• • Warren McGrath wrestles with Garry Davies in a local production of Twelve Angry Men.
    • Warren McGrath wrestles with Garry Davies in a local production of Twelve Angry Men.

    FORMER Vincent deputy mayor Warren McGrath has traded in eight angry councillors for Twelve Angry Men.

    Mr McGrath, an environmental consultant who retired from council in October to spend more time with family, is using his new-found free time to star in a local production of the classic teleplay about 12 jurors who must decide the fate of a young man accused of murder (the movie starring Henry Fonda is a cinematic tour de force).

    “I wasn’t able to do a lot of [acting] when I was on council, and certainly not in the past couple of years,” Mr McGrath says.
    He reckons there’s a lot of parallels between the way jurors convince each other of arguments and the way councillors talk each other around. He admitted to “channelling a few experiences from council” during rehearsals.
    One upside of acting compared to his days in office is “once you know your lines you don’t have to read agendas before every rehearsal”.

    The troupe is currently busy learning American accents, though Mr McGrath is worried he sounds more Canadian, ay. The play runs at the Melville Theatre throughout May. Dates and bookings 9330 4565.

    by DAVID BELL

  • • Cinema Australia founder Matthew Eeles interviews Eric Bana. Photo supplied
    • Cinema Australia founder Matthew Eeles interviews Eric Bana. Photo supplied

    ‘I wanted to create an online space that supported Australian filmmakers’

    PERTH movie buff Matt Eeles has been shortlisted for two awards for his Cinema Australia website.

    Since creating the site in October Eeles has snagged interviews with Eric Bana, Greg McLean (Wolf Creek) and Robert Connolly, and established a hardcore online following.

    The site is dedicated to home-grown Australian films and features independent news, reviews and interviews.

    Eeles says he started the site as he was tired of Australian media overlooking local films and devoting so many column centimetres to Hollywood gossip.

    “I wanted to create an online space that supported Australian filmmakers,” says Eeles, who is production manager at the Perth Voice. “Meeting the filmmaker and talking movies is the most enjoyable part: I’ve had a lot of fun chatting with directors like Palme d’Or winner Warwick Thornton and Mystery Road director Ivan Sen.

    “The most memorable interview was my first with The Turning director Robert Connolly—he was so passionate about his craft.”

    Eeles concedes he was starstruck when interviewing Bana in a Perth bar: “I only had 15 minutes with him but we ended up talking about AFL for about half an hour—it was like we had known each other for years. But interestingly, it’s been the smaller films that have attracted the most attention to Cinema Australia. The biggest hits we get come from films like Zoe.Misplaced, Burns Point and Perth film The Burning Kiss—most of them don’t even have a distributor yet.”

    The Cinema Australia logo was created by Perth Voice cartoonist Jason Chatfield (who also draws the internationally syndicated Ginger Meggs), who incidentally has just landed a spot on Will Ferrell’s internet comedy channel Funny or Die.

    http://www.cinemaaustralia.com.au was nominated by the Australian Writers’ Centre.

    by STEPHEN POLLOCK

  • 12. 827LETTERSBoulevard of Missed Opportunities
    YOUR article on the Beaufort Street “revival” (Voice, April 12, 2014) only told part of the story, naively stressing the positives without highlighting the missed opportunities.
    The development will be a vast improvement to the area and deserves some support however there could have been a better outcome for the community. Ultimately it was a case of flawed planning advice, poor consultation, inconsistent application of council policy, and an inexperienced council not standing up to a developer in order to get a better outcome.
    The article said 75 letters had been sent out, implying the consultation was far and wide. In reality most letters went to a single large development at the corner of Chelmsford Road and Beaufort Street—a building that theoretically provides enough parking for its inhabitants and therefore will not be exposed to excessive parking pressure from the proposed development.
    Only two of the 75 letters were delivered to other residents in Chelmsford and Grosvenor Roads.
    The report from the planners contained simple technical errors in the calculation of cash-in-lieu which were not detected prior to the meeting. As well as making these embarrassing errors the staff claimed the parking shortfall, which they’d calculated at being about 29 bays, would not have any undue impact on the locality.
    They then suggested the cash-in-lieu should be halved because the development, which contains three cafes, a small bar, a take-away food shop and three shops, is close to public transport. They completely forgot they had already given a 20 per cent parking discount because of proximity to public transport as per the city’s parking policy.
    In the end the council decided not to give the suggested 50 per cent discount but did give a $30,000 discount. I wonder if Clarences, El Publico, Five Bar, etc will ask for some of their cash-in-lieu back in the name of a level playing field.
    A way of reducing the parking impact is to change the mix of businesses to include more low-demand uses. At the council meeting Mayor John Carey said that when he’d first met the developers he’d asked them to change the mix so there was more retail, and less food and alcohol. He was spot on in his assessment.
    But what he failed to recognise was that with such a large parking shortfall the council had the upper hand and could have suggested it was unlikely to win approval unless the mix was changed.
    Beg
    A councillor is quoted as saying that normally councils would have to beg to get a laneway created, as if the laneway was some form of altruistic gift from the developer to the community.  The laneway, or “alfresco zone” as it is described on the plans, is there to increase business frontages and to provide extra alfresco dining, a use that does not attract a further parking requirement. While it will be an improvement for the area it was included to improve the developer’s return and was unlikely to be scrapped if changes to the mix were requested.
    Mayor Carey is quoted as gushing about three retail shops, yet if you look at the plans that staff based their calculations on you will see the amount of retail space in the new development is one-third of what was there before. Hardly a great win.
    The issue of business mix is complex and the complaint I’ve heard from businesses, surrounding residents and council members is there is too much food and alcohol and not enough of a mix along Beaufort Street.
    Every new café just provides more competition to the existing cafes rather than being something that attracts new people.
    Something needs to be done.
    Occasionally, council has a very strong hand which it can use to influence the mix of businesses. The Beaufort Street development was such an occasion. Unfortunately the council was too easily bluffed. All that was required was a slightly tougher attitude and a better poker face.
    Dudley Maier
    Chatsworth Rd, Highgate
    The Ed says: Mr Maier is a former veteran Vincent councillor who retired in October.

    Our beautiful big Mac
    SPACE, please, for homage to our national dictionary, the Macquarie.
    Our state education system stubbornly refuses to make the changes necessary to achieve the standards of literacy and numeracy we need for a satisfying future. It prompts my homage.
    The Mac, it should be stressed, is as much encyclopaedia as dictionary.
    Rarely do I open my concise (fifth edition) Mac without being sidetracked from my immediate inquiry.
    Waka Waka snags my eye. The WACA is, of course, a household expression in Perth, but what of Waka Waka?  Strange but true: in fact, an Aboriginal people of an area around the upper Brisbane and Burnett rivers in south-eastern Queensland.
    And there’s the Mammoth Cave I’ve never before heard of; a limestone cave nothing to do with mammoths, more indicative of its size, and near our Margaret River.
    Without a Mac in homes, schools, colleges and media newsrooms we seriously deprive ourselves.
    Times are when I forget completely the query that prompts my delving. Guess that’s to do with aging.
    More important in such delving is not only our paying  homage to the Mac—first published by Kevin Weldon in 1982—but also fulfilling its purpose.
    Why Mac? Do your own delving. So much more enjoyable, relaxing and liberating than resort to electronic spellers.
    Bill Proude
    First Ave, Mt Lawley

  • 13. 827FOODKANGAROO meat has never really come into nor gone out of fashion.

    Considering its versatility, low fat content and affordable price—around $9 for two fillets—it’s surprising the indigenous and plentiful protein isn’t an Aussie staple. Roo fillet is one of my favourite cuts of red meat although I avoid cooking it myself as it’s a delicate little thing. Because of Skippy’s low fat content fillets must be cooked medium-rare or less to holds the moisture. Cook it any longer and you may as well nail it to the bottom of your Blunnies.

    A fine example of kangaroo cooked well can be found at Little Creatures. You’ll find it on the Big Share menu along with chilli beef nachos, prawn skewers, mussels and free-range chicken.

    The kangaroo skewers are way over-priced at five for $22 but they’re beautifully seasoned, tender and juicy. If you’ve never eaten roo before Little Creatures’ is a great place to start.

    To accompany our starter, Kylie and I agreed on grilled haloumi from the little share menu. Another mouthwatering dish. Salty, brined cheese was made even more delicious with a generous squirt of lemon juice which boosted the flavour of herbs sprinkled on top. The haloumi also had a beautiful, caramelised crunch to it.

    It took Kylie and I half a pint of pale ale each to decide on our mains. We wanted to share but couldn’t choose between the steak sarnie with beetroot relish ($22) or the red oak salad ($12).

    The healthier sounding option won out. The generous heap was chock full of vibrant red oak, fresh crunchy radish, crispy fried bacon, tasty cheddar, grated egg and drizzled with a caesar-like dressing. Topping it all off were deep-fried croutons that had Kylie and I fork-fighting over the last one. With the bacon, cheese and dressing we’re not sure how much healthier it was than the sarnie, but it tasted fantastic.

    You can’t go to Little Creatures without ordering a serving of frites ($9.50). I don’t know why they’re called frites and not chips considering nothing else on the menu is given a French spin but they’re golden, always crunchy, well seasoned and highly addictive slivers of potato.

    I’m yet to go to Little Creatures in the late afternoon but could imagine it would be just as packed as it is at lunch time. Tucked in next to a boatlifters and feeling like it’s still part of a working port, it’s a special place in Fremantle that can be enjoyed for so many reasons: a cold pint, a glass of wine, friendly atmosphere and stunning views. If you’re as lucky as we’ve been on previous occasions you might even catch sight of a dolphin or two.

    Little Creatures
    40 Mews Road, Fremantle
    Phone 9430 5555
    http://www.littlecreatures.com.au

  • 14. 827ARTSGUNS and knives collected by WA police have been transformed into “positive” works of art by Perth artists.

    Each week WA police destroy more than 100 weapons and artist Stuart Elliott thought they could be put to better use.

    Following negotiations with WA Police, 30 Perth artists got their hands on weapons confiscated by coppers while on patrol and surrendered during last year’s firearms amnesty.

    The resultant weapon-art will be displayed in the exhibition Of Spears and Pruning Hooks at ECU Mt Lawley.

    ECU art curator Sue Stracken says 40 per cent of sales from the exhibition will go to the charity Bright Blue, which funds research to find a cure for childhood cancer.

    “The title, Of Spears and Pruning Hooks, draws from Isaiah 2.4, King James Bible which advocates goodwill via the conversion of ‘swords into ploughshares and spears into pruning hooks’,” she says.

    “The conceptual premise is the transformation of potential malevolence to certain benevolence and in the context of this exhibition, it is the altruistic conversion of gun and knife parts to art and charity.

    “Some of the interpretations for artworks have a deep-seated sense of irony—for example, Peter Knight produced a ‘trophy’ of a wall-mounted deer constructed of gun parts.”

    Artist Bruce Slatter says his work Trigger Happy; Grime Stoppers is a reflection on society.

    “It uses confiscated and redundant rifle butts to draw parallels between the measure and use of force and aggression in two quite differing spaces, that of the domestic space and the criminal underworld.”

    The biennial exhibition is at the Spectrum Project Space, ECU Mt Lawley, from May 2 to May 16.

    by STEPHEN POLLOCK

     

  • 15. 827HOMEI LIKE the way Maylands’ streets are numbered—it’s so easy to find your way around.

    Having just crossed Eighth Avenue I knew I’d missed Seventh so it was easy to turn around and back-track to find this lovely old home

    Late federation meets early art deco in this grand old dame where a stunning kookaburra-theme stained glass front door welcomes visitors.

    And gorgeous, double early deco lead-light doors lead off the expansive hall into a formal lounge.

    The purple colour-scheme of this commodious space may not be everyone’s cup of tea but it’s only paint: the highly ornate ceiling is as magnificent, and the timber fireplace is lovely.

    Double sash windows look out onto the garden, and brightly coloured parrots are frozen in time in the stained glass door leading to the wrap-around verandah.

    An ‘80s extension, with a beamed skillion roof-line, is looking a little dated, but it wouldn’t take much to bring it up to scratch.

    Smarten up the slate floor and put in some bifold doors onto the garden and you’re almost there.

    The spacious kitchen is also tired, but the bones are there for a modernising make-over with a lovely golden timber ceiling and warm, raw-brick walls. An island bench and a refit of the old timber cupboards and Bob’s your uncle.

    The massive 1012sqm block almost dwarfs the spacious, three-bedroom home so there’s plenty of scope for a stunning garden, maybe even a pool. What a difference it’d make for the relatively modest investment.

    Mature trees, including a soaring gum, make turning this place into a showpiece as easy as falling off a log, and a huge old lilac has the remains of a tree house I would have loved as a kid.

    The old brick garage has been converted into a studio and is ideal for a teenage pad or artist’s retreat. There’s no bathroom there but it would be easy to put one in.

    The Eighth Ave cafe/shopping strip is just up the road and the delightful Maylands river foreshore a short drive away.

    Or, head to nearby Guildford Road and you’re in the city in next to no time.

    22 Seventh Avenue, Maylands
    EOI
    Paul Owen 0411 601 420
    Acton Mt Lawley 9272 2488

  • • Abdul Abdullah’s lightbox installation at William Street’s Moon Cafe. Photo supplied | by Bewley Shaylor
    • Abdul Abdullah’s lightbox installation at William Street’s Moon Cafe. Photo supplied | by Bewley Shaylor

    INTERNATIONAL artists have come together to create the exhibition Dear William, a dedication to William Street.

    Stemming from a Vincent council project to showcase the street’s history and culture, artists visiting Perth for Form’s public art festival put their interpretations of the street on show.

    The street is steeped in culture, housing the Perth mosque, the Vietnamese Buddhist temple, the Aboriginal Advancement council, the Socialist Alliance HQ, and the gay and lesbian Freedom Centre.

    Artist Abdul-Rahman Abdullah projected a moon onto the side of the mosque: the moon being significant to Islam, but also associated with the virgin Mary in Christianity, and he uses it to show the way many different cultures live side by side on the street.

    His brother Abdul Abdullah, who worked at the old Domino’s Pizza on William Street, displayed a self-portrait where he wears a mask from the Planet of the Apes in the Moon Cafe (several other businesses refused to show it). The work parodies the stereotypes Australians hold about Muslim culture.

    Chinese roots

    Casey Ayres tapped into the street’s deep Chinese roots, teaming up with the community centre lion dance troupe, getting it to silently creep around the streets, following pedestrians and vexing people as he shot the video.

    Meanwhile, the final stages of Nigel Bennet’s work (“William, yes, you are really something,” Perth Voice, March 15, 2014) are now housed at a pop-up studio at 248 Newcastle Street. He’ll be there each afternoon and wants locals to bring him objects from the area to photograph, adding their memories and images to a giant map of the precinct.

    The artworks are up around William Street until April 21, see the locations at http://www.form.net.au

    by DAVID BELL

  • Western Power slugs locals with $419 fee

    WESTERN POWER is threatening to charge residents who fail to trim their own trees “a minimum of $419” to do it for them.

    One Voice reader describes the threat as “absolute extortion”.

    He’d received a note in the mail warning him to trim his trees within 30 days or Western Power’s contractors would do it for “a minimum of $419”.

    “If it’s a 10-minute job is it still going to be $419?” he asked, gob-smacked. “I reckon if you got a pruner into do that job, he’d charge you $100.”

    The reader ended up tying a pole to a handsaw and lopping off a few branches himself in a few minutes.

    Jon Dodd from Arborcomm tree management solutions says “it’s a complete bloody rort”.

    “Their prices are always going to be two or three times what a normal contractor would charge.”

    He says there’s a conflict of interest because the contractor who inspects the trees and warns residents is the same company that picks up the work down the line.

    Mr Dodd says he’s seen Western Power’s contractors nominate trees for compulsory pruning that don’t need work and aren’t going to grow any bigger.

    “It’s a complete rort, I’m constantly telling people to ring up their local member.”

    Western Power’s head of field operations Brad Lacey says the number was arrived at after consultation with the WA Tree Guild. He says the fee includes three site inspections, cutting, chipping and debris removal, administrative costs and, where necessary, a cherry-picker.

    “About 95 per cent of our customers follow advice from Western Power and remove vegetation from their property that could cause damage to powerlines and the remaining customers who do not follow our advice are invoiced for pruning services.”

    by DAVID BELL

  • • Ian Holthouse and Richard Williams at Anzac cottage. Photo by Matthew Dwyer
    • Ian Holthouse and Richard Williams at Anzac cottage. Photo by Matthew Dwyer

    A SUNSET service will be held at the Anzac cottage in Mt Hawthorn to honour fallen soldiers.

    The cottage was originally built as a memorial to those who died at the landing at Gallipoli on April 25, 1915, but now serves as a salient reminder of soldiers who also died in subsequent conflicts.

    On February 12, 1916, 4000 turned out to witness 200 workers construct the Mt Hawthorn cottage in one day.

    At the time, no soldier had been selected to live there: Private John Porter was the lucky one.

    “He was wounded on the 25th of April, 1915 and he was in the 11th battalion, one of the first groups of soldiers to hit the beaches in the first wave,” says local historian Valerie Everett, a member of the Friends of Anzac Cottage.

    Twelve months later Porter was back in Perth, living in the cottage.

    Marjorie Williams, Porter’s daughter, was born in the cottage 93 years ago and is still going strong.

    Her own daughter Anne Chapple, a Friends member, helped organise the sunset service.

    The cottage was handed over to the Vietnam veterans in the early 1990s and through voluntary work and fundraising they have painstakingly restored it to its former glory.

    Richard Williams, WA president of the Vietnam Veterans Association, served in Vietnam from 1970-1, when he was 21.

    He says the friendships and bonds formed in the paddy fields and steaming jungles were unique.

    “It’s strange, but even if you didn’t know someone personally from back then, you still have this amazing bond because you both went through the same common experiences,” says the 64-year-old. “I was a mechanical fitter and helped clear minefields in Vietnam.

    “Before going out we spent three months training in the Queensland jungle.”

    Williams estimates there are around 3250 Vietnam veterans in WA and around 200 VVA members. Around 500 Australian servicemen—50 of whom from WA—died in the 1962-75 conflict.

    The cottage will be open from 3–6pm on April 25. Prior to the 5.15pm service there will be talks about the history of the cottage, a wreath-making workshop and afternoon tea.

    by STEPHEN POLLOCK

  • THE man who gashed his arm open on one of Beaufort Street’s near-invisible bladed bike racks has been denied compensation.

    Vincent council’s insurer LGIS knocked back Russell Merriman’s claim saying the council wasn’t liable and the onus is on pedestrians to watch where they’re going.

    But after reading the article in the Perth Voice where the council conceded the racks required removal, Mr Merriman says the insurer’s claims have been completely undermined by the council’s report.

    In denying Mr Merriman’s claim LGIS said “the rack itself and its installation complies with all relevant Australian standards”.

    But that’s not true according to the council report, which says it only meets those standards when placed in visible clusters or against a wall “where there is less foot traffic”.

    The insurer also claimed there’d “been no other reports of incidents or accidents on this rack or any others that have been installed along Beaufort Street”.

    However Mr Merriman points out the council’s report refers to “numerous complaints” about the racks. The Voice has heard locals refer to the racks as “the nutcrackers,” and cyclists on online forums have taken aim at the sharp-edged designs.

    Mr Merriman first lodged a claim for $480.

    “It’s not like I wanted the money, I just wanted to make it safe for society,” he says.

    He eventually upped his claim to $10,000 after realising the extent of the scarring (and meeting with the insurer’s brusque investigator).

    The claim was denied outright the first time around. When Mr Merriman read the Voice article he wrote to LGIS again, with the story attached, pointing out the inconsistencies in its argument.

    LGIS still denied liability, but this time offered to “consider a refund of your out-of-pocket medical expenses”.

    But Mr Merriman’s fed up with dealing with the company. For now he’s just happy the blade racks have been removed.

    Vincent’s acting CEO Mike Rootsey referred our queries regarding the inconsistencies to LGIS, but no-one called us back.

    by DAVID BELL