• Making her mark
    Artist Susan Respinger at work on Bulwer Plaza, May 2022.

    THIS week’s tale from the City of Vincent Local History Centre looks at Bulwer Plaza, where an artist’s delve into the plaza’s past led to deeper exploration into the area’s far older history and connections.

    BUILT in 1923, the buildings on the corner of Bulwer and Lake streets, Bulwer Plaza, with their distinctive architectural Anglo Dutch style fades, have long been a local landmark. 

    Over the years, the shops have hosted a range of businesses including laundries, dressmakers, grocers, electricians, a biscuit factory and even an art gallery. 

    Earlier this year, the owners commissioned Perth artist Susan Respinger to breathe new life into the grand old building with a series of colourful and distinctive murals.

    “The owners of the building wanted to give it a bit of a revamp. We didn’t want to overshadow the beauty of the building, we just wanted to enhance it and breathe life into it,” Susan explains.

    “It was quite a difficult shaped building to work with so the only really big open wall to add a story piece was the alley wall which is fortunately still very visible to the main road. 

    “We decided it should have some reference to the history of the area. I thought about the fact that the area’s history went well past the building even existing and the building was built on land which has belonged to the Whadjuk Noongar people for at least 45,000 years.”

    The highlight of Susan’s work on Bulwer Plaza is the large-scale portrait of Noongar woman and Essendon VFLW vice-captain Courtney Ugle.

    “I had been following an amazing indigenous photographer, Michael Jalaru Torres’ work for a while on Instagram… which is how I came across Courtney’s photo. 

    “Not only was she stunning, but as I started to look into her story I was amazed by what an incredible person she is. 

    “Courtney is not only a proud Noongar woman, she is also a star footballer for Essendon, a spokesperson for domestic violence, resilience and overcoming adversity for people all over the country. 

    “I was ecstatic to receive permission from both Courtney and Michael to use the photo as a reference for my piece. 

    “I couldn’t have asked for a more relevant face to represent the times as conversations around the country and the world start focusing more on First Nations people’s rights, violence against women and equal pay for women in sport.

    “I think the most special moment I had while painting the mural of Courtney was on Australia Day. 

    “I had decided not to celebrate it; as much as I love Australia, I recognise that it’s hurtful for many people to celebrate on that day. 

    “So instead I decided to continue painting my portrait of Courtney. 

    “While I was painting, a few local indigenous people came to chat with me and recognised that Courtney was actually a part of their family, the Ugles. 

    “They told me they were incredibly grateful for this piece existing and representing their people especially on such a controversially significant day. 

    “As we spoke about it we all got a bit teary. I was so overwhelmed to be able to see the real life positive effects this piece could have on the community. 

    “Hopefully I’ll have the opportunity to represent more incredible role models in the future.”

    Susan’s murals on Bulwer Plaza also feature a willie wagtail, yellow orchids, gum leaves and flowers and a threatened creature called a red-tailed phascogale above the Miller and Baker bakery and cafe. The animal has a connection to Miller and Baker who buy their supplies from a local farm that is supporting habitat regeneration for this vulnerable marsupial.

    For information about Susan’s work visit https://susanrespinger. com/. For more information about the history of Bulwer Plaza, visit the City of Vincent Local History Centre in person at the Vincent Library, or online at https://library. vincent.wa.gov.au/localhistory-centre. aspx

  • Universal art
    • Alexis Steyn with some of her fantastical paintings.

    The mysteries of the universe and Mother Nature intertwine in a stunning debut solo exhibition by young Bicton artist Alexis Steyn.

    Pitching the female form against vast cosmological backdrops with strong colours and nods to the environment, Steyn’s paintings have a dreamlike, fantasy quality that wouldn’t be out of place on a ‘space rock’ album cover.

    The 26-year-old artist is preparing to showcase nearly 30 of her fantastical paintings and illustrations in her exhibition Evergreen at the Canning Bridge Community Space.

    “The overarching theme for this exhibition is celebrating life, the universe and our relationship with the natural environment and how it makes us feel,” Steyn says.

    “I am naturally drawn to painting females and different archetypes in a dreamy atmosphere. 

    “They are representative of the notion that anything is possible and can also represent the viewer and the journey they are on or the adventure they may be experiencing through the artwork.

    “I am deeply inspired to create scenes that are out of the ordinary or have a dreamlike quality to transport the viewer to another place and tap into their inner world and imagination.”

    Influenced by surrealism, fantasy and mythology, Steyn recently completed a Zodiac collection using pencil and watercolours, and likes artists with distinctive painting styles like Lindsay Rapp, Annie Stegg and Dimitra Milan.

    “Most of my paintings are created with oils and mixed media,” Steyn says.

    “This process includes starting each painting with acrylics, inks, markers, gold leaf and other mediums and then rendering and completing the artworks with oil paint.

    “The acrylics act as a base layer for each artwork and the oils are used over the acrylics to bring the artworks to life and give them the rich, juicy colours that pop off the canvas.”

    A former art student at Applecross Senior High School, Steyn studied Creative Advertising and Graphic Design at Curtin University and graduated in 2016.

    Imagination

    After working as a full time graphic designer, she took the bold decision to start her own art business ‘Art by Alexis Steyn’ with the aim of “bringing more authenticity, light and beauty into the world.”

    “It is my mission to bring the spark of imagination and wonder back into people’s lives and remember that carefree feeling that we all had as children,” she says.

    “My objective is to create art that is uplifting, to stir emotion and thought, to invite playfulness and open a door to endless possibilities that we could only have dreamed of.

    “More light and virtue is needed in the world and it is my responsibility as a creative to uplift people and make them feel happy and positive through art.” 

    Evergreen is at the Canning Bridge Community Space, 63 Kishorn Road, Mount Pleasant from October 7-9, with artworks on display available to purchase. For more info see artbyalexissteyn.com 

    by STEPHEN POLLOCK

  • Biting back
    • The Go Go Girls wearing Angry Underwear in New York in 1991 photo courtesy M. Santos.

    HER underwear with shark’s teeth caused an international stir in the 1980s, and now Perth artist Tania Ferrier is back with a fresh look at that decade and how far or little women have come in the intervening years.

    Her new exhibition Pop Porn features nine Angry Underwear sets, bras and underwear with shark’s teeth and eyes, created after Ferrier witnessed the assault of 

    ‘Angel’, a Latino stripper that she got to know while working at the Wild Fyre men’s club in New York in the 1980s.

    A clever and provocative way of calling out sexual violence in the workplace, the Angry Underwear project was emotional for Ferrier – she had experienced sexual assault as a child.

    Although the club where Angel worked banned the underwear, they were sold at a ‘risqué’ new-wave fashion outlet and worn by Madonna and super model Naomi Campbell, making Angry Underwear global news.

    But her shark undies didn’t receive a warm welcome when exhibited in Perth in 1989, when the then-shadow minister for arts Phillip Pendal deemed it obscene and an inappropriate use of government funding. 

    “In 1989 my Angry Underwear was celebrated as feminist artwork in New York and the same year the same artwork was deemed obscene here,” Ferrier says.

    “In 2021 a mannequin displaying my shark bra and shark pants was removed from a group exhibition here, so I don’t know how much has changed in certain sectors of Perth.”


    Pop Porn: Tania Ferrier exhibition

    For Pop Porn, Ferrier has also created a new print and video series Pop Porn Calendar – disassembling 1980’s Playboy centrefolds to highlight the objectification of women’s bodies in mainstream porn.

    The artwork comes in the wake of the recent documentary Secrets of Playboy, which exposed the dark and depraved treatment of women living at the Playboy Mansion, the home of Playboy founder Hugh Hefner.

    “I watched the series, Secrets of Playboy, towards the very end of creating the Pop Porn prints and videos,” Ferrier says.

    “I do think that anyone who watches that series, and still has a few Playboy magazines in their house, might feel differently about Hugh Hefner and the Playboy mansion.

    “He obviously became a ‘sick-in-the-head’ man over the course of his celebrity and … his band of merry followers were just as sick.

    “I have never thought of Playboy as a ‘classy’ acceptable pornographic magazine. I knew it was a softer version than Ribald or Hustler but for me all those magazines were symptomatic of patriarchal gender separation tactics.

    “Like the Men’s Only Bars at Golf and Yacht Clubs, the Weld Club and Private Boys Schools, Playboy was just another ‘us’ and ‘them’.  Men felt safer, more powerful and more privileged when they had spaces just to themselves – unscrutinised by women. Oh well.”

    Ferrier is a semi-wanderlust – she worked as an artist in New York from 1988-92, then returned to Perth, before moving to Melbourne in 2012 and finally returning home again in 2019.

    “I went back to New York in 2011 for the first time in twenty years and so much has changed,” she says.

    “I fell in love with the city again and went nearly every year, but the pandemic put a stop to that. I try to think about travelling somewhere else, but dream of New York still.”

    More than 30 years on from her original Angry Underwear, and post-#MeToo, are women in a better, safer place or could the misogynist male be gearing up for a comeback?  

    “I don’t concern myself much with what men are up to post #MeToo, only that women now feel empowered to speak out against abuse,” Ferrier says.

    Pop Porn: Tania Ferrier is at the Fremantle Arts Centre on Finnerty Street until October 23.

    by STEPHEN POLLOCK

  • Old hands, new name
    Beaucott Property directors Paul Owen and Carlos Lehn have decades of experience in real estate.

    TWO of Perth’s biggest names in real estate Carlos Lehn and Paul Owen have rebranded their successful business to Beaucott Property in the vibrant Mount Lawley area.

    A nod to the nearby heritage-listed Beaucott Building, the new look real estate business will continue to service their clients from Highgate and Mount Lawley to Embleton. 

    Beaucott Property director Carlos Lehn sells more than 100 properties a year and leads a dedicated sale team with more than two decades experience in the area.

    “We live in the area and love our community,” Mr Lehn says.

    “Our sales team have been working in the area for more than 20 years and in that time, we’ve built a very loyal client base which we’re thankful for.

    “We’re passionate about helping people move and the community we’re part of, and our clients acknowledge this.”

    With its stunning mix of early 20th century architecture – art deco, federation and Californian bungalow-style dwellings – and trendy bars, cafes and restaurants, Mount Lawley is a unique blend of old and new.

    Only a short drive from the Perth CBD and with a diverse range of housing, the inner-city suburb is popular with everyone from first time buyers to upsizers and investors.

    “It has been 15 years since we opened our doors on Beaufort Street, and although we’ve always been local, it felt like the right time to step away and create our own brand – one which really reflects who we are and our local area,” Mr Lehn says.

    If you’re after a property in Maylands, look no further than Beaucott Property director Paul Owen, who lives in the Peninsula Estate and has more than 24 years experience selling properties in and around the suburb.

    “Since starting my career in 1997, my wife Tina and I have always owned and sold countless properties in the Maylands area and love calling Maylands home,” Mr Owen says. 

    “Maylands is eclectic – not only is the majority of the suburb surrounded by the Swan River but it has also become a destination in its own right with its sought-after boutiques, cafes and bars situated around the train line.”

    Mr Owen says the secret to his success and longevity in real estate is “Delivering outstanding customer service and achieving the best possible result for each client.”

    Beaucott Property is situated at Suite 2, 678 Beaufort Street Mount Lawley, just up from the Astor Theatre.

    Beaucott Property
    9272 2488
    beaucottproperty.com.au
    Directors Carlos Lehn 0416 206 736 Paul Owen 0411 601 420

  • Fraud takes polish off postal voting

    POSTAL elections are a failed experiment and it’s time to go back to in-person voting, according to veteran Stirling councillor Elizabeth Re.

    Letting people mail in their ballots was originally intended to boost voter turnout but it’s been hampered by issues like ballots going missing or even being stolen and submitted with fraudulent votes. A case of stolen votes in 2021 led to the magistrate’s court invalidating the election results in Serpentine-Jarrahdale’s north ward, requiring a fresh election.

    Cr Re, who’s been through five council elections now, says research now points to postal voting potentially reducing turnouts and it’s more transparent and accountable to run in-person voting. 

    “The ‘total’ postal option as an election voting method became available around 2003 in WA,” Cr Re told colleagues at the August 30 council meeting. “And it was considered an option to increase voting percentage.”

    But she argues across nearly 20 years it only did that “marginally”, and postal voting may now be a hindrance as people lose faith in the system.

    “Due to issues which have increased over the years with regards to postal papers disappearing from letterboxes, research has shown now that people are more likely to vote if they have to go and vote at a premise, than take a postal vote ballot paper and post it.”

    Cr Re’s foreshadowed a notice of motion asking council staff to weigh up the costs and benefits of sticking with the mail-in elections or switching to a system where people would have a three week window to attend an in-person voting station. 

    She said postal ballots could still be sent out by request to those who need them.

    Cr Re reckons it could also save the council some dough, as “the cost of postal votes is becoming a huge impact on our budget,” and she’s requested the savings be tallied. 

    Councillors will vote on her motion to investigate a switch at the next meeting.

    by DAVID BELL

  • Pokemon No!

    AN ASSAULT spree at Kings Park on Saturday August 27 saw police called and a man arrested on charges of attacking three children and three adults.

    The first call to police came at 10.25am and several more followed in the minutes after, all complaining of one man’s behaviour.

    It’s been alleged he approached and physically assaulted three children — a 12-year-old girl, a 14-year-old-boy and a 16-year-old-girl – before allegedly stealing the boy’s phone.

    The children were reportedly playing Pokemon Go, a popular app-based video game that features many rewards if players visit landmarks like Kings Park.

    Two men approached the attacker and he’s alleged to have assaulted both, then assaulted another 20-year-old woman. 

    The three children aren’t linked to any of the adults, and the woman wasn’t linked to the two men – the only two who knew each other in this whole fracas. 

    Police charged a 38-year-old Maddington man with three counts of aggravated common assault relating to the children, three counts of common assault relating to the adults, and one count of stealing, and he’s off to Perth magistrates court.

  • Plane name, wicked skating
    Construction progress during August (below) at the new skate and BMX park, with workers even putting down the horseshoe bowl under cover during wet weather. Photo via City of Bayswater.

    FOLLOWING extensive consultation and several committee discussions the new City of Bayswater skate park will be named “The City of Bayswater Skate Park”.

    The new park is at Wotton Reserve and is partly made up of features moved from the old skate and BMX park on the other side of the reserve, which had to be demolished to make way for Metronet upgrades.

    The old one was technically called “Wotton Reserve Skate and BMX Facility” but in the many months of consulting users about the replacement, it turns out no one actually calls it that and “Baysie” or “Bayswater Skate Park” is the far more common usage. 

    Council staff penned an eight page report mulling over options for the new name, researching skate parks in nine other localities and finding “the most common theme appears to be that a Skate Park is named after the area it is located”.  

    They wrote that during the long consultation over the form of the skate park, most people seemed to prefer the name “Baysie Skate Park” over “Bayswater” and recommended that informal moniker.

    But the members of the council’s skate advisory committee didn’t like the diminutive Baysie and recommended the full and formal “Bayswater”, and the full council agreed that given the park’s regional significance it deserved to have the name spelt in full.

    The park’s on track to be finished in September, providing the weather stays manageable, but so far the dedicated workers have managed to keep building under temporary cover even during recent rains.

    by DAVID BELL

  • Paul appeal’s appalling peal
    Christian Shay’s social media footage of the city getting really, super, extra activated over Anna Paul.

    THE CBD is always looking for more “activation” but it got a bit too hot to handle on Sunday August 28 when police shut down an overcrowded meet-and-greet with a social media star.

    Queensland-based risqué internet model Anna Paul was at an event to launch her collection for clothing brand Stax in the Hay Street Mall. 

    Fans had been staking out the store for hours and by the time the event started at noon the streets were packed and the lines were getting rowdy as accusations of queue-jumping were thrown around. 

    Within mninutes police shut the event down over fears the situation could get completely out of control.

    The event followed a huge turnout in Sydney and big crowds in Melbourne, where fans chased Ms Paul’s car down the street after she finally found a low-profile exit route from the event.

    Afterwards Ms Paul posted a social media video apologising for not running a ticketed event that could’ve kept numbers manageable, but explained she hadn’t due to wanting to keep the event free for everyone.

  • Bucking history
    Details from Mervyn Street’s ‘Bull ride’, 2015-2016

    TWO artists separated by a century are the nexus of a new curation “dis/possession” at the Art Gallery of WA opening this week.

    German-born artist Hans Heysen’s Droving into the Light depicts a drover moving sheep down a dusty sunbathed track, and was composed across seven years from 1914 to 1921 when Australia was a young nation sold as a land of opportunity for white colonists. 

    Contemporary Gooniyandi artist Mervyn Street’s work Bull Ride portrays an Aboriginal cowboy on a thrashing bull.

    Thrashing

    Painted across 2015 and 2016, it draws on his time as a stockman in the Kimberley in the 1960s and 1970s.

    They were fondly remembered days but not easy, marked by hard work and stolen wages that are the subject of a long-running class action case led by Street.

    AGWA’s curator of historical art Melissa Harpley says: “By bringing these artists’ work together we can use an understanding of the past to start conversations about issues with shared importance for today’s audiences. These include questions around national identity, land ownership and use, and our relationship to the natural world.”

    The two paintings form the centrepiece of the curation and are joined by works from the gallery’s collection painted by Heysen’s contemporaries, including George Clausen, Elioth Gruner, and Henri van Raalte. They’ve been on display in the past, but are this time offset by the darker reality of Street’s work and experience.

    AGWA director Colin Walker said: “Dis/possession represents the Gallery’s thinking about how we engage with the State Art Collection, one of WA’s greatest visual assets, and find ways to display it that remain responsive and relevant to the contemporary moment.”

    It’s free til March 26 and there are guided tours Wednesdays at 1pm and Thursdays and Saturdays at 11am.

  • Pup poisoned

    A DOG has been poisoned at the off-leash exercise park at Bayswater’s Riverside Gardens. Bayswater council has now increased ranger patrols in the area, and people are advised to contact the RSPCA’s cruelty hotline on 1300 278 3589 to report any information about the baiter. 

    Dog owners are advised to watch for signs of poisoning including vomiting, rapid breathing, drooling, watery eyes, and loss of coordination, and to get the dog to a vet immediately.