• Trashing treasures

    BATHROOM “selfies” snapped in privacy while getting ready for a night out are quite common, says artist and photographer Emily Hornum.

    By day the Edith Cowan University student works in a photo lab and she’s intrigued by the changes the digital era has wrought on photography: the way images are shared, concepts of private and public photos, and the sheer number of bathroom “selfies” she is asked to process.

    “Hundreds of them,” she says. “Are they going to put them in an album?” she wonders.

    Photography in the digital age has become more about communicating via social networks than archiving family history, and the 28-year-old fears the family album is already a relic, replaced by the permanent transience of Facebook, Instragram and Pinterest (the images exist forever in cyberspace but may be largely inaccessible years down the track as a cogent collection of images).

    15. 880ARTS1
    • Emily Hornum explores how our relationship with photography is changing: the more photos we take, the less valued the images seem to be.

    “Snapchat is interesting,” she notes, “taking a photo and deleting it almost immediately–it reinforces elements of the temporary nature in our relationship with images.”

    The advent of phone cameras has seen a vast proliferation of happy snaps but they are as easily “trashed”, unlike the treasured printed photograph of the past. Hornum’s exhibition Object Data Memory explores how new media alters traditional notions of family archiving.

    “Technology is always going to move…this is looking at how we are going to pass family narratives on.”

    Huge installations fuse boundaries between analogue and digital technologies, old and new ways of using photographs, “and question the influence this has on the performance of memory”.

    A massive sculpture comprising more than 3000 35mm slides, recreated from Hornum’s family albums, uses mirrors to express an “interplay with illusion and repetition,” she says.

    Family videos were also plundered for the exhibition, including an interview with her grandmother as alzheimer’s threatened loss of family stories, and videos taken by her father, who’d died when Hornum was quite young.

    “Dad was behind the camera, but you can hear him [giving directions]… there are raw, fragmented elements.”

    Object Data Memory is on at not-for-profit gallery Free Range, 339 Wellington Street Perth, May 15–26, Tues–Sat 10am–5pm, Sun 12–5pm.

    by JENNY D’ANGER

    880 Your Essential Beauty 10x3 880 Terrace Hotel 9x2.3

  • NSW artist cracks PICA award

    AN artist from NSW has beat out local competition to win the $35,000 Harold Schenberg art prize at PICA’s Hatched national graduate show.

    Andrew Styan’s piece The Bell Buoy featured a rotating hunk of coal filmed live and projected into the gallery resembled “a hyper-realistic asteroid looming ever closer,” a comment on humanity’s impact on the climate.

    It was a characteristically peculiar haul of artwork at PICA’s Hatched this year, with Louise Morgan’s work Symptoms seeing more than 1000 tiny paper skeletons crawling the walls to document mass extinction and Kara Baldwin’s robot dogs crawling around drawing insane pictures with textas taped to their tails.

    The Voice’s favourite was Dominic Byrne’s video of a viscerally repulsive skeletal figure spitting crimson fluid and yelling “I hate my guts!” at fearful punters as they reached the top of the stairs.

    Hatched is on at PICA, 51 James Street, until June 21.

    by DAVID BELL

    880 FCO 20x3.5

  • Acton Mount Lawley

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  • A neat family package

    THIS solid brick home on Crawford Street in Inglewood offers generous proportions: an increasingly rare commodity in space-deprived suburbs close to the city.

    More house than townhouse it’s an immaculate four-bedroom/two-bathroom abode that is all about space and comfort, and value for money.

    Built in 2007, it’s so fresh both inside and out you’d be forgiven for thinking it’s brand new.

    A covered portico welcomes visitors and keeps them out of the inclement weather as you sashay to the door.

    17. 880HOME 1

    One of two living rooms greets as you step inside the entry vestibule, and a nearby study is closed off via the cutest french doors.

    Golden-brown timber floors flow through to the heart of the home—a spacious dining/living/kitchen, where huge windows/doors on two sides ensure plenty of natural light.

    The kitchen is well designed, with masses of black-granite bench tops and lovely golden-timber drawers and cupboards, including a pantry.

    Push back the doors to the courtyard garden and invite the gang around for a barbie—or simply relax on the covered patio as you read weekend papers in blissful solitude.

    17. 880HOME 2

    The bedrooms are upstairs, each with their own TV antennae point: the generous main also enjoys a walk-in robe and ensuite with double vanities.

    A huge double garage, with heaps of floor-to-ceiling storage, makes parking easy for cars plus toys.

    Living here you’re spoilt for choice when it comes to dining and shopping options, with the Beaufort Street strip mere minutes away.

    17. 880HOME 3

    Perth and  Chisholm Catholic colleges are nearby and you’ll find Inglewood primary school just a block away on Crawford Street.

    A very neat family package that’s close to Perth.

    by JENNY D’ANGER

    208A Crawford Street, Inglewood
    from $839,000
    Jody Missell
    0401 770 782
    Acton Mt Lawley
    9272 2488

    880 Avant Financial Services 10x2

  • Methane off the menu

    POCKETS of dangerous methane gas could scupper plans to build a new cafe down at the Maylands foreshore.

    After 10 years of umming and awwing, Bayswater city council recently set aside $21,500 to investigate building a sea-container style cafe at the river.

    But the plans might never get off the drawing board because of pockets of underground gas.

    “The cafe investigations of this nature would involve technical specialised advice, including the implications of methane gas,” wrote council officers.

    The WA environment department is currently assessing several “contaminated” sites in Bayswater, including the Maylands foreshore, golf course and yacht club.

    Cr Terry Kenyon, the former mayor, says the council should buy back the riverside cafe it sold to the rowing club.

    “As far as I know the rowing club only meet there one day a week and for the other six days it sits empty,” he told colleagues.

    “We should negotiate with them about buying out their 25-year lease, rather than spending $20,000 on another foreshore study.

    “We have dilly-dallied long enough on this.”

    Cr Michelle Sutherland also bemoaned the council’s 10-year procrastination.

    “We’ve been operating at a snail’s pace on this one,” she says.

    “We need to get the ball rolling and could even use some of the existing infrastructure down there.”

    Cr Sutherland said the toilets were a “bit dicey” at the rowing club but agreed the premises could be converted into a decent cafe.

    Sea container cafes are as popular as bushy beards and jam jars and can be found in Fremantle, Cockburn and at Tomato Lake, Belmont.

    Cr Stephanie Coates says the council should take a look at Muvbox, a pop-up shipping container restaurant that can be easily moved about.

    by STEPHEN POLLOCK

    879 Loftu Rec 10x7

  • Muslim Pride struts the stage

    BEING queer, young and Muslim is like being a “crescent-shaped peg” fitting into a “Southern Cross-shaped hole” according to new theatre troupe Third Culture Kids.

    Writer Dure Khan, originally from Peshawar in Pakistan, based her new play Once We Were Kings on her experiences with other young people navigating their way through being queer and Muslim in Australia.

    Director Mustafa al Mahdi says “most people in the Muslim community, if they don’t fit in they usually don’t rock the boat, they keep it to themselves.

    “They’re forced to keep multiple social circles: there’s the religious circle, the social circle, and their nightlife or queer circle, and they never overlap… they try to keep links with their families and culture, but that contrasts with who they are and want to be.”

    Some even maintain two Facebook accounts to keep family sequestered from their queer identity.

    These days much of mainstream Australia supports gay rights (about 70 per cent want marriage equality) but for Muslim kids coming out there are still many hurdles.

    “Some of the Christian queers might just have to break through one barrier, the religious barrier,” al Mahdi says.

    “The real interesting thing about queer Muslim youths is they’re not just battling religious conflicts, the conflict is three tiers: the first is social expectations, then cultural expectations, then religious expectations, and being queer is opposing all three.”

    02. 879NEWS
    • Once We Were Kings looks at queer Muslim culture in Australia.

    Parents who grew up overseas have a tough time understanding: in many middle-eastern countries there’s not even the words for someone to express they’re queer. In 2007, Iran’s then-president Mahmoud Ahmadinejad proudly proclaimed there were no homosexuals in his country.

    “It’s not even in the vocabulary,” al Mahdi says. “For them this concept doesn’t even exist, they don’t acknowledge it… most people see it as  ‘you fell and bumped your head’” and got a strange idea.

    For queer kids growing up without that reference point “the worst thing is the confusion… here the queer community know what they are, they know what’s being opposed and they know what to fight back with”.

    They’ve had a bit of backlash even before the performance hit the stage: al Mahdi says he’s been told “you are defacing Islam,” and the troupe initially had trouble getting a male actor to take part (along with the queer subject matter, some complained that in one scene there was a woman leading prayer, “unacceptable” to conservative Muslims).

    Khan is hoping the project starts a conversation: “I also hope it helps other queer or questioning Muslims find themselves and one another. We are not haram (forbidden),” Dure says, “and we are not alone.”

    The troupe’s been surprised by the number of people keen to come on board: “This project is kind of like a beacon, a light in the sky, they see it and they have the courage to come out,” al Mahdi says. “Even though it’s very small, it is a means of support.”

    He’s optimistic about the future for queer Muslims. He says the internet is opening things up in a huge way. During the Cold War, American rock and roll tapes were smuggled behind the iron curtain at great risk. Today, the internet is a big fat firehose of culture that’s near impossible to plug.

    “So much has changed because of the internet, the internet levels the field,” al Mahdi says. He can now go pretty much anywhere in the world and drop a pop culture reference and have it be understood, and it’s becoming impossible to shield people from queer realities.

    “For the next generation, it’s almost impossible to turn a blind eye to it. These ideas only survive on fear and ignorance, and fear and ignorance can be cleared out with the internet.”

    Once We Were Kings is on at the Blue Room, May 12 to 30, bookings http://www.blueroom.org.au or 9227 7005

    by DAVID BELL

    879 Inglewood Station 10x3

  • Seeking the ugly truth

    THE Beaufort Street Network wants to hear “the good, the bad and the ugly” about the street so it can keep improving it.

    Network chair Pam Herron says Beaufort Street has seen some big changes over the past few years, such as murals, new trees, public art, the colourful Beaufort Street sign and the quirky bathtub planters. Her group’s also set up the popular Beaufort Street art market and handles the yearly street festival.

    But the street’s also had its troubles. Gentrification sees rent rise. Landlords sit on empty buildings awaiting princely rents (which may never come). Independents get priced out by lucrative bars and restaurants, meaning daytime trade suffers. The quirky stores pack up and leave, and soon it’s only chains that can afford the rent.

    Now the network’s hoping locals will come along for a walk down Beaufort Street and share ideas for how to make it better. It’s on Wednesday May 6 at 6pm, and the details (and a passive survey for folks who don’t want to walk) are at http://www.beaufortstreet.com.au/tell-us-what-you-think

    by DAVID BELL

    VIN001020868(2MAY)x260_P.pdf

  • Pooches need foster parents

    DOG-fostering has helped Maylands woman Christine Jones recover from a violent dog attack that injured her and killed her pooch, Jeremy.

    It’s almost five months since two great danes attacked her on Railway Parade in Maylands, killing her little kelpie/King Charles cavalier cross who had been named after Jeremy Irons.

    In the months since, she’s had a little friend helping her on the road to recovery: a foster dog named Muppet who needed to get out of the Shenton Park dog home and get some extra care in the lead up to surgery.

    Muppet turned up a bit of a cheeky boy but Ms Jones says she let him know straight away that mischief (and couch time) was off limits. Even if she’d be happy to have him cuddle up on the couch, Muppet’s new family might have strict rules and he needs good behaviour to be adopted.

    04. 879NEWS
    • Christine Jones with foster dog Muppet, (getting some sneaky couch time) who’s been helping her recover from the violent death of her dog, Jeremy (see Voice Mail, page 4). Photo by Matthew Dwyer

    Time out of the shelter is also important for dogs looking for forever homes: if they spend too long in the kennel they can get nervous and stressed, which doesn’t make them appealing to a new family.

    Ms Jones says after Jeremy was killed “this place felt like a morgue. It didn’t feel like a home anymore, it felt empty”.

    “It was just a house. I couldn’t enjoy my garden, I let all my plants die. I thought what’s the point of having a garden if there’s no dog in it?”

    Many dog fosterers end up keeping their pooch (“it’s called ‘foster failure, adoption success’,” Ms Jones says), but she says Muppet is very adoptable and she’d prefer to keep working with dogs who need help.

    Her first foster dog was Ernie, who she nursed palliatively through a terminal illness.

    “I can’t say I haven’t thought about [adopting Muppet]… but it’s not about me, it’s about him, and I reckon he’d be happy with someone who can exercise him every five minutes. And I don’t think there’ll be any problem with him getting a home. I see my role as looking after them until they get to that stage.”

    by DAVID BELL

    EZ Digital 10x3

  • Psaros

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    879 Psaros 40x7

  • Vegie patch parks plan

    YOU might soon see Bayswater locals nibbling on yams and beetroots in local parks after the council approved the creation of edible gardens on its reserves.

    The council will develop a policy that lets locals turn designated areas into fruit and vegie patches.

    “This is all about empowering locals to take ownership of their parks,” says Cr Chris Cornish.

    “They will be able to take under-utilised areas and plant low-maintenance stuff, like capsicums, and bay leaf and lemon and orange trees.

    “The areas don’t have to be fenced off and locals can plant where there is existing infrastructure and reticulation: so it won’t cost council much.”

    Cr Cornish also won support to allow residents to transform their verges into vegie patches (Voice, April 10, 2015), although Cr Stephanie Coates expressed concern about the presence of insecticides and fertilisers, as well as pollution if foodie verges are on busy roads.

    “We need to make sure the officers develop a comprehensive policy on this one,” she said.

    Cr Terry Kenyon was worried the council might be publicly liable if a passer-by tripped over a verge beetroot, but Cr Cornish noted a two-metre setback was required for clear pedestrian access.

    In a wide-ranging “green” motion, councillors also voted to advertise for expressions of interest for a community garden.

    “The concept has been around for years,” Cr Barry McKenna said. “But I think that with the rise of Men’s Sheds it will be good for retired men who don’t want to do wood or metal work.”

    by STEPHEN POLLOCK

    879 Altitude 20x7