commonwealth Games in Perth.
    It was the first time in the 32-year history of the games that one country had won all track titles.
    Track cycling events were held at the Lake Monger velodrome, built on the shores of Lake Monger, three miles from the centre of Perth.
    Built by Perth city council in 1959 at a cost of 110,000 pounds, the velodrome had a concrete-surfaced track which was an exact replica in shape and size of the track used during the 1956 Olympic Games in Melbourne.
    Three laps of the track equalled 1000 metres, which is about five laps to the mile.
    This was so that it would not be too steep for schoolboys and junior riders to learn to ride the track, but would be steep enough to provide the opportunity of making world times.One of the major factors in this decision was the need to provide facilities for young people.
    Width was 24 feet and it was banked to 10 degrees in the straights, rising to 37 degrees in the banks at each end.
    The velodrome was available for training day and night.
    Co-operation between the committees, managers and officials, together with the sporting spirit shown by competitors, enabled cycling to be conducted successfully.
    The jury of appeal was not called upon on any occasion. Supporting events by local cyclists were conducted at every session to provide a continuous program.
    Perth had no athletics stadium, no swimming pool and no velodrome of the required standard when the idea of staging the games was first discussed, but this made the project all the more challenging.
    The city of Perth needed all these things. Here was an opportunity to build all of them perhaps 25 years earlier than would otherwise be possible; if the project had the backing of the citizens.
    In its formal application for the games in June 1958, Perth was able to guarantee that 1,167,000 pounds would be available for the provision of games facilities. Perhaps most important of all was the statement in the formal application that “All athletics, swimming and cycling facilities will remain for the permanent benefit of sporting associations”.
    Hope Alexander
    West Perth

    Egged off
    AUSTRALIANS are being warned about an outbreak of Salmonella enteritidis which has led to a recall of eggs.
    Symptoms include fever, headache, diarrhoea, abdominal pain, nausea and vomiting, usually about six to 72 hours after the contaminated food is eaten.
    There is a simple solution: don’t eat eggs.
    Birds exploited for their eggs are crammed together in wire cages without sufficient room even to spread one wing.
    Because the hens are packed together so tightly, these normally clean animals are forced to urinate and defecate on one another.
    The birds have part of their sensitive beaks cut off so that they won’t peck each other out of the frustration created by this unnatural confinement.
    Because the male chicks of these birds are unable to lay eggs and are not bred to produce the excessive flesh demanded by the meat industry, they are gassed to death with carbon dioxide or ground up alive immediately after hatching.
    Females follow their mothers into a short, miserable life of confinement.
    Desmond Bellamy, PETA
    Byron Bay, NSW

  • Less ham, more glam

    SALLY BURTON is a former patron of Black Swan Theatre Company, runs her own production company Onward Production, and was the last wife of Hollywood great Richard Burton. In this week’s SPEAKER’S CORNER she ponders whether the state’s premier theatre company’s new season has missed the mark and whether there’s enough old favourites to get “bums on seats”.

    OVER the past few weeks, there’s been a groundswell of criticism of Black Swan State Theatre Company from many who work in the theatre industry. 

    The object of their vocal criticism is the recently launched new season. 

    I will set out my stall by asking the obvious question – “What is a tax-funded state theatre company supposed to do?”

    First and foremost I would have thought it was supposed to offer an audience what they want to see. 

    Unfortunately this season feels as if we are being offered what the artistic director and the board of Black Swan feels we should see. 

    It is taxpayers’ money that is funding Black Swan so use it wisely and try to please your audience, not yourselves.

    Let’s look at what Aurelien Scannella has achieved at the WA Ballet.

    Crowd pleasers

    As artistic director he understands his audience. He regularly schedules the crowd pleasers. 

    This year we have had The Nutcracker and La Sylphide; classic ballets that little girls in their pink skirts and their parents love to see.

    In theatre parlance, they get bums on seats. Then you can schedule Dracula.

    Asher Fisch will be celebrating his tenth year with WASO next year.

    Mr Fisch schedules the crowd pleasers but he also introduces other work.

    Wagner is a towering composer, but not to everyone’s taste. The recent WASO performance of Wagner’s Isolde was the best performance I have seen from the orchestra during my time here.

    There are many actors living in Perth who look to Black Swan for employment. 

    Is using members of community theatre rather than professional actors a cost-cutting exercise? 

    I must point out here that amateur actors have their place and I do not use the word amateur in any derisory sense. 

    Amateur actors do what they do for the love of it. They are not paid professional actors who have trained for years.

    There is a difference and while the artistic director may like to mix it up, I think such an experiment should not be part of the remit of a taxpayer-funded state theatre company. 

    I wholly agree that a vibrant part of theatre should be experimentation. 

    The Blue Room consistently turns out wonderful new experimental work.

    Black Swan does not need to be an expensive version of The Blue Room. 

    I do believe there is a place for bringing professional actors and community actors together. 

    Some of the mystery plays would well fit into this category and where better to perform than The Quarry or Rayne Square.

    Theatre has been with us since 440BC, when Plato, Sophocles and Euripides came up with the idea of theatre to explain their theories of humanity, ethics and philosophy. 

    In the years following, Shakespeare poured out his great canon. 

    Many recognisable writers followed until we get to contemporary time.

    Why does good writing appeal and why should we see it? That’s easy, it’s because all good writing is about the human condition.

    You see a good play and it touches your soul. You see a bad one and you never want to go into a theatre again.

    This is crucial point. There’s only one chance to catch a new audience so don’t blow it.

    Neil Simon died recently. Are we going to see any of his poignant comedies in the years to come? 

    Political

    What about the work of Alan Bennett? There’s Alan Ayckbourn with his astute characterisations, and David Hare with his keen political eye.

    Are any of them going to get a look in? Or are they old hat? Arthur Miller was a supreme playwright and all his work has resonance today.

    There’s Chekhov, there’s Ibsen, there are so many wonderful writers and so many plays and why do they work?

    They work because they are brilliantly constructed and that is why audiences understand and enjoy them.

    Do not make the mistake of thinking you can’t put it on because it is old, or if you put it on you have to create a new version. Audiences do not make that distinction. They want to see and enjoy supremely good plays. 

    Simply put, the offering this season smacks of the artistic director and the board not knowing the actors and talent in this city. Above all, have they considered what the ticket-paying public want?

    I fear we are heading towards the final phase of audience alienation.

  • Choo choo chew

    IT’S Scotto to locals, not to be confused with new prime minister Scomo, who’d be lucky to be around as long as the Flying Scotsman, or even as long as it takes the chefs to whip up a great meal if our revolving-door politics continues.

    This dark old-style pub in Mt Lawley has a lively mix of punters, including out-of-towners like the D’Angers, old codgers nursing a beer as they gaze forlornly out the door, hipsters, and young bogans with lycra stretched thinly over bulging thighs.

    Two pink-faced pommy tourists, in matching white tracksuits and white runners, were tucking into a couple of steaks in the alfresco as we walked up.

    Nonplussed at being approached by strangers, they reckoned the steak was “nice”, even “good” at certain points.

    Further probing found it was also tender and cooked to medium- rare perfection; the centre blood red with a thin line of seared flesh on the edges. Yum.

    Further interrogation of random diners found the Scotto burger ($18) was “really good” and made with an in-house wagyu beef patty.

    We kicked off by sharing a wild mushroom arancini ($16), which was dense and delicious with a smoky flavour.

    Next up was a “sweet and nutty” mushroom burger ($17) for Dave.

    “Like the Beatles said, ‘Mushroom fields forever’,” joked D’Angerous as he tucked in with gusto.

    He was so impressed with the flavour and crunchiness of the mushroom’s crumbed coating he wandered over to the open kitchen to find out more.

    “They bake the mushroom first,” he reported back. “Then dust it with cornflour and herbs, then add the breadcrumbs.”

    I had the escalivada ($18): a vegetable stack that was more spread than stack.

    The tasty, oily and garlicky sauce was a great foil for the, wonderfully crunchy beans and the capsicum, potato cubes and tomato. Scotto really does fly when it comes to good pub grub.

    by JENNY D’ANGER

    The Flying Scotsman
    639 Beaufort Street, Mt Lawley

  • Disposable art
    • One of the intriguing images in Jacobus Capone’s exhibition Passage.

    TRASH is treasure for artist Susan Flavell.

    Her Hamilton Hill studio is crammed with broken crockery and a mind boggling assortment of bric-a-brac, including the bust of an oriental woman she discovered on a vacant lot in China.

    Op-shops are another rich vein of inspiration and Flavell is more than happy to accept other people’s unwanted objects, including a wedding ring from a divorced friend.

    Golden orchid

    The ring is just one of the many curios featured in her exhibition, She Who Scribes the Sorrows.

    “With love comes loss,” Flavell explains.

    Other tiny objects include a child-like doll, with a noose around its neck, and a golden orchid.

    “Sigmund Freud was the kind of man you give orchids to,” Flavell says.

    The artist is a big fan of Freud, and she centered one of her exhibitions around the pioneering psychoanalyst.

    Like Flavell, he also liked to collect curios.

    • Artist Susan Flavell with some of her curios. Photo by Jenny D’anger

    “I am interested in objects that have an agency of their own, objects that can act on others, and how a person’s collection of objects, however dense and obtuse, reflects their internal world,” she says.

    The love goddess in She Who Scribes the Sorrows is one of thirteen that will all feature in a planned mega installation.

    Also on at Turner Gallery is Nathan Beard’s Siamese Smize, which features photographs from his mother’s abandoned home in Thailand.

    In an artistic twist, the faces of family members have been overlaid with Swarovski crystal masks.

    Lia McKnight’s Everyday Sacred is an exploration of life, death, sex and magic, and the interplay between the real and the imagined.

    Jacobus Capone’s Passage is a series of paintings, prints and synchronised videos, showcasing the delicate exchange of water between a lake in Tasmania and an ice cave in the Arctic.

    The four artists are on display at Turner Galleries in Northbridge from September 14 to October 13.

    by JENNY D’ANGER

  • Classy abode

    THIS lovely character home in North Perth is pretty much close to everything, including shops, cafes and schools.

    From the leafy, quiet street you’d never know you’re a mere block away from a great pizza shop or that it’s a 10-minute walk to some terrific eateries.

    Built around 1940, there’s plenty of art deco features like ornate ceilings, chocolate-brown jarrah floors, high ceilings and deep skirting throughout.

    The spacious central kitchen has been recently renovated, and there’s a heap of drawers, white stone benchtops and a huge oven and five-burner stove top.

    A trio of funky copper lights and grey-toned tiles are a nice contrast to white cupboards and walls.

    Next door is the spacious lounge/dining room: a cosy space for a cold day.

    The three bedrooms are all double, but two are extra large.

    Sitting on 259sqm there’s not a lot of garden, which is a blessing for for those looking for an easy-care block.

    There’s a row of standard roses along the front fence and rose bushes in a raised garden bed.

    The home’s spacious verandah is a great spot to enjoy a cuppa and wave to the neighbours.

    by JENNY D’ANGER

    33 Redfern Street, North Perth
    from $705,000
    Pam Herron 0413 610 660
    Jodi Darlington 0413 610 661
    The Agency 

  • What’s New: Foodie Heaven

    A PERTH VOICE PROMOTIONAL FEATURE

    The Provedores Market is back on the first Saturday of each month leading up to Christmas: 6th October, 3rd November & 1st December 2018.

    Reminiscent of the markets in old Italy in the centre of the town piazza, The Provedores Market provides a relaxed and friendly setting where people can gather and bond over their love of Italian food, wine & culture. Set outside the Pisconeri Fine Foods & Wines warehouse on Hobart Street Mount Hawthorn, the market showcases fine imported Italian produce alongside artisan offerings from local stallholders. Begin your day with coffee & cannoli, followed by freshly shucked oysters or arancini, finishing with pasta or woodfired pizza all while enjoying an Aperol Spritz at the market’s fully licensed outdoor bar.

    Wander through the classic car display while the kids enjoy a gelato and take part in art activities. Take home grower direct fruit & veg, fresh flowers, artisan sauces & spreads plus handcrafted timber chopping boards. Explore Pisconeri’s wholesale direct store which will be open throughout the market offering wine, cheese and cured meat tastings plus some amazing specials.

    Come & spend your Saturday at this all ages, family friendly event. Everyone is welcome!

    For more info check their Facebook/Instagram pages

    The Provedores Market
    106-110 Hobart Street, Mount Hawthorn

  • Support Local: Sail away with me

    A PERTH VOICE PROMOTIONAL FEATURE

    Orbit World Travel are the cruising specialists and have been selling cruises for over 25 years. All consultants are Cruise Accredited or have attained a Masters in Cruising, with more than 15 cruises experienced between them. Whether it be sailing on small boutique cruise lines, to the five-star Crystal Cruises or Silversea, Orbit World Travel can help you plan your next cruising holiday.

    Cruising is fast becoming one of the most affordable means of holidaying, with accommodation, meals and entertainment all included for an affordable price. Visiting multiple destinations and only unpacking once are just a few of the benefits of cruising.

    “There is a cruise line for everyone and when you’re planning a cruise, there is certain criteria to look at, such as destination, size of the ship and demographics of the passengers,” said leisure specialist Teresa Mason.

    Whilst Orbit always recommends booking a balcony cabin for the best value and experience, other cabin types. They can help you secure an excellent cruise deal on a range of cruise providers, no matter your budget. Some cruises start from a little as $55 per person, per day.

    Speak to one of Orbit’s Accredited Cruise Consultants today!

    Orbit WorldTravel
    Phone 9221 2133
    100 Royal Street, East Perth
    http://www.orbitworldtravel.com.au

  • Elder blames toxic relationship for deaths

    NOONGAR elder Herbert Bropho says the dire relationship between WA police and Aboriginal people is to blame for the death of two teenagers who drowned in the Swan River on Monday.

    Just after 3pm, two policemen pursued five boys on foot after reports of them jumping fences nearby Tranby and Clarkson Roads in Maylands, with four of the teens fleeing into the river.

    Two were rescued from the riverbank but police failed to reach the other two, Trisjack Simpson and Christopher Drage, who drowned.

    The fifth boy was reported missing, but later found safe on Tuesday with relatives.

    Mr Bropho blames the WA police for the deaths.

    “As indigenous people, all our lives we’ve been running from the police,” he told the Voice.

    “Them kids would have feared the police and the first thing would have been to run.

    “You know when the police are chasing you, you’ve got to run for your life because the WA police see only the colour of our skin, it doesn’t matter where we go, we seem to be the target all the time.”

    Mr Bropho said he’d heard the police “stood and watched” the boys die.

    “If it was a white kid out there drowning [the police] would have jumped in and saved [them].”

    But WA police commissioner Chris Dawson said Tactical Response Group officers were quickly on the scene and entered the water to try rescuing the boys. Water Police weren’t far behind.

    It is unknown whether the original two policemen entered the water, and Mr Dawson wasn’t clear on the timeframe of events, saying he didn’t “have the exact facts” and “the investigation should be allowed to continue”.

    Condolences

    “My condolences and those of all police go to the family and friends of the boys at this trying time, this is nothing short of a tragedy,” he said.

    Nearby Maylands resident Donna Schultz says the boys were “just kids being kids”.

    “I live in a block of flats and white kids jump fences all the time; it’s nothing to be alarmed about.

    “They never have the police called on them and they are never chased and cornered into a river,” she said.

    Ms Schultz’s neighbour Tracey Neave said as a young girl she’d jumped the odd fence to nick a bit of fruit off a tree, so she wasn’t worried about the youngsters that come into her yard, other than to warn them about the threat of her dog.

    “My love goes to the family of that little one that drowned; that is sad and heartbreaking,” Ms Neave posted on Facebook.

    WAToday reported Trisjack’s grandfather James Spratt saying he refused to blame police.

    The deaths will be treated as deaths in police presence and the matter will go before the state coroner.

    By MOLLY SCHMIDT

    Trolls condemned

    IT’S been a rough week for Aboriginal people in Perth on social media, with this week’s events unleashing a torrent of vile commentary.

    Far from being mournful, some hoped missing boys would also turn up dead.

    “Do the crime do the time. More should be put to death deliberately not accidently [sic],” wrote one Facebook user under the fake name “Uckfay Ouyay”, though earlier posts revealed his true identity.

    Hard knocks

    “At least we will save tax dollars housing them later in life,” wrote Ben Sheiles, who proudly posts images of his young daughter.   

    “2 found one still missing will we get the trifecta?” he later posted.

    John James, whose profile boasts that he “Went to School of Hard Knocks, The University of Life,” and whose profile pictures feature a young son, wrote the boys were “Just cooling off after a crime spree.”

    In the wake of so much digital abuse, Aboriginal entertainer Phil Walleystack penned this message which he was happy for us to republish here:

    “To our Aboriginal/Nyoongar community, Please don’t let the comments on the media reports about the young fullas who’ve passed away get to you, these trolls opinions don’t mean shit! We can never change a grown adults childish thoughts about their uneducated views to our Aboriginal people, These trolls do not give a shit and don’t have a clue what’s happening in our West Australia community, They wait for media reports about anybody and anything black or white, than go fishing for a reaction to their uneducated immature self centered comments, they have no heart, no compassion and probably live a very sad lonely life, when we (Aboriginal people) see news reports about non Aboriginal people, we don’t comment about that persons race, life style or gender, Because WE, Aboriginals, have family that love us, we have a heart, we have compassion, we have respect for the dead and we have love for one another, stay strong my people and don’t let these trolls effect your heart! PWS.”

    by DAVID BELL

  • School crisis meeting

    Parents threaten walkout over falling grades

    A CRISIS meeting has been called after parents threatened to pull their kids out of North Perth Primary School over bad grades.

    Parents hit the roof after a scathing education department inquiry found the school’s youngest students were under-performing because of a raft of internal problems, including confusion over the curriculum.

    The inquiry was sparked by the school’s NAPLAN results, which have been dropping since 2014.

    Year 3 students were singled out for a “sharp decline” in 2015 which saw them fall behind in four out of five assessment areas, despite living in a top-tier socio-economic community.

    Perth Labor MP John Carey organised the meeting between parents and the department (due yesterday, Friday, September 14) after “an ongoing stream” of complaints.

    Distressed

    It was to be held in his electoral office, but has been moved to North Perth Town Hall because of the number of parents wanting answers.

    “I’ve had some parents so distressed they are now looking at sending their child to a private school or have indicated leaving the neighbourhood,” Mr Carey says.

    The Labor MP says he’s “not trying to create alarm” but hasn’t had any issues like this with other schools in the electorate.

    Parents were initially told they could only read the inquiry report in principal Karen Lockyer’s office, but after complaints she agreed to send out hard copies on request.

    One parent, who wanted to stay anonymous, says the issue “brought things to a head”.

    “This isn’t just about NAPLAN,” he says.

    “There’s been a long build up to this and the sense of frustration has been quite large for a while.

    “The report struck home with people because it confirmed what they’d thought for a long time, that there’d been some issues around the school.”

    The report found the school wasn’t communicating well with parents, leaving them unclear about what their kids were learning and unable to give them a leg-up at home.

    ”The low level performance is particularly concerning given that in general, students arriving at the school are well prepared,” it said.

    “Staff find it difficult to explain the school’s key curriculum directions or expectations regarding standards of instruction.”

    Not enough effort was made to ensure students made a seamless transition from year to year, while academically gifted children fell through the cracks.

    Petition

    The parent says a petition has been drafted in case parents were unhappy with the outcome of Friday’s meeting, but wouldn’t reveal its contents.

    “The community really needs to see some action now, and see it happen very quickly,” he said.

    “The children who are affected don’t have all the time in the world, we can’t afford a two- or three-year recovery, it needs to be instant.”

    Paul Meacock, the education department’s north metro assistant executive director, says the school has a great foundation to build on and he’s confident the inquiry “paves the way for exciting improvement and growth”.

    “The school’s leadership team and staff now have a blueprint to follow with clear strategies, and will focus on key areas including student achievement, professional development for staff, and strong relationships within the school community,” he says.

    by MOLLY SCHMIDT

  • Greylands
    • Councillor Catherine Ehrhardt and the team from MPA Skills doing a good job painting the bins…but they couldn’t use bright colours. Photo
    supplied.

    BAYSWATER councillor Catherine Ehrhardt is getting red in the face trying to get a bit of colour in the Maylands town centre.

    Cr Ehrhardt has come up against a wall of regulations demanding any structures in the centre are restricted to shades of grey with the odd splash of municipal brown.

    Having long been involved in attempts to get an Eighth Avenue renaissance going, she’d recently hoped to get a rainbow crosswalk there.

    Municipal brown

    Council staff told her their hands were tied: “Crossings are regulated by state government regulation, which dictates the dimensions and colour of crossings on public land. They are not permitted in multicolour unfortunately.”

    She wrote to her state MPs and planning minister Rita Saffioti.

    “This seems such unnecessary bureaucracy, and I would ask for consideration on changing the legislation that prevents locals from injecting some colour into their streets and to make their pedestrian crossings more noticeable,” she wrote.

    Cr Ehrhardt got a response five weeks later from Ms Saffioti’s chief of staff saying colour was verboten under “Australian Standards” to ensure safety.

    Sydney’s finally got a new rainbow crossing at Taylor Square after a five-year wait: the state government immediately bulldozed the first one painted in 2013.

    Another colourless episode happened recently when local training company MPA Skills got some placemaking funds from the council to restore tired old wooden trash bins around town.

    They did a good job sprucing them up with a new coat of paint, but a council resolution stopped them from using the colours they wanted.

    Cr Ehrhardt said the plan was “to restore the frames and paint the slats vibrant sunset colours to add a bit of pizazz to Eighth Avenue. But, bureaucracy won out and painting a colour was a big no no… I’m absolutely fed up with some of this nonsensical red tape.”

    At last week’s Bayswater council meeting, Cr Ehrhardt lodged a notice of motion suggesting councillors stop getting involved with the minutiae, and give staff delegated authority to handle “design, colour, theme and location of any further street furniture and similar infrastructure”. It’ll go to a vote at the next ordinary council meeting.

    by DAVID BELL