• Pee off, PTA tells Baysie
    06. 945NEWS
    • Herman Hain says Maylands needs public toilets because seniors like him have nowhere to go. Photo by Steve Grant

    A PLAN to turn the historic Maylands parcel office into a public toilet has been canned by the Public Transport Authority.

    There’s long been a dire need for a dunny near the Maylands train station (five years ago the Voice reported on a neighbouring resident complaining about someone pooing in her yard), since the nearest one is at the Maylands hall about half a kilometre away.

    Three options

    In April this year Bayswater councillor Catherine Ehrhardt asked staff to look into three options for a closer loo; $65,000 upgrading the parcel office’s toilet to disability standards, a self-cleaning toilet on the station, or somewhere else on PTA land (both costed between $110,000 to $220,000).

    Maylands councillor Lisa Baker also wrote to the PTA asking for the parcel office to be considered for an outhouse.

    The parcel office is listed as having “exception significance” in Bayswater’s heritage inventory.

    But the PTA has used the heritage listing to knock back the request for a toilet and will instead use the toilet to house staff.

    The authority also kyboshed a council-run dunny on its land due to “major security and safety issues”.

    “Toilets attract unruly, unsafe and unhygienic practices, requiring a fulltime security presence,” the PTA’s Leoni Wedge wrote to Bayswater council.

    The PTA said it may reconsider an outhouse if, “as a minimum”, the city provided hourly security patrols.

    Long-time Bayswater resident and regular train user Herman Hain says the PTA is being mean-spirited.

    “Seniors need toilets,” Mr Hain said before giving a disparaging look at the new Seventh Avenue bridge.

    “They spent $9 million on that,” he said before trudging slowly up the street, laden with his weekly shopping

    by DAVID BELL and STEVE GRANT

    6. Kiylla Community 10x3

  • Charities’ relief request refused

    BAYSWATER council has knocked back requests from two charities for rates and rent relief.

    Community Housing Limited provides long-term, secure accommodation for people on low to middle incomes, and asked for three properties it rents out to be exempt from rates, saving it $3352 each year.

    The local government act says “land used exclusively for charitable purposes is not rateable” but doesn’t define those terms so council has scope to interpret the rules.

    That left the request in a grey zone.

    “Even though Commercial Housing Limited is a charitable organisation, there is income being generated from the properties and therefore commercial activities are taking place,” staff said in a report recommending the request be knocked back.

    Councillors Dan Bull and Stephanie Coates wanted to grant the reprieve but the rest of the council followed admin’s advice and knocked them back.

    Meanwhile the Organ Donation and Transplant Foundation WA asked council to waive $5679 in fees for its offices at the city-owned Rise building in Maylands.

    The foundation’s CEO Simone McMahon has had to relocate to Brisbane while she awaits a transplant herself, so the charity’s ability to fundraise has taken a battering in her absence.

    All the offices at the Rise are filled with not-for-profits, and council staff fear the request may open the floodgates for any struggling charity to ask for a handout.

    Given 91 Bayswater families have signed up for organ donation, the report warned feelings may run high and “there is a potential for adverse media” if the request was unsuccessful.

    Councillors Terry Kenyon, John Rifici, Dan Bull and Stephanie Coates wanted to grant the rent relief but didn’t have the numbers.

    The Voice has heard the council will instead look at a direct donation to ODTF, so as to avoid setting a rent relief precedent.

    by DAVID BELL

    7. Easy Dentures Clinic 5x1 7. Great Southern Ocean Accountant 5x5 Ear

  • New job in another country
    08. 945NEWS
    • Sisonke Msimang has been taken on as program director at the Centre for Stories. Photo by Steve Grant

    THE Centre for Stories in Northbridge has taken another step in its development with the appointment of Sisonke Msimang as program director.

    The year-old social enterprise was founded by Margaret River Press owners Caroline and John Wood and aims to collect stories from WA that slip under the mainstream media’s radar.

    Ms Msimang says the centre helps people to understand and express their experiences through storytelling and then “amplifies” them as a way of bringing about social change.

    “Storytelling is a good way to connect people with someone who lives in another neighbourhood, because we have had a lot of waves of migrants — which is amazing — but it can also bring conflict and discomfort, and we don’t try to hide that conflict and discomfort, we try to help people to see the different sides of the issues through stories,” Ms Msimang says.

    One of the centre’s most popular initiatives is Food for Thought, where each month a different migrant group takes over the kitchen to prepare a feast for the broader community.

    “By 1pm it is amazing; the place is buzzing and the smells of the cooking are all through the centre,” Ms Msimang says.

    “By 7pm everyone starts arriving and the people tell what their experience is like, and one of the key messages that comes through every time is the generosity of Australian people.”

    Ms Msimang says these positive experiences of migrants often don’t get heard amongst the negative headlines.

    “It changes the narrative, you are getting beyond the surface,” she says.

    The South African-born activist, columnist and budding novelist says her experiences will help the centre to take storytelling to the next level, which is to use it as a tool for social change.

    Ms Msimang was born and grew up in exile; her parents were officials of the African National Congress and were only able to return to their homeland following Nelson Mandela’s release from prison in 1990.

    There was a silver lining to exile – education. The ANC funded the education of its exiled members’ children with the aim of developing a pool of highly qualified professionals dedicated to public service.

    Ms Msimang worked with the United Nations in South Africa focusing on HIV/AIDS issues before heading up billionaire financier George Soros’s Open Society Initiative, shifting her focus to promoting democracy.

    “Our focus was on the small guy, because often they’re the canary in the coal mine, you know, so we’d be talking with gay men, journalists who were under fire, anyone who had a story that needed to be told.”

    In 2012 she was accepted as a Yale University ‘world fellow’.

    “It’s a mid-career break, so you have distinguished yourself as a leader but whose best years are still ahead of you. I like that way of thinking about it,” she says.

    She decided to focus on writing and worked as a columnist for the Daily Maverick in Johannesburg, becoming one of the few female voices in the country’s media.

    Early last year her Australian-born husband asked to return home, and she says her children are already obsessed with footy and “chucking it in the bin”.

    But Africa is never far from her mind, and she made headlines in April this year by joining former children-in-exile (known as Masupatsela) in denouncing South African president Jacob Zuma’s lavish, publicly-funded upgrade of his home and gardens.

    Mr Zuma has apologised for the scandal, but a court found he’d flouted the constitution in his handling of the affair. The ANC was trounced in local government elections last week, and Ms Msimang’s former paper the Maverick dubbed him “dead man walking”.

    Ms Msimang has written a book about living in exile, provisionally called Always Another Country and is looking for a publisher.

    by STEVE GRANT

    8. DHM Plumbing 10x3

  • Bus challenge fails

    A GROUP of senior and disabled Mt Hawthorn residents escalated a dispute with Transperth over bus routes to the Supreme Court on Wednesday, but with no success.

    SANDBAG (senior and disabled bus action group) has been up in arms since Transperth diverted route 15 in August last year, leaving a swathe of suburbia around Brady and Tasman streets poorly covered.

    “Transperth’s drastic change to the number 15 produced an immediate impediment to those of the most vulnerable in our community – those who require assistance for their mobility,” SANDBAG convenor Tad Krysiak wrote in a submission Parliament after the change.

    Transperth introduced a temporary route 14 to cover the affected area, but it’s to be cancelled this week due to low patronage.

    Loaded consultation

    SANDBAG claims the PTA’s consultation process was loaded, producing different results to its own survey.

    Transport Minister Dean Nalder told parliament 50 per cent of submissions supported the change to route 15, 30 per cent were neutral, and 20 per cent negative.

    “…Transperth has many competing demands for services”, Mr Nalder told Eleni Evangel, who’d raised the issue for SANDBAG.

    He said the change provided a more direct connection between the new Perth bus-port and the Glendalough train station.

    “That’s no reason to change an 80 year old bus route for some bloody transport fetish that’s fashionable right now…connecting train stations?” Mr Krysiak thundered.

    Mr Krysiak’s 88-year-old mother Eugenia launched this week’s Supreme Court injunction, but on Wednesday the judge found there weren’t grounds to stop the withdrawal of route 14.

    by TRILOKESH CHANMUGAM

    9. COP 28x2

  • Burned golfers want barbies fixed

    STIRLING council has been urged to repair the barbecues at the Hamersley golf course after two players were severely burned by a portable one which exploded.

    The Hamersley Hackers and other golf clubs had been using a portable barbecue for sausage sizzles since the council-provided ones broke down, with the Voice hearing conflicting stories they’d been on the blink for anywhere between one and six years.

    But a couple of months ago the portable barbie exploded, burning the legs of two golfers who were hospitalised.

    Harley Bourke, captain of the Hamersley Men’s Golf Club, suspects there was a faulty gas pipe, but he says no one’s been keen to take responsibility for the portable barbecue.

    It had been stored at the Gleneagles tavern adjacent to the course, but no one from the company would comment.

    Hamersley Hackers player Eddy Hill says regardless of who was responsible, the council should have acted quicker.

    “The reason there was a portable bbq there in the first place is because the fixed one was in such a bad state it couldn’t be used anymore,” Mr Hill told the Voice.

    The golfers have collected a 36-signature petition to the council calling for the barbecues to be fixed.

    Stirling council was contacted for response but didn’t get back before deadline.

    by TRILOKESH CHANMUGAM

    10. A Fish Called Inglewood 10x3 10. Estia 10x3 59085MustMonday10x3 10. Terrace Hotel 10x3

  • Centre won’t be affected by childcare cuts

    DAY CARE operator Marjorie Mann in Mt Lawley won’t be affected by cutbacks in childcare subsidies, says local Liberal MP Michael Sutherland (“Cuts ‘level playing field’,” Voice, August 6, 2016).

    Mr Sutherland got a letter from community services minister Tony Simpson in late July which identified that only the Meela and Mt Lawley childcare centres would be affected in his electorate. They’ll lose rent, maintenance and insurance subsidies.

    Mr Simpson’s letter says the local government and communities department was investigating whether to vest the centres with local governments, hand over the land freehold to the centres themselves, or to sell it off.

    GT23021.indd

  • Imagining hope

    TIM MUIRHEAD is the author of Finding Heraan, a ‘philosophical fable’ that explores the themes in this article. His writing is based on 30 years professional experience in building understanding between different groups. 

    I HAVE long felt frustrated that we in Australia, with all our benefits, are not able to realise our extraordinary potential in nourishing our own people, or nourishing the environment and wider world that we are a part of.

    I wonder if this is because of a lack of imagination?

    For all our achievements we seem to measure success by how hard we work, or how rich we get.

    And I don’t think I’m alone in yearning for something deeper, in a human life, than hard work and material wealth.

    An antidote to frustration, of course, is the work of hope: we imagine the world as we would love it to be, and act as though we will make it so.

    Recently, in launching a new book Finding Heraan I felt I should confess to some of the hopes that lie beneath the imagined world within…

    • I imagine a world in which we can genuinely hear each other, and be heard; where we celebrate, rather than fear, our extraordinary, rich differences as human beings.  Where instead of boasting ‘I treat everyone the same’, we strive to ‘treat each person as who they are’, so that we might all be known.  

    • I imagine a world where we feel moved to share our own insights and truths with others around us, and then remain genuinely, courageously open to their response, so that our truths might be challenged, or even changed through the dialogue; so that our truths can become deeper, and clearer, and more encompassing. 

    • I imagine a world where we understand that none of us can possibly know the whole truth, but, where, if we speak and listen well, our different individual notes might combine into an ever richer symphony of truth. 

    • I imagine a world where we respond to ideas we don’t like or understand with questions, rather than judgement. 

    • I imagine a world where we don’t use our hard won ‘freedom of speech’ as a front for knowingly insulting things that others hold sacred. And, on the other side, where we don’t place things that we hold sacred above the sanctity of human life and dignity.  

    • I imagine a world where our love of ‘freedom of expression’ does not blind us to the need to speak of each other with care; to use words that don’t hurt or diminish or insult. And, on the other side, where we are calm in the face of hurt or insult, and so strive to enlighten  the hurtful speaker, rather than punishing them. 

    • I imagine a world where we don’t react to disagreement with either fear or anger, but with genuine fascination for the different perspective that leads to that disagreement. 

    • I imagine a world where we stand against evil with love, rather than hatred; not for moral reasons but because it is more effective. Where we notice the simple fact that acts of both love and hatred are contagious, and so understand that responding to hatred with hatred simply spreads that hatred; and responding with love can, at the very least, slow the contagion. 

    Of course, in my living, I fall dramatically short of my imagining. And of course, in our world, we sometimes need force to protect ourselves and others from violence, and things get messy.

    But, despite that, I think the first step to creating something is imagining it, naming it, talking about it, normalising it.

    And so the more we—all of us who believe in love before hatred, connection before fear, and genuine interest before blind judgement—can name and talk about and imagine such a world, the more we might nudge our existing world in that direction.

    VIN001C81868(13AUG)x262_P.pdf VIN001C83063x109_P.pdf

  • Sayers fits Leedy like a comfy pair of slippers

    13. 945FOOD

    S AYERS doesn’t do table service, a polite waitress informed me, but after finding out I was just after a pre-lunch coffee, it turned out not to be a hard and fast rule.

    Soon a smooth and steaming brew arrived while I willed the heat from the alfresco heater towards my fingers so I could file a couple of stories courtesy of the free iiNet wifi I stumbled across.

    Little introductions like this can have a big impact on your impressions of a restaurant, and Sayers did nothing along the way to dampen my enthusiasm.

    When my lunch companion arrived we retreated indoors and were soon enjoying the mellow decor with its artsty photos and soothing 1900s-inspired feature wallpaper from our booth seat, enveloped in the hubbub of a crowd that, like the restaurant, was fashionable but not too trendy.

    I ordered the slow-cooked, cumin-spiced brisket with mashed potato, glazed baby carrot, leek fondant and a date and shiraz reduction.

    Perhaps I’ve been conditioned by ridiculously-priced morsels of tapas, but I actually spent a few seconds confused by the foreign object on my plate before realising it was a second, generous portion of beef.

    It was noticeably fattier than its greyhound-lean companion, which may have explained the chef’s generosity, but I’m a fan of fattier cuts so at $26 it made the dish a bargain, I thought.

    The meat itself was tender-as, even the fattier bit, and rich with flavour. The reduction was sweet like a YouTube kitten and robust like a German opera, so piled onto a forkful of creamy potato it made every mouthful a delight.

    My dining companion is the guiding type, so I’d let her lead me to Sayers with the recommendation: “Lovely coffee; always have good coffee at Sayers.

    “It was very enjoyable,” she remarked of her meal.

    “I had a pork belly and chorizo frittata ($17.50) with a beautiful green salad with a lovely dressing. It was pulled pork which was very unusual for that sort of frittata – I’m calling it frittata but it was almost like a pie.

    “I think it had what might have been haloumi on top.”

    A good selection, good food, good vibes and a good location; Sayers is a great staple of Leedy life.

    by STEVE GRANT

    Sayers
    224 Carr Place, Leederville
    9227 0429
    Breakfast and Lunch
    Seven days a week

    13. Sienas Sister 10x7

     

  • Dead set creativity

    14. 945ARTS

    A DEAD Mouse and a Broken Coffee Machine is Applecross artist Shannon Lyons’ latest exhibition.

    “It’s a real mouse which is dead,” she says when asked about the rodent pictured on her press release.

    “I definitely did not kill it,” she’s quick to add.

    You can get just about anything from a taxidermist, including a dead mouse on request: “He said come and choose,” Lyons says.

    The small mouse is a comment on the perceived lifelessness of galleries, Lyons says, who once did stumble across a decomposing mouse in a gallery corner; “that nobody had noticed, or noticed and decided not to pick up.”

    The exhibition also looks at the relationship between the commercial hospitality environment of a cafe, and the supposedly non-commercial gallery space: “[And] the coded social engagements embedded in each,” Lyons says.

    “People go to openings to drink, and similarly go for coffee to meet friends, but it’s a commercial transaction.”
    Lyons has shown her work nationally and internationally, including Mexico City, Melbourne and UWA’s Lawrence Wilson gallery.

    Along with an arts degree, she has a philosophy doctorate from Curtin University and studied overseas including at the Ecole Nationale Superieur d’Art de Dijon, France and the Fondazione Antonio Ratti, in Italy.

    A Dead Mouse and a Broken Coffee Machine is on at Moana Gallery, 618 Hay Street, Perth August 12–September 3.

    If you get your Voice early the opening (Friday August 12, 6pm) includes a performance piece by a disinterested barista – who won’t be making coffee.

    by JENNY D’ANGER

    14. Serene Lim 10x2

  • Pollyphonic power

    15. 945ARTS2

    WITH a 100-strong indie rock choir set to perform, it’s a good thing the revamped Badlands Bar on Aberdeen Street is cavernous.

    Menagerie is a Perth-based group where the conductor will probably be wearing shorts or safari gear rather than a tux, and the choir could be sporting horns or ears.

    “Because we are wonderful, colourful animals,” says James Chesters, who belts out the bass parts.

    Menagerie sold out at last year’s Fringe Festival with its quirky, foot-tapping choral versions of pop hits from the likes of Fleet Foxes, Silverchair and Clare Bowditch.

    For its Winter Warmer: Women Who (Indie) Rock the choir will be joined by Sarah Tout, award winning Rachael Dease and Meri Fatin.

    “Celebrating our favourite women who rock. Or in this case, indie rock,” says Chesters.

    Winter Warmers is on Sunday August 21, doors open 6pm. Tix at oztix.com.au

    15. WAAPA 10x7