• Housing nod for wetlands

    A NEW housing block is set be built next to Bayswater wetlands, after the council reluctantly approved a 23-lot subdivision.

    The development application will now go to the state government’s WA Planning Commission for rubber-stamping.

    The private block is owned by the family of late Bayswater mayor John D’Orazio. It’s opposite the Eric Singleton Wetlands, and next to the section of wetlands known as the “Carter Block”, named after the Carter family who owned it.

    The original WAPC-approved plan in 2016 was for 27 subdivided lots, but developers needed to use a bit of the Carter’s Block for cul de sacs, and they couldn’t after Bayswater council bought the block for $3 million.

    The developers have scaled back to 23 lots with a slighter larger buffer between the houses and the wetlands.

    Bayswater mayor Dan Bull told councillors at the July 17 council meeting that the WAPC would very likely rubber-stamp the new plan, so the best tactic was to approve it with lots of conditions, “to make it as good as possible…even though it is far from good”.

    • Barriers are up around the privately-owned block at the Bayswater wetlands, with development soon to start. Photo by Steve Grant

    Local park

    Some of the proposed conditions included:

    • A noise wall to not upset the wildlife in the park;

    • Stringent plans to control water runoff;

    • A public park; and

    • A requirement for state departments including the WAPC to see the site prior to approval.

    Cr Bull said the WAPC granted the original approval without visiting the site:

    “My understanding is when this was approved, there was no site inspection, it was a desktop decision… we don’t know what would have happened had the officers gone out and looked at the site in context of where it was between the Carter’s wetland and the Eric Singleton Bird Sanctuary.”

    Councillors Giorgia Johnson and Elli Petersen-Pik voted against it.

    Cr Petersen-Pik said; “I cannot support this proposal. While it sounds practical, we should do what’s good for the Eric Singleton Bird Sanctuary.” He said the buffer needed to be bigger.

    by DAVID BELL

  • Mental block

    UGLY empty blocks are in the sights of Vincent mayor Emma Cole.

    She wants to stop the demolition of houses that leaves some streets looking like broken-toothed smiles.

    Up until 2015 developers needed planning approval before councils would let them knock down an existing house. The state government scrapped that rule and houses that might have heritage potential—but haven’t yet been reviewed or listed—can now be flattened.

    • Vincent mayor Emma Cole at the Vincent Street block that was legally demolished in April. Photo by Steve Grant

    Another concern is that people can clear-fell a whole block, getting rid of trees and the house, creating increasingly nullarborous suburbs.

    Vincent council’s been calling for the state government to reintroduce the old “approval- first” demolition rule, but in the meantime Ms Cole wants to look at other options to stop the bulldozing, saying she’s aware that means challenge state rules.

    by DAVID BELL

  • Scaffidi decision

    PERTH lord mayor Lisa Scaffidi has been suspended for seven months over her travel and gift declaration scandal.

    SAT originally found her to have committed 45 breaches by not properly declaring gifts and travel contributions, but she appealed and the supreme court knocked out 26.

    Her original punishment of 18 months disqualification was tossed out under appeal and she’ll now serve the seven month suspension starting Friday.

    But she’s already suspended anyway as the state government inquiry into her council drags on, and the current punishment will be served concurrently.

  • Cop this?

    AMIDST the hurley-burley of a protest against a visiting Canadian urging Australia to stronger action against refugee boats, Aboriginal activist Caroline Kirk noticed a tide turning in her own world.

    The Koori Ngemba woman says she’s noticed a thawing of relations with the police who helped keep the peace between her United Against Bigotry and Racism colleagues and alt-right group True Blue Crew outside the screening of journalist Lauren Southern’s documentary about violence on South Africa farms.

    • Protester Caroline Kirk makes her voice heard. Photo by Alex Salmon

    Politically-charged

    A year ago Ms Kirk was in cuffs at the politically-charged protests against the Roe Highway extension through the Beeliar wetlands where police used pepper spray liberally, but says this time round the most she faced was a request not to swear.

    “When I was at Roe 8 I was frightened of them, and today I go up to them and talk to them and they talk back nicely. It’s not degrading and they give me respect,” she says.

    Earlier this month WA police commissioner Chris Dawson offered an historic apology to Aboriginal people for their treatment by police, saying they faced racism and “unconscious bias”.

    Perth superintendent Peter Hatch was pleased with the feedback.

    “Members of the public have a right to protest, and WA Police Force is committed to maintaining public safety and ensuring these events are conducted in a lawful manner,” Supt Hatch said.

    Meanwhile inside the convention centre Ms Southern was urging Australians to reject multiculturalism.

    “It really seems that you guys are at a crossroad,” Ms Southern addressed Aussie fans in a publicity video for the event.

    “Do you want to retain your culture, do you want to retain your borders, family, identity, or will the boats keep coming, will the ‘no go zones’ keep growing and will you become another victim of multiculturalism.”

    There were clashes outside Ms Southern’s Melbourne gig, with the Victorian police reportedly handing her a $60,000-plus bill for covering the event.

    by MOLLY SCHMIDT

  • Payroll pain

    A PERTH payroll manager is concerned a lot of businesses are breaching new legislation that requires companies with 20 or more staff to report payroll and superannuation data every time employees are paid.

    The Single Touch Payroll legislation came into effect on July 1 this year, and easigroup CEO Ross Elford says many businesses are oblivious to the changes.

    “The onus is on the employers to stay up to date with legislative requirements,” says Mr Elford.

    “The information isn’t widely broadcast as tax offices are under no obligation to do so.”

    Business will be charged 15 cents per employee, every time a payroll is transacted, and could have to purchase or upgrade their payroll software to comply with regulations.

    “So if you have 100 employees costing you 15 cents every week of the year, that’s $780 a year just so the government can have access to all reporting requirements,” Mr Elford says.

    Fremantle Chamber of Commerce CEO Olwyn Williams says the new legislation is “more red tape” and has a significant impact on privacy of both employers and employees.

    “It’s truly big brother stuff. They are watching and will have access to what your company is doing all the time with every pay cycle,” she says.

    “This year the biggest impact will be for those businesses with a payroll with over 20 people but not using an up-to-date software package. If your payroll system doesn’t connect by now, you should be getting on with it.”

    She’s concerned small businesses will take a real hit because many operate without dedicated payroll staff.

    Ms Williams says the extent of data sharing will mean the government will be able to check if employees are being paid properly and also if they are toeing the line with Centrelink and visa requirements.

    “If you’re doing the right thing, you’re not going to get in trouble but it’s a mammoth increase to the amount of data the government has.”

    Mandatory

    The new legislation will become mandatory for businesses with less than 20 employees from July next year.

    Mr Elford says the legislation has been rolled out prematurely.

    “They haven’t finished working out what exactly they want,” he says. Certain aspects of reporting aren’t yet clear, like how to report termination payments or foreign income.”

    He says its important the broader community is made aware of the changes.

    “It’s a very real issue.”

    If you’d like to know more you can find an information sheet and checklist at this link: https://hr3.com.au/blog/2018/4/18/single-touch-payroll-whitepaper-and-checklist-2018.

    by MOLLY SCHMIDT

  • Cool show

    THE relationship between environments and identities is the overarching theme of Cool Change Contemporary’s inaugural exhibition in Perth.

    CCC is a new artist-run-initiative by seven locals who have experience in “creating visible spaces for early career artists to be exhibiting,” says group member Melissa McGrath.

    Despite the “cyclical” nature of artist-run-initiatives around Perth and Australia, Ms McGrath says artists have “a long history of making things happen”.

    “The initiative is an exciting opportunity for the Perth community to come together and learn about early year artists.”

    The program commences with three solo shows by Eric C and Paul Sutherland from WA, and Oliver Hull from Victoria.

    • Members of the new artist-run initiative Cool Change Contemporary. Photo supplied

    Emerging artists

    In gallery one, through the medium of cyanotype –  a technique that exposes print or textiles to sunlight to create images – Eric C examines how we assert our identity in a space, while being connected to broader groups and environments.

    In gallery two, award-winning artist Paul Sutherland will be Keeping Busy, an exhibition that has video, installation and performance elements.

    His art focuses on how the digital realm can provoke different feelings of isolation, connectivity and communication.

    Oliver Hull’s exhibition in gallery three looks at the “different ways of measuring the weather”, group member Melissa McGrath says.

    “Traditionally we measure the weather by looking at things like humidity or temperature,” she says.

    But Hull’s show The Gift (meanwhile those who compute the weather should breathe of it freely), utilises non-traditional elements like plants to gain a more holistic awareness of weather.

    The solo exhibitions run August 3-25 at the Bon Marche Building, 74-84 Barrack Street, in Perth’s CBD.

    Following the inaugural exhibition, the group will be showcasing emerging artists on a monthly basis.

    by WADE ZAGLAS

  • LETTERS 28.7.18

    Main objection
    IN his letter “Signs help slow cars” (Voice, July 14, 2018), Andrew Main did not identify himself as one of the two lobbyists for the Streets for 40 group.
    Why not? His view is therefore biased.
    Mr Main provides no evidence that speed display signs are “an effective option”.
    His second option of having local government issue infringements is unwieldy.
    The third option of getting residents to “dob in” speeding drivers is also questionable.
    Do we really want vigilantes roaming our streets?
    Mr Main has not given any evidence that a 40kmh speed limit affords “quite obvious safety benefits”.
    I have demonstrated that no pedestrian was killed on Vincent streets in the year 2016-17, using the last statistics available.
    As for “reclaiming our streets for our community”, I think Mr Main has neglected to mention why many parents/carers do not allow children to play on the streets.
    Think back to little William Tyrell allegedly taken from his grandmother’s front yard.
    How many other children “disappear” from streets? How many children are attacked by dogs on the street?
    Think back also to the event quite recently, where a man took two children from a child care centre, down a Vincent street to Hyde Park. Apparently he was not challenged.
    The money spent on this unnecessary venture – a 40kmh speed limit that will not achieve any positive outcome – would be better spent elsewhere.
    For instance, a “public consultation” would cost $13,000 and the “trial” would cost $150,000, based on figures supplied by the Vincent mayor.
    A figure of $140,000 is suggested for the new road signage.
    And ratepayers are wondering why their rates are increasing!
    Would this money not be better spent on assisting homeless people or other people in need?
    Why not keep the community bus that is “costing too much” according to the City of Vincent?
    Yes, I have enjoyed outings on the bus, and people with limited mobility did also.
    Hope Alexander
    Cleaver Street, West Perth

    City of Labor?
    ANYONE driving the streets of Perth could be forgiven for thinking that the City of Vincent is endorsing the Labor candidate in the the Perth federal by-election.
    ALP candidate Patrick Gorman’s team have put signs on City of Vincent property, including street signs, in the middle of roundabouts and on public park fences. Despite calls, emails and tweets to the council, nothing has been done to remove the illegal signs.
    I thought local councils did not play party politics?
    Emma Pringle
    Morrison Street, Maylands
    Ed says: The Voice asked Vincent council CEO Len Kosova about the signs.
    “Election signage (whether for local, state or federal elections) is not allowed on any city of Vincent thoroughfare or property, unless a permit has been obtained to do so,” he says. “No such permits have been granted by the city.”
    “The city received a number of comments and complaints in the lead-up to this weekend’s Perth by-election, regarding election signs in road reserves and other public places.
    “In response, the city’s rangers inspected the signs to ascertain if they were on city property and if they were, either removed the signs or required them to be removed by the person or party they promoted.
    “The same action was taken in relation to election signs that were observed by the city (and which were not the subject of any community comment or complaint).
    “The city’s rangers had already been directed to be on the lookout for election signs in road reserves and on the city’s property and have taken (and will continue to take) timely and appropriate action to have those signs removed where they’ve come to our attention.”
    The Voice had a look around Vincent on Tuesday (July 24) and it seemed the rangers had been pretty thorough in removing the signs that had been scattered over council property.

    Zoos save
    It is sad that PETA has used the death of the beloved aged orangutan, Puan, at Perth Zoo to denigrate a modern zoo which is committed to conservation.
    Saving Wildlife is not just Perth Zoo’s brand, it’s what we do, every day of the year.
    Increasingly the role of zoos extends beyond the gates and into the wild.
    The Living Planet Index reveals we could lose two-thirds of the planet’s wild animals by 2020, and a 2010 study by the International Union for the Conservation of Nature found that conservation breeding in zoos and aquariums played a role in the recovery of 28 per cent of the species listed as threatened in the wild.
    Perth Zoo breeding programs have been responsible for bringing animals back from the brink of extinction including local amphibians, numbats, the western swamp tortoise (Australia’s rarest reptile), and the chuditch, which has improved its conservation status thanks to the zoo’s breed for release efforts.
    Perth Zoo is very proud to have recently released its 4000th zoo-bred animal back into native habitat, helping to rebuild struggling wild populations.
    Perth Zoo has contributed more than $2.8 million over the past seven years to projects outside of the zoo.
    We fund anti-snaring teams to protect African painted dogs, empower Zambian children to become wildlife ambassadors, and provide Papua New Guinean villagers with alternate livelihoods to reduce hunting of tree kangaroos.
    Perth Zoo may be one of the most isolated in the world, but we have a big agenda, saving wildlife.
    Come and visit us to help save wildlife together.
    Wendy Attenborough
    Executive director
    Perth Zoo, South Perth

  • Bonzer brekkie

    NOTHING is more breakfast to me than a plate stacked high with pancakes.

    Well, almost nothing; Sayers Cafe’s buckwheat and buttermilk pancakes with blueberries, honeycomb, lemon mascarpone and hazelnut maple syrup are like pancakes on steroids.

    This little hidden cafe has an eclectic feel, with a gorgeous outside eating area that was bustling with early morning breakfast-goers who clearly treat it as one of their favourites.

    I was greeted by at least two staff members before I had even made my way to the counter to order and was quickly served.

    I took a seat in the outdoor eating area. The outdoor space heater was the perfect touch to combat the brisk morning chill, and before I knew it, my food was ready.

    I have never seen any cafe able to dress up a simple stack of pancakes the way Sayers did with their buckwheat creation ($17.50).

    It was like a work of art, every blueberry, piece of honeycomb and drizzle of maple syrup artfully arranged on the plate.

    To drink I ordered the cold-pressed organic apple, orange, banana, strawberry and maqui juice ($7), which was just divine.

    I doubt everyone loves slurping up maple syrup as much as I do, but I felt the pancakes could have done with a slightly more generous drizzle. But the pancakes themselves were light and fluffy, and the crumbled nuts were a fantastic addition giving texture and flavour, while there was a generous serve of blueberries to pack in some extra sweetness.

    I got a touch of food envy as a coriander and cumin beans tagine with babaganoush, poached egg and toasted linseed ($16.50) arrived at the table next door, looking like another work of art and smelling like heaven but I was more than happy with my hearty plate of pancakes.

    Before I left I had to go back for more juice which was an absolute standout – that and the fantastic presentation which made me feel like a was dining in a luxury restaurant.

    by HARRIET BURROWS

    Sayers Cafe
    224 Carr Place
    Leederville

  • Call of nature

    BIRDS, frogs and possums peep hesitantly from inside jars, while other animals are etched onto pages torn from old, mysterious books.

    Bird in a Bell Jar is Kati Thamo’s latest exhibition, and the walls of Turner Galleries are lined with her muted canvases.

    Born in Perth to Hungarian parents, Thamo taps into her ancestral past to create dark fairy tales – weaving personal stories and grand narratives.

    Dark fairy tales

    The delicately drawn bell jars, and their fragile inhabitants, seem to question whether the animals are being protected from mankind, or are victims of urbanisation.

    “It’s the pervasive sense we are feeling about the precariousness of the natural world…affected by human activity, even in remote places,” Thamo says.

    Her art looks at how the passage of time impacts our perception of the natural world.

    “Consider the fading of memory: how in the end we are left with traces, remnants and outlines.”

    Living in the South West, Thamo laments the loss of native bushland and the increasing number of houses on smaller blocks with courtyards instead of gardens.

    “We are neatifying everything…there are no corridors for the animals.”

    Thamo says disappearing nature is a theme many artists are exploring in their art.

    “Art strong on environmental things – a sense of paradise lost.”

    Thamo uses a variety of printing techniques in her works, including linocut, woodcut, etching, collagraph and solvent transferred collages.

    She studied art at Edith Cowan University and the Hobart School of Art, where she majored in printmaking.

    She exhibited nationally and her art is held in numerous private and public art collections in Australia and overseas.

    Bird in a Bell Jar is at Turner Galleries on William Street in Northbridge until August 4.

    by JENNY D’ANGER

  • The world’s greatest guitarist COMES TO PERTH

    Fly By Night Club and Starr Special Events present Albert Lee on August 12 at the Charles Hotel Perth

    Grammy winning legendary guitarist for Emmylou Harris and Eric Clapton returns for first Australian shows this decade.

    “He’s the greatest guitarist in the world. The ultimate virtuoso. His skill is extraordinary, his ear is extraordinary and he’s gifted on just about every level.” – Eric Clapton

    If you tagged along when the blues dragged Rock n Roll into a honky-tonk and started doing shots… you’d be just about primed to witness the extraordinary rollicking prowess of god’s favourite guitarist – Albert Lee.

    Albert Lee is one of the absolute greatest guitarists in both rock and country music history. Included on Albert’s CV are performances and recordings with Keith Urban, Tommy Emmanuel, Dave Edmunds, Willie Nelson, Bill Wyman, Carlene Carter, Jackson Browne, Rosanne Cash, Bert Jansch, Herbie Mann, Keith Richards and Dolly Parton.

    In 1978 Albert commenced a five-year stint with Eric Clapton and in 1983 encouraged the Everly Brothers to get back together, acted as their musical director and went on to play regularly with them over the next twenty years.

    In 2002 the man known as Mr. Telecaster shared the stage with Paul McCartney at the Concert for George and won a Grammy Award in the same year for a performance with bluegrass icon Earl Scruggs.

    It’s been nearly a decade since Albert Lee last brought his beloved Ernie Ball Music Man guitar to Australia but he’s making up for it in 2018.

    Tickets $59.50 
    http://www.flybynight.org
    Phone 9430 5208