• • Roger Tomlins is happy to see the tavern redeveloped—but not with a bottleshop. Photo by Jeremy Dixon
    • Roger Tomlins is happy to see the tavern redeveloped—but not with a bottleshop. Photo by Jeremy Dixon

    Unelected DAP has final say

    THE Maylands Ratepayers’ and Residents’ Association has voted to oppose the $3.5 million expansion of the liquor store at the Peninsula Tavern.

    The application for the Railway Parade pub and bottleshop includes a 743sqm Dan Murphy’s outlet, courtyards and family-style bistro, 123 car bays and two-storey offices above the liquor store.

    The MRRA will present its opposition to the bottleshop element at the next meeting of the Bayswater Development Assessment Panel—an unelected body appointed by the Barnett government to decide major planning issues. The local elected council has no say in the decision.

    MRRA president Roger Tomlins says he supports development of the site with ideally a family tavern, but without the Woolworths-owned liquor store.

    “We have enough problems with anti-social behaviour fuelled by drinking in the area,” he says.

    Last year unelected planning authorities overrode council objections and approved a Coles Liquorland on Guildford Road. That ultimately fell over when the WA liquor commission refused to grant a liquor licence on the grounds the 1250sqm outlet might harm “at-risk” people by providing access to plentiful cheap booze.

    Maylands is home to community-based services that support people with alcohol-related issues, including 55 Central, Bulup Kulung Hostel, Derbal Didjar Hostel and Shopfront. Council staff fear Woolworths’ plans for the hotel pose a similar risk, despite being half the size.

    Bayswater council staff have already recommended rejection of Woolworths’ makeover of the Peninsula Tavern in Maylands.

    Council staff say the proposal affects amenity and doesn’t comply with the town planning scheme.

    by STEPHEN POLLOCK

  • 09. 778NEWSA CREW of mysterious ninja grannies has been yarn-bombing Mt Hawthorn.

    For the past few months trees along The Boulevarde, between Scarborough Beach Road and Ashby Street, have been festooned with colourful wool.

    Lisa, who describes herself as a “non-knitting resident”, says locals don’t know who’s responsible for the woolly crop circles.

    “We don’t know who they are but there is a rumour that it is six ladies who get together to knit on Tuesday nights,” she confides.

    “They turn into ‘midnight raiders’ and have been yarn-bombing the trees in our street over the past few months.”

    “The colours are amazing and we’ve noticed that it is something people love to talk about when they walk by the street—we’ve heard many of the parents and kids at Mt Hawthron primary are also talking about it.”

    by STEPHEN POLLOCK

  • • Ian MacTavish, keeping things running behind the scenes. Photo by Jeremy Dixon
    • Ian MacTavish, keeping things running behind the scenes. Photo by Jeremy Dixon

    AS one of the first employees taken on when Scitech opened, Ian MacTavish celebrates 25 years at the science museum.

    The Leeming man joined the maintenance team as part of a skeleton crew a few months before Scitech opened its doors.

    In his years there he’s seen a few unusual incidents and been involved in some massive maintenance projects, including the night the giant test tank sprang a leak. 

    “One section of the tank ruptured because of the heating and cooling and the water flooded out covering a quarter of Scitech,” he says.

    “The clean up job was basically one week, so it was all hands on deck and exhibits were taken off that area and sealed off and all the carpeting that was on the floor at the time was lifted. That was the end of the test tank—I didn’t want that to happen again!”

    After overseeing thousands of exhibits through the workshop, Mr MacTavish says a fair bit of his work comes when kids start interacting with experiments in unusual ways: Most recently they’ve taken to dropping magnetic trains down water pipes (where they attach to metal joints around the u-bend and get stuck. Theory of magnetism: Proved). 

    His skills at Scitech have been in demand around the world and he’s been called into work on science exhibits in Paris, Dubai and Jeddah.

    Before signing on to work at the museum Mr MacTavish says he’d used to change jobs every seven years.

    “I did not expect to be here for the long haul, but Scitech sucked me in!”

    by DAVID BELL

  • • Adam Brockway and Naya Chorale a cappella—just returned from Carnegie Hall. Photo supplied | Jeremy de Vries-Turnell
    • Adam Brockway and Naya Chorale a cappella—just returned from Carnegie Hall. Photo supplied | Jeremy de Vries-Turnell

    PERTH choir Naya Chorale is back from performing at Carnegie Hall.

    The newly formed a cappella group of 50 singers had been invited to the prestigious New York venue by the Distinguished Concerts International New York which scours the world for choirs worthy of performing there.

    Naya Chorale hadn’t even staged its first performance when catching the notice of the DCINY. It was invited to New York on the strength of a rehearsal posted to Youtube.

    Eighteen-year-old chorister Fletcher Cox from Coolbinia met musical hero Eric Whitacre, a composer with about a dozen awards under his belt including a Grammy.

    “It was really quite nerve-wracking because not only did I perform in the concert but there were a couple of soloist places,” Mr Cox says.

    “You had to audition in front of him and the choir, and I was lucky enough to be chosen by him for a solo passage in one of his large choir pieces, Hallelujah.

    “To sing in front of him, it was really exhilarating and hard to wrap my head around. I was very nervous but I think he liked it.”

    Director Adam Brockway says the troupe had been astounded to receive an invite so early in its existence.

    He described walking out on stage at Carnegie as, “wonderment at the thought of the other musicians that have trodden those floors before you”.

    Mr Cox, who studies trumpet at UWA, signed up to Naya Chorale after graduating from Perth Modern school and having missed being part of a singing group.

    “It was as though I was leaving a gap, so I figured it would be a good idea to fill it with something.”

    He says the group’s second season is, “looking really amazing, we’ve got a huge variety of pieces that we’re performing, and it’s just sounding fantastic”.

    “Every audience member is going to get a kick out of it, I think.”

    Naya Chorale performs June 7 and 8 at Perth Modern School. Book via the website nayachorale.com/concerts

    by DAVID BELL

  • AFTER plans to move into a Murray Street premises fell through the WA Club is now eyeing up the Old Perth Boys School as a new HQ.

    The 117-year-old club is moving from its St Georges Terrace home—despite having only moved there in 1995—so it can increase membership from 1300 to 1500 to remain financially viable.

    The club had planned to move into 58 Murray Street (the former HQ of chief protector of Aborigines AO Neville, who’d run the government’s child-stealing program) but a fundraising drive amongst members raised only 60 per cent of fit out costs so it didn’t proceed.

    Club president Patrick Canion says a move into the old school on St Georges Terrace is now on the cards.

    The school is in the hands of the National Trust, which didn’t renew Reveleys cafe’s lease in October 2010. It’s been empty since and, after a refurbishment, the Trust is looking for new tenants.

    “We have been in discussions with the National Trust about potentially moving permanently into the Old Perth Boys’ School but it depends on them getting funding to finish the building works required and then us agreeing to a lease,” Mr Canion says.

    “There is plenty of goodwill on both sides for this to happen but still a bit of water to go under the bridge before an agreement is reached.

    “It was very disappointing that Murray Street didn’t work out but that’s the way the cookie crumbles.”

    by DAVID BELL

  • 13. 778LETTERSToo loud for my eyes
    IT is well-known that in a noisy chattering world silence becomes a golden sound, a blessing, a relief, and very likely the same sort of contrast applies to our visual world.
    Hence, on the matter of the Beaufort Street murals the question is; should the public have to cope with more visual pollution, given we are already snowed under with business graffiti appearing everywhere, even on our buses?
    Let’s face it, the art lovers who fancy these highly imaginative, fantasist and very colourful murals are a small minority. Having had a look at them, many of these works certainly deserve a place in art exhibitions and galleries, but in our city streets they are a tad overpowering to confront everyday.
    It would be far more relaxing to look at well-rendered, pastel-coloured walls, (note: most murals do not cover all the neglected brick walls). Alternatively, as most city and suburban dwellers are nowadays totally cut off from the soothing effects of natural landscapes, murals showing waterfalls, flowing rivers, green hills, etc, would be more appropriate, particularly for children.
    We already have laws to protect the public from loud overpowering music, it is about time to enact some to protect us from excessive visual pollution.
    Finally, what’s the point of having murals when most people today walk around with their eyes glued to their smartphone?
    Frank Schenk
    McDonald St, Osborne Park

    Carey committed
    I WAS surprised to read Naomi Clark’s rather personal attack on Cr John Carey in the Voice (April 27, 2013).
    As a local resident who also has business interests in the area I see John Carey’s “self-promotion” as someone who has an opinion and someone who cares enough about that opinion to present it and encourage debate and discussion.
    Hopefully, the dialogue it prompts helps facilitate action and change where required.
    Cr Carey is indeed passionate about the area and is quite vocal about his views but is this necessarily a bad thing? I would think not. He works fairly tirelessly in the vicinity in many different areas—art, festival, security, traffic, place-making, and from where I sit there is definitely “movement in the station”.
    Sure, not everything goes to plan with budget blowouts, etc, and sure, not everyone agrees with everything that is put in place but I also understand some of the art and street furniture projects are yet to be completely finalised. The process, whilst lengthy, might allay some of these criticisms when completed.
    I’m pleased to see at least Cr Carey (and Vincent) is staying committed and open to that ongoing movement and the vicinity isn’t stagnant and remains an exciting place to be!
    E MacLeod
    Highgate

    Applaud all
    WHAT a morale booster for sorely-tried and put about Mt Lawley parents, teachers and many others involved in education (“School rises from the ashes,” Voice, May 4, 2013).
    There are reported to be “no problems” with the state rebuilding plans for a $10.8 million “new” primary school.
    Coming after the recent federal claptrap about plans to improve funding for primary schools at the expense of universities, this local news could hardly have been better timed.
    Voiceland applause, please, for all involved in facing the challenges and getting on with life.
    Otto Mustard
    Second Ave, Mt Lawley

    Going postal
    I CANNOT believe Bayswater city council’s elected members could continue to argue about the merits of in-person voting over postal voting in local government elections, as they did at their council meeting of April 23.
    It is a proven fact postal voting means a larger number of people vote, thus enhancing the democratic process. Bayswater went from a 3.3 per cent in-person turnout to over 30 per cent with postal voting. Non-compulsory voting will always have a smaller turnout for in-person than for postal because people are just too busy these days, particularly at the weekends when this voting occurs.
    It is also a fact that in-person voting makes it much easier for serving councillors to retain their seats as fewer people vote. Serving councillors with a relatively small but sufficient “safe” vote can then become re-elected quite easily at less personal expense to themselves.
    Their expressed preference for in-person voting was based on the shaky premise that postal voting is ripe for political party interference in the process. This was expressed with no facts to back it up at all, just the words of the speaker at the time.
    In my 17 years of involvement with ratepayers I have never seen nor even heard of any political interference in local government elections. The only interference I have experienced has been either from council staff or from serving councillors, with resulting CCC involvement.
    Bayswater also ignored the fact there have been numerous cases of stuff-ups with in-person voting.
    Finally, their own survey of 400 voters that showed a 61 per cent preference for postal voting was dismissed as being “too small a sample to be meaningful”.  This was their own survey!
    Tony Green
    Belfast St, Morley

  • GORDON STRRET GARAGE, West Perth

    by JENNY D’ANGER:

    If this eatery was any cooler the polar caps wouldn’t be in danger of melting.

    “Gordon St Garage fan-bloody-tastic,” I un-coolly text—not tweet—to the colleague who’d put me onto this cafe in a small side street.

    Created from the bones of the old Kings Park auto garage this joint is so industrial chic I found myself looking for oil stains on the grunge-polished concrete floors.

    I didn’t find any of course, you don’t get this urban decayed look without a lot of work (and money), no matter how casual and relaxed it feels. That’s the genius of it.

    A sea of uber-trendy under-35s washed through the cavernous space, many leaving with boxes of cakes under their arm, during the two hours my dining companion and I dawdled over lunch.

    The owners of Little Creatures, Duende and Il Lido are behind this eatery so I knew it had to be good: Anyone familiar with the (still fantastic) Little Creatures will feel right at home here.

    But the food is all its own: Soba noodles, sesame swordfish, snow peas, ginger and soy ($20) was my excellent choice.

    The fish was superb, moist and flavoursome without being overpowering, and the Japanese soy sauce and daintily shaved pickled-ginger slices made the noodles the perfect accompaniment, gloriously piquant and salty.

    Pat ordered the chilli, salted calamari ($18), checking first on the level of chilli and reassured by the friendly and efficient waiter she wouldn’t have her head blown off.

    It was pleasantly spicy and tender and the peanut and cucumber salad with palm sugar vinaigrette went down a treat.

    A plentitude of cakes nearby had been tempting us from the sidelines, then I discovered there was a whole other cabinet that was a rainbow of outrageously coloured mousse cakes.

    I ordered the raspberry and pistachio, an ultra-thin crust of hot pink over a purple filling.

    At ten bucks it was pure indulgence, but “oh my God” was it worth it.

    Sharp and sweet, with a crunchy nutty base the flavours just kept on coming.

    Pat’s lemon drizzle cake ($4.50) was good value, a huge slab of cake, oozing with a sharp lemon syrup.

    Gordon Street has its own coffee roaster, a huge industrial oven in full view just about anywhere in the eatery, where its own blend is produced, and we agreed the result is some of the best coffee we’d ever had.

    Fantastic ambience, great food and terrific service, Gordon Street Garage has it all.

    And if that was not enough it’s fully licensed too. What a find.

    by JENNY D’ANGER

    Gordon Street Garage
    16 Gordon St, West Perth
    Phone 9322 8050
    open 7 days 7am to late 

    SEE A SAMPLE MENU HERE

  • 15. 778ARTSRobots can build cars, fly planes and even beat Garry Kasparov at chess—but when it comes to emotions and art they fail miserably. Or do they?

    WAAPA playwright Travis Cotton examines the relationship between Shakespeare and the silicon chip in his debut play Robots Vs Arts.

    In his dystopian future, robots have taken over the planet and vaporised most of the human race.

    A small group of survivors—including Giles (Damon Lockwood), a former theatre director—has been kept alive to work the mines, extracting minerals that power the automatons.

    Giles is eventually summoned to help the robots create their first ever piece of art—a play.

    The bots think what they have is great but it is emotionally still-born—so can Giles teach them how to feel? And if he does, what then?

    Perth actor Sean Walsh is Master Bot, the play’s producer, a mildly sadistic android.

    “During the first rehearsal I tried the traditional robot voice, but it sounded cheesy and farcical,” he laughs.

    “I wanted to stay clear of doing an Arnie in Terminator so I ended up doing a cold, sterile voice which I think is subconsciously based on Rutger Hauer in Blade Runner.”

    Other robots oiling the stage include a German Integrator bot (Renee Newman-Storen) and a soldier bot/claw bot (Ben Mortley).

    Walsh says the play, just over an hour long, has A Clockwork Orange-style sets—luminous white walls mingle with data tapes and 1970s technology.

    Adding to the atmosphere are spacy sound effects and grainy propaganda footage, echoing George Orwell’s 1984.

    Despite a varied 25-year career in WA theatre and TV (The Tempest, Taking Liberty, Cloud Street), Walsh found playing a robot challenging.

    “It was actually quite difficult to avoid sinking into cliche,” he says.

    “There have been so many famous androids and robots characters over the years, from HAL in 2001 to Data in Star Trek.

    “I guess my version was an amalgam of all those famous characters, with a little bit of WA in there as well.”

    Walsh, 39, grew up in Karratha before moving to Perth.

    His career took off when he portrayed Alan Bond in Perth Theatre Company’s Taking Liberty.

    Outside of his theatre work Walsh is one of Perth’s premier voice-over artists, adding his creamy tones to adverts for Powerball, Westnet, TAB and Ikea.

    Robots Vs Art is directed by Philip Miolin and was nominated by The Age as one of the best plays of 2012.

    “Computers and robots are now part of our daily life; but will they always just be utilitarian and soulless—a means to an end?” Walsh says.

    Robots Vs Art is showing at The Blue Room Theatre, Northbridge from May 14 to June 1.

    by STEPHEN POLLOCK

  • I swear Snow White peeked out of an upstairs bedroom as I walked up the brick path of the formal garden of this Dundas Road home.

    And did I glimpse Bashful or Happy through a front window, scurrying to put more wood on the fire in the delightful formal lounge room?

    Such is the magic of this three-bedroom/two-bathroom abode it didn’t seem fanciful to imagine the seven dwarfs marching up the path to the lovely, covered portico with its red-brick quoins, before shedding their boots in the spacious entry hall and heading into the formal dining room for dinner.

    This home is pure Disney delight, even the cute kitchen with its mix of original and newish timber cupboards and an enormous walk-in-pantry.

    Next to the original timber side-door you’ll find a hatch where once the milkman and baker left their wares in the days home delivery were routine.

    A servery over the sink looks into the family room, a not-too-recent addition, with doors to a good-sized courtyard garden.

    I could tell at a glance neither the dwarfs nor Snow White were into gardening, but it wouldn’t take much to whip this space into a private oasis.

    The well-warmed formal lounge is big enough for all eight to recline at their leisure.

    And in summer no doubt the French doors would be thrown wide, as they spill out onto a verandah looking into sprawling Macauley Park, just across the road.

    Girlish imagination ran riot as I climbed the jarrah stairs to the bedrooms, where nothing disappointed, from the many angled ceilings, huge windows and jarrah floors, to a small door, almost concealed in the wall, leading to an under-eaves cupboard.

    The main bedroom has a cute little nook under a window, perfect for Snow White to catch up on her reading while the dwarfs are FIFO.

    The home was built by renowned architect Stuart Henry Bedford in 1935, for his brother.

    A number of Bedford’s other homes, most notably in Claremont and Cottesloe, have been heritage-listed and I couldn’t help but think this landmark deserves the same.

    And the location is fabulous, close to schools, a university and golf course, while the delights of the Inglewood cafe/shopping strip can be found at the bottom of the street.

    by JENNY D’ANGER

    86 Dundas Road, Inglewood
    $899,000
    Donna Buckovska | 0419 928 467
    Beaufort Realty | 9227 0887

  • 01. 777NEWS 1 THE $10.8 million rebuild of the burnt-down Mt Lawley primary school won the tick of approval from the local development assessment panel on Monday afternoon.

    The 100-year-old school was destroyed last July by two teenage arsonists later sentenced to eight months’ gaol.

    The WA finance department’s plans will replace the fire-damaged buildings with a covered assembly block, two-storey library and teaching block, three outdoor learning areas, new courts, and reconstruction of most of the historic Second Avenue facade.

    The DAP report notes Stirling city council was, “not supportive of the proposal and has provided a recommendation for a re-design”.

    The majority of the five-member DAP panel is appointed, not elected. It has the power to approve developments regardless of opposition from elected councils.

    DAP chair Paul Dreschler says all DAP members, including its two elected representatives, Crs Rod Willox and Giovanni Italiano from Stirling council, supported the application.

    “The overall view was that it was a fairly elegant response, a good response for the redevelopment after the fire, so really there were no problems,” Mr Dreschler says.

    by DAVID BELL

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